Alexander Jamieson Art

An impressionistic depiction of a figure in the snow with cars and buildings in the busy City Streets. The Empire State Building is portrayed in the background as the snow filled str...

The Grand Canal, Venice Italian Impressionist artist, second half 20th centuyr indistinctly signed oil on canvas, unframed Canvas: 26 x 32 inches Provenance: Private collection Cond...

Gorgeous landscape of Sierra Mountains and lake in autumn by Oliver Glen Barrett (American, 1903 - 1970), circa 1940. Signed lower right corner; ti...

A whimsical oil painting depicting a cafe scene in an Italian Village. Luigi Cagliani was known for his charming compositions and settled in Lombardy, which helps explain his passion...

Calm farm scene of a bucket filled with daisies by an unknown artist (20th Century). In the background a brick barn has a door open, with weeds and plants growing in front of it. A p...

“In June (Im Juni)” Julius Paul Junghanns (German, 1876-1958) Oil on canvas Signed and dated “1913,” titled on reverse 18 ½ x 23 1/4 (27 1/4 x 31...

"The Awakening" Early Spring Landscape of Mt Hamilton Oil on Masonite Early Spring landscape by Palo Alto, California artist "Florice" Florence P. Wideman (Hoffman) (American, 1893-1...

"Pilgrimage", a mid century figurative landscape by Carmel, California artist Mary Miller (Klepich) (American, ? - 1957). Presented in a rustic giltwood frame. Signed "Mary Miller" lower right. Titled "Pilgrimage," dated "1952" and signed "Mary Miller" on logo on verso, with Santa Cruz Art League Twenty Third Statewide Art Exhibition Label. Image, 18"H x 24"L. Framed size: 22.5"H x 28.5"W. Mary Miller (Klepich) exhibited in the Twenty-Third Annual Santa Cruz State-Wide Art Exhibition. She and her husband Fred Klepich studied at Bellas Artes, San Miguel de Allende in Mexico. Fred and Mary Owned Carmel Craft Studios, later (SAS) Studio Art Supplies...

This exceptional 1924 original oil painting by influential Colorado modernist John E. Thompson depicts the historic High Bridge—New York City’s oldest surviving bridge—as it rises gracefully above the Harlem River. A rare and dynamic example of Thompson’s early modernist style, the work blends architectural realism with expressive, textured brushwork. The elegant stone arches, rhythmic spans, and atmospheric urban setting reveal Thompson’s mastery of composition and color. Signed and dated in the lower right, the painting carries strong historical authenticity and collector appeal. It is presented in a custom vintage frame that complements the period and enhances its refined, timeless presence. This rare early 20th-century view of New York City architecture is an important acquisition for collectors of American modernism, urban landscapes, and historic engineering landmarks. It captures a pivotal moment where traditional realism meets the burgeoning energy of modernist vision—making it a standout work in any distinguished collection. About the Artist: John E. Thompson – Pioneer of Colorado Modernism John Edward Thompson (1876–1945) is celebrated as the “Dean of Colorado Artists” and a foundational figure in introducing European modernism to the American West. Educated at the Art Students League of Buffalo and later in New York, he absorbed avant-garde influences while working in Europe, particularly inspired by Paul Cézanne. Settling in Denver in 1914, Thompson became a catalyst for the region’s modern art movement. He taught at the University of Denver and the Santa Fe Art School, working alongside Andrew Dasburg, B.J.O. Nordfeldt, and Walter Ufer. His mentorship shaped artists such as Józef Bakoś and Walter Mruk, co-founders of the influential group Los Cinco Pintores...

John White was a Cornish painter from the 19th century. He exhibited at the Royal Academy in London and also at the British Institute, in London. His work is Victorian in its com...

ROBERT KENNETH WHITE – "CAIRN ROAD" ⚜ Oil on Canvas ⚜ Hand Signed Lower Right ⚜ Frameless Display A QUIET TESTAMENT TO ENDURANCE AND SOLITUDE In “Cairn Road” (2012), Robert Kenneth ...

Bold composition of two people on a porch by Majel McHugh Logan (American, 1916-1982). Two people sit facing each other on a porch, backlit by warm sun. The piece is sketchy but confident, with thick brushstrokes adding high contrast shadows and highlights. Although the subjects' faces are undefined, there is nonetheless an expressive quality in their body language. Signed "Majel Logan" in the lower right corner.\ Artist's tag on verso with title. Presented in a wood frame with a gold accent. Frame size: 14.75"H x 16.75"W Canvas size: 14"H x 16"W Majel Logan (nee McHugh) (American, 1916-1982) was born in Utah. After graduation from St. Mary of the Wasatch College in Utah, she studied at the Pennsylvania Academy of Fine Arts. She continued to study at Idaho State University before eventually settling in Santa Clara, CA. Although she was a professional artist at the time, she nonetheless continued her studies at San Jose State University in the 1970s. By the mid-70s, she had won 43 awards in state, regional, and local competitions, including Fiesta des Artes (Los Gatos...