Alexandra Buckle Landscape Prints

DAVIES, Peter (b.1953) Tregenna Roofs (St. Ives) 2011 Linocut 4/6 26.0 x 34.0 cm Artists Statement Since starting to paint in 1981 my mainly plein aire landscapes have used ...

Giclée print in colours 58 × 76 cm - Paper size 62 x 80 cm - Framed size Edition of 295 hand-signed and numbered by the artist. comes with COA from the publishers. framed by the pub...

This charmingly whimsical lithograph of a classic Toronto image—the streetcar was one of a series Charles Pachter first created in the seventies. Two electric streetcars moving away from the viewer fill the frame—in yellow and pink— hydro lines above them appear to be suspended above a large cloud. Pachter is a much-admired Canadian artistic polymath, his colourful pop artwork merging playful even irreverent elements with deeply iconic imagery. Number 5 0f 20. “…and a good art critic would compare it with Warhol’s soup cans...

Meet at the Ferris Wheel by Kathleen Beausoleil Signed on front, lower right Print, Amusement Park, Human figures, Skyscape, Outdoors, Nature, Nighttime

Ai Weiwei “Forest (1977)”, 2024 Limited edition offset lithograph print Edition of 200 Hand-signed by the artist Published by Damocle Edizioni, Venice, 2024 Each edition comes with...

Cedar, 2022 Screenprint on Somerset Velvet Antique 280gsm hand-signed and numbered 52.6 x 44.2 cm - Framed 48 x 38 cm - sheet Printer's Proof - Edition 1 of 3 To commemorate Ai Weiw...

With hand-deckled edges. Obey publishing chop in lower left corner. "Both a celebration of nature and a cautionary tale. Waves are beautiful and represent a powerful, hypnotic rhyth...

Red Moon by Ellen Martin Outer Space, Moon, Bright and Vivid Colors, Sky, Nature, Science

Lights Place to Place by Kathleen Beausoleil Signed on front, lower right Print, Amusement Park, Ferris Wheel, Skyscapes, Landscape, Human Figure

Bright Blue Moon by Ellen Martin Outer Space, Moon, Bright and Vivid Colors, Science, Astronomy, Nature, Sky

DAVIES, Peter (b.1953) ‘Solstice Sun’ 2019 Linocut on paper 15.0 x 10.0 cm (6 x 4 in.) Artists Statement Since starting to paint in 1981 my mainly plein aire landscapes have used a mechanical, rather than lyrical or painterly, approach. This probably puts my observational paint – by – numbers pictures at a creative and expressive disadvantage. But it doers prove conducive to a structural or compositional kind of drawing over which are applied layers of oil paint to deliver idiosyncratic textural and atmospheric effects. Furthermore, a Ben Nicholson – inspired dichotomy between foreground rooftops or architecture and a naturalistic marine or landscape background makes a chosen plastic and temperamental approach apt. So when in 2004 I was inspired by the much loved master relief printmaker John Liddell 1925-2005) to try my hand at linocut I found a process ideally suited to my mechanical bent it has been a love affair ever since. The workshop he founded in 1991 Poole Printmakers is a safe haven, an intimate co-operative near Poole Quay, and some of the most scenic terrain in Britain. It is also an area where my art career started in 1978 and inspired my early book Art in Poole and Dorset, published by Poole Historical Trust, 1987. Many blissful and absorbing hours over the last 13 years have yielded a large body of linocut prints in which I exercise those mechanical and reproductive qualities proper to the medium. Peter Davies...

Moon Map #1 by Ellen Martin Outer Space, Outdoors, Sky, Nature, Color, Bright and Vivid Colors, Sphere