Amanda Hoskin Paintings

​Helen Taylor (Contemporary) Watching Blue Prisms Signed with monogram, inscribed with title verso Oil on board 10 x 10 inches 11x 11 inches including the frame Helen Taylor’s pract...

White Water by Georgie Dowling is an original oil painting portraying the scene of the sea crashing over the rocks at the breakwater in Bude, Cornwall. The colour palette is cool and...

This piece, "Saffron Clearing", is a 36x36 oil painting on board by artist Carol Young featuring a vibrant barn in the midst of a yellow golden field and deep blue sky. The barn is a bluish violet with a scarlet red roof. A line of dark green trees are on the horizon. Young's use of complimentary colors make this painting jump out towards the viewer. About the artist: “I've always been an artist. At a young age I painted rocks...

An expressive palette knife oil painting depicting the rocks on the beach surrounding the breakwater in Bude, with the vibrant Cornish sea in the background. The thick, textured appl...

​Helen Taylor (Contemporary) Now she knows she remembers Signed with monogram Oil on board 12 x 12 inches Helen Taylor’s practice follows an interest in belonging, connection, and ...

A gold-leaf landscape painting by Sophie Berger. This original oil painting on canvas board has the depth and moodiness of a Dartmoor sky as well as the vivid sunshine hiding beneath the clouds. This is captured by the iridescent glory of the gold leaf. When the viewer is moving around the room the reflection on the gold leaf changes the whole painting as it glows and reflects. Based on the ever changing skies in Devon where Sophie lives and works. New original artwork by artist, Sophie Berger is available with Wychwood Art in their gallery and online. Sophie Berger's recent work has been greatly influenced by her move to Devon and a new found love of the Dartmoor. She often sketches on the north moors and in Skaigh woods, taking in the mood of the sky, rolling hills and streams or concentrating on the intricate twisted branches and roots of the bracken. Sophie Berger's next stage is to recapture these sketches using oil paint when back at the studio in Kigbeare, thereby creating a strong connection between her work and the landscape. The changeable, moody landscapes...

​Helen Taylor (Contemporary) The Lost Day Signed with monogram, inscribed with title verso Oil on board 5 x 5 inches without frame 6 x 6 inches with frame Helen Taylor’s practice follows an interest in belonging, connection, and journeys. She spent her formative years in the Middle East, relocating to England at the age of 16, to attend Hampstead Fine Arts College, London. Growing up in a desert manifested a yearning for a ‘greening’ of landscape and garden. Moving to the relative flatness and sandy lanes of Suffolk provided comfort, fuel for the imagination and ultimately home – an outsider looking in but also residing within. Taylor works partially en plein air, in part from sketches and memory. The works are enveloped in an instinctive, gestural immediacy and equally, are concerned with the graphic, expressive potential of colour. Balancing a romantic impulse with simplification of form, imperfections of application and rawness of material, the paintings are rendered in a loose, textured style. Taylor seeks to reinvigorate traditions of figurative painting and provide the viewer with a shared personal encounter. In 2001, Taylor presented her paintings to Her Majesty Queen Elizabeth II. Her work is held in private collections internationally. She has lived in East Anglia for 27 years. Exhibitions: A Brush with Nature, Artspace, Woodbridge, September, 2022 A Brush with Nature, Artspace, Woodbridge, June, 2023 A Brush with Nature, Artspace, Woodbridge, April, 20024 Under an Eastern Sky, Nicholas Holloway...

Through the unique usage of color, light and spirit, K.L. McKenna's style captures the landscape in a most unexpected way. Her paintings are not just paintings of landscapes but color harmonies of a very high and unusual order. Her inspiration for the west comes from childhood summers spent prospecting for fossils in Wyoming with her paleontologist father and family. K.L. McKenna's scenes of Colorado, Arizona, Wyoming and Montana reflect her enthusiasm and spiritual connection to the geology of the west, where she paints on site throughout the year. K.L. McKenna, a resident of Woodstock, NY and Ward, CO, has had extensive experience working for museums and top exhibition design firms in New York, such as Ralph Appelbaum Associates and Albert Woods Design. She worked throughout the United States and Canada as a graphical user interface designer for major banking firms such as Citibank, First Boston and Lehman Brothers. K.L. McKenna was awarded a U.S. Patent for "The Geozoo," an educational toy design. She studied painting first with Mary Buckley at Pratt Institute, Brooklyn, NY and later with Nicholas Buhalis at the Kingston School of Art, Kingston, NY. In 2005, K.L. McKenna exhibited 24 of her paintings in the Borderlands Gallery at the Booth Western Art Museum, Cartersville, GA. She has participated in the annual auctions "Expanded Horizons," Yellowstone Art Museum, Billings, MT, and the "Annual Buffalo Bill Cody...

"Moon 2", a bold contemporary small-scale abstract landscape scene by California artist Cheryl Petty (American, b. 1949). A nocturnal color palette of dar...

​Helen Taylor (Contemporary) A Short Walk to Europe Signed with monogram, inscribed with title verso Oil on board 5 x 5 inches without frame 6 x 6 inches with frame Helen Taylor’s practice follows an interest in belonging, connection, and journeys. She spent her formative years in the Middle East, relocating to England at the age of 16, to attend Hampstead Fine Arts College, London. Growing up in a desert manifested a yearning for a ‘greening’ of landscape and garden. Moving to the relative flatness and sandy lanes of Suffolk provided comfort, fuel for the imagination and ultimately home – an outsider looking in but also residing within. Taylor works partially en plein air, in part from sketches and memory. The works are enveloped in an instinctive, gestural immediacy and equally, are concerned with the graphic, expressive potential of colour. Balancing a romantic impulse with simplification of form, imperfections of application and rawness of material, the paintings are rendered in a loose, textured style. Taylor seeks to reinvigorate traditions of figurative painting and provide the viewer with a shared personal encounter. In 2001, Taylor presented her paintings to Her Majesty Queen Elizabeth II. Her work is held in private collections internationally. She has lived in East Anglia for 27 years. Exhibitions: A Brush with Nature, Artspace, Woodbridge, September, 2022 A Brush with Nature, Artspace, Woodbridge, June, 2023 A Brush with Nature, Artspace, Woodbridge, April, 20024 Under an Eastern Sky, Nicholas Holloway...

Brian Elwell began his artistic career at Chelsea School of Art, and was awarded the Chelsea Diploma in Fine Art and a Leverhulme Travelling Scholarship. He subsequently studied for ...

An expressive palette knife oil painting depicting the rocks on the beach surrounding the breakwater in Bude, with the vibrant Cornish sea in the background. The thick, textured appl...