Amedeo Modigliani Art

These recently discovered 1983-84 oversize pastels on archival papers were created working quickly, in pastel. The series shows the last existing obs...

This is a pastel painting done on toned archival paper. The title is taken from an old food network show. The artists sardonic humor is well illustrated in this work. A truly one of ...

Charcoal, pastel lace Audrey Anastasi states: "The paper doll series was created first in the presence of a live model, working quickly, in charcoal an...

Soft pastel on toned sanded archival paper suitable for framing under glass. Signed and dated bottom. Part of an ongoing series of mermaids by the artist

RINY artists Audrey Anastasi and C.Dimitri collaborated to create contemporary collage works. Born of the Covid pandemic, the team started working remotely, mailing artwork to each ...

These recently discovered 1984 oversize pastels on archival papers were created with a live model, working quickly, in pastel. The series shows the l...

Due to the current situation related to the Novel Coronavirus pandemic, our gallery will donate 10% of our commission from this sale to the Kansas City Artists Coalition, which has b...

Abstracted New York City landscape drawing of urban rooftops and tree tops "Rooftops", created by William Clutz in 1977 30 x 20 inches, charcoal and pastel on paper 33 x 25 inches in light wood frame This framed pastel on paper was made in 1977 by William Clutz. It features an abstracted depiction of New York City rooftops as seen from a high window. Of particular note is the artist's technique with pastel; a wonderful texture and motion is created by closely woven striated lines. Sunlight reflects off brown rooftops and peaking green tree tops. The charcoal and pastel drawing is framed in a natural light wood frame with non-reflective glass and wire backing for installation. About the Artist: Renowned as the “impressionist of the contemporary metropolis”, William Clutz uses the city, in its entirety, as his subject. Pedestrians crossing streets become stars of the stage; the hustle and bustle of traffic and surrounding buildings are the chorus; each play their part in the overall composition. Lighting and color shift this observation of the everyday into a remarkable wonder. “It is surely Clutz”, wrote Gerrit Henry in Art News, 1979, “an artist who has rejected the niceties of representation in favor of the quintessence.” The young artist moved to New York City in 1955 and just four years later had his first solo exhibit at the Condon Riley Gallery. Clutz went on to show in major uptown galleries such as David Herbert, where, notably in 1962 he received a NYTimes review titled, Return of the Figure. That same year, his role in the revival of figuration was further solidified with inclusion in the MoMA group show, Recent Painting USA, The Figure. This was a pivotal turning point from which emerged a 50-year exhibiting career. Resume Born: Gettysburg, PA 1933 Mercersburg, PA 1933-1951 New York City 1955-1996 Education Painting: Thomas Danaher(WPA artist) 1944-51 Mercersburg Academy, PA 1947...

These recently re-discovered 1984 oversize pastels on archival papers were created working quickly, in pastel. The series shows the last existing obs...

Soft pastel and charcoal on toned archival toned paper signed and dated bottom left . On view at the table Rasa Gallery in Brooklyn NY.

These recently discovered 1984 oversize pastels on archival papers were created with a live model, working quickly, in pastel. The series shows the l...

Soft pastel on toned sanded archival paper suitable for framing under glass. Signed and dated bottom right.. Part of an ongoing series of mermaid themes by the artist