André Mare Pitchers

A fabulous ice minimalist / modernist silver plated ice bucket, I believe in the Windsor pattern, designed c.1960 by the world famous Lino Sabatinni, the preeminent figure in modern...

This exquisite silver-plated soup tureen is a refined example of French tableware craftsmanship by the renowned house of Christofle. Marked with the classic Christofle hallmark and s...

Set of 12 fine French Art Deco silver plated knife rests designed by Edouard-Marcel Sandoz for the Gallia collection of Christofle. All 12 animals are different. Original case. Aver...

This striking silver-plated sauce boat is a rare and highly collectible piece by Christofle, one of France’s most prestigious silversmiths. Made under the Gallia line — a subdivision...

Wonderful Art Deco silverplate bud vase with a trio of stylized bird figures at the base by Christofle. Made in France and is marked with the script logo on the side and with hallmar...

A highly sought-after silver plated jug designed by the famous French designers (see below) Louis Süe and André Mare for the Orfèvrerie Gallia / Maison Christofle c.1925. Just back from our silversmith's workshop, it has been professionally cleaned and polished, restoring it to it's former glory; any shading are reflections; minor wear to the interior commensurate with age and use. A magnificent piece of history and as relevant for today's interiors as it was nearly 100 years ago. Excellent condition spanning 7 1/2" handle to spout x 4" x 7" tall. Any black marks seen on the body of the jug / pitcher are shadows not marks. Item: 44016 FREE Worldwide Registered Airmail Directly From the UK Sue et Mare The spirit of collaboration was alive in the age of Art Deco. No duo quite exemplified this ideal more than the one known as Süe et Mare. Taking their knowledge of fine art and their shared experiences in the war with them, Louis Süe and André Mare were able to shape trends in the shift from Art Nouveau to Art Deco and beyond. Their designs, inspired by Cubism, excited the Paris Salon of the time and remain relevant even today. Louis Süe was born in Bordeaux in 1875 to a wine merchant and his wife. Drawn to the arts, Süe abandoned a path which would have led him into the École Polytechnique to attend the École des Beaux-Arts in 1893. There he studied painting as well as architecture design, and in 1902 was able to exhibit with a number of his contemporaries in the Salon des Indépendants and the Salon d’Automne. After working in various Parisian artists’ workshops and spending time in Vienna (where he was introduced to Cubism), Süe joined L’Atelier Français, an interior design firm made up of a number of his contemporaries, and where he first met André Mare. André Mare was born in the Norman town of Argentan in 1885. Feeling stifled by his conventional upbringing, he left in 1904 to enroll in the École des Arts Decoratifs. In 1906, Mare also exhibited at the Salon des Indépendants and the Salon d’Automne, showing his furniture design and setting himself apart as a leader among his cohort. In 1912, along with Marcel Duchamp and others (and concurrent to his involvement with L’Atelier Français) Mare created La Maison Cubiste, a section at that year’s Salon d’Automne dedicated to radical interior design. The outbreak of the First World War briefly interrupted the two men’s collaboration. Süe was drafted into the French Army and served in the Greek campaign. Mare, meanwhile, developed new camouflage techniques for the French, British, and Italian armies using his knowledge of Cubism. But this function did not keep him from the front. In 1916, he was wounded by shrapnel in Picardy while helping establish a lookout post, and in the same year was awarded the Military Cross by George V of England. In 1919, Süe and Mare resumed their professional relationship by cooperating with Gustave Jaulmes on designing the victory celebrations in Paris for the war’s end. The next year the pair founded the Compagnie des arts français, focusing on creating designs for furnishings and interior accessories. While adhering to the Art Deco style, their designs were more conventional, harking back to the Louis XIV and earlier periods, and less focused on geometric intricacy. Highly decorative, their pieces featured flair such as sculpted floral and fruit motifs, scalloped edges, and inlays of ivory and mother of pearl. Working primarily as decorators and furniture designers, Süe and Mare did find time to continue participating in exhibitions, particularly the 1925 Exposition internationale des arts décoratifs et industriels modernes, where they constructed an actual museum of contemporary art. Other projects included the booth for the Ambassade de France and the interiors of the steamship SS Île de France.

Christofle France Gallia Silver Plated Figural Gravy Sauce Boat w/ Swan Spoon. Circa Mid 20th Century. Measurements: 2.5" H x 8" W x 4" D.

A boxed set of 12 knife rests in silver-plate, Art Deco period, designed by Swiss sculptor Edouard Sandoz, manufactured by Christofle, Orfévrerie Gallia circa 1935. There are 6 pairs...

1935 Christofle Art Deco silver plate sauceboat or Gravy Boat with Swan ladle combined conforming to the shape of a swan, Gallia Collection, designed by Christian Fjerdingstad for Ch...

Set of early 1920s Art Déco silver-plated metal articulated asparagus tongs/pliers by Christofle, France, formerly part of Argentine Navy serveware By: Christofle Material: metal, s...

ANTIQUE JUG/PITCHER Designed in 1926 by Danish silversmith and sculptor Christian Fjerdingstad (1891-1968) for high-quality French goldsmiths and silversmiths Christofle, forming pa...

This leaf vide-poche is made of silver plated. This is a work by famous French designer Gallia for Christofle, circa 1930.