Andrew Szoeke Wall-mounted Sculptures

This is a super rare opportunity to acquire one of these beautifully reduced versions of 'bathing ladies' the original being located in the famous Paris ''HOTEL des Collectionneur. T...

A very attractive vintage Olympia wall plaque. There is a thin layer of copper that is embossed with the scene of a gladiator riding a chariot, very mu...

A captivating mid-century modern iron wall sculpture depicting a scene of sailboats on a rolling sea. The meticulously crafted ironwork captures the essence of the scene, with sails,...

Pair cast bronze Art Deco wall panels with openwork details of squirrels, birds, storks and floral designs. Stamped #P286898 9 on the back.

This mid-century era molded fiberglass wall sculpture is unsigned, but presumed to have been made in Canada in approximately 1960 in a Neoclassical Revival style. The relief depicts ...

This mid-century era molded fiberglass wall sculpture is unsigned, but presumed to have been made in Canada in approximately 1960 in a Neoclassical Revival style. The relief depicts ...

Art Deco bronze floral motif architectural panel, each one of rectangular form with pierced floral still life.

A mid century Italian wood marquetry art panel. Composed of a scenic depiction of an Italian seaside village and sculptural arches. Rich warm color scheme from the different wood inl...

Stunning and Large Ballet Themed Art Deco Art Panel, Europe, 1940s. A large and stunning art deco art panel featuring a beautiful ballet scene with a man and a woman dancing. Great ...

Made up of a cross section of Brazilian timbers, Teia Wall Panel is a subtle juxtaposition of colour and shape comprised of an Art Deco inspired form combined with varied and natural tones of wood. Installation is via two screw slots on the rear. Handmade using Brazilian hardwoods Freijó, Sucupira, Muirapiranga and Caxeta. Knót Artesanal...

Functioning wall clock, model design Adolf Loos, circa 1920, white enameled octagonal metal housing, clear glass in nickel binding (flap missing), black hands and numbers, signs of u...

This monumental wood sculpture by Leroy Setziol (1915–2005) is a rare and significant early commission, created in 1963 for the National Bank of Portland, Oregon. Measuring an impressive 191" x 31" x 7", the piece marks a pivotal moment in Setziol’s career as he transitioned into large-scale architectural work—integrating fine art with the built environment in a way that would define his legacy. Carved in his signature style of deeply incised geometric forms and rhythmic abstraction, the panel reflects Setziol’s exploration of nature, spirituality, and cultural symbolism. Commissioned during a period of progressive architectural development in the Pacific Northwest, the work exemplifies the region’s modernist ethos—where art and architecture were conceived in harmony. Setziol would go on to complete numerous public commissions, collaborating with leading architects such as Pietro Belluschi and becoming one of the most influential wood sculptors of the 20th century. Early, large-scale works like this are exceptionally rare on the market and offer a unique opportunity to own a foundational piece of Pacific Northwest modernism. This sculpture is not only a stunning example of Setziol’s craft—it is a historical artifact from a turning point in American architectural and design history. The following is taken from the Portland Art Museum's profile of Leroy Setziol for their exhibit in 2015-16 celebrating the 100th year anniversary of his birth "Leroy Setziol" Sept 5, 2015 – Oct 30, 2016 "A composer in wood, Leroy Setziol created lyrical sculpture that honors the beauty of a material strongly identified with the Northwest. The black walnut, teak, fir, and other woods he employed enhanced his complex gridded compositions, bringing them to life. A self-taught, intuitive worker, Setziol visualized his complex carvings using the grid as an armature to frame imaginative shapes. Throughout his career, his sculpture ranged from intimate works to large-scale public commissions. The largest work on display is an elegant, teak, two-panel wall relief from 1991. Twenty-three works are on view, including free-standing sculpture, totems, and a variety of wall reliefs. Setziol’s sculpture gained greater recognition with Portland’s architectural community in 1964 when he was invited by Northwest Regionalist architect John Storrs to carve a series of large-scale relief panels for Salishan Lodge in Gleneden Beach...