Anna Karlin Chaise Longues

Antique Victorian Walnut Chaise Longue, circa 1860 – an elegant conversation sofa of superb quality and craftsmanship. This solid, beautifully aged piece exudes character and charm,...

SACHA CHAISE - Modern Chaise Lounge in Camel Luxury Velvet The Sacha Chaise Lounge is a sleek and stylish piece of furniture designed for modern living s...

A fine contemporary A. Rudin chaise lounge sofa, in grey upholstery, with rolled back and single arm, down and foam filled seat cushion, rising on tapered wood block feet, accompanie...

Large Milo Baughman Style 'Satellite' Chaise Lounge

A sleek contemporary chaise lounge circa 1980's. This well made sofa retains its's original black velvet like upholstery. Its in very clean condition and usable as it is.

Wonderful Adrian Pearsall curved wave chaise lounge rocker. This piece was reupholstered in the 80's and will most certainly need to be redone. Th...

The Flag Couch is a smart and multifunctional piece. The couch has a cushion built into the seat that makes the piece with dual functionality: when is close...

This elegant French 19th century Napoleon III tufted chaise lounge showcases the artistry of the period. It features a gracefully sloped and curved extended left arm, and scrolled back with a decorative tassle accent. The interior of the back and arm, and the seat, are all skillfully and heavily tufted, making this chaise a unique and standout addition to any interior. The vintage blue velvet fabric...

A superb quality 19th century regency period Mahogany chaise longue of rare design having Elegant carved decoration which includes eagles Head to back and scrolling end raised on unu...

The Flag Couch is a smart and multifunctional piece. The couch has a cushion built into the seat that makes the piece with dual functionality: when is close...

Satellite chaise by Milo Baughman for Thayer Coggin. This iconic sculptural satellite chaise or satellite chair upholstered in Bouclé is both stunning and comfortable. Will accommoda...

Russian designer Maxim Scherbakov‘s new exhibition at Rome’s Contemporary Cluster gallery, he pushes that idea to the extreme: What if design could be all about emotion, and little else? His barely functional pieces, and his general conceit, feel uncomfortable at first — we’re not sure we want to live in a world where design is purely an aesthetic indulgence — but in an era when furniture is increasingly difficult to distinguish from art, it does feel in some ways like we already are. And the ornate backdrop of the gallery’s home, the 14th-century Palazzo Brancaccio, serves as a potent reminder that it’s possible we always have. Maxim Scherbakov, who works under the studio name Supaform, says that he developed the new collection “as a result of a careful visual search for the frontiers of comfort,” seeking to celebrate “beauty for no reason,” he says. His floor lamp has no bulb, his coffee table is too bumpy to hold a glass upright, and his desk has trick drawers and a gap in the middle where its writing surface should be. Yet his various seating elements look no less functional than, say, Rick Owens’s, and Scherbakov has a compelling raison d’etre: Also a longtime painter, he pulled all of the works directly from his canvases, making them a literal elision of the two-dimensional realm and the three. If he can celebrate fantasy and feeling in one of them, he wondered, then why not the other? This wooden sofa is a part of the 'Hidden Entourage...