Annabelle Shelton Art

“Almond Blossom” is a contemporary floral painting inspired by Vincent Van Gogh, featuring almond trees in full bloom with branches of delicate white and soft pink blossoms set again...

“Water Lilacs by the Pond” is a contemporary impressionist painting featuring a serene pond adorned with blooming purple and orange water lilies, executed with an expressive, almost ...

Symbolic Hawaiian nocturnal figurative of whispy angel figures with mountains and bridge by Marguerite Louis Blasingame (American; 1906-1947), circa 1940-45. Marguerite and her husband Frank Blasingame...

“Fusion of Red Roses” is a contemporary semi-abstract impressionist painting with touches of expressionism, featuring three vibrant red roses in full summer bloom. Part of Natalya M...

This contemporary abstract expressive impressionist floral painting was created by French artist Natalya Mougenot as part of her newest small collection, titled 🪻**"Primavera"**🪻—a...

"Look at the flowers. It is simply unbelievable how happy flowers are." — Osho Autumn Day Dimensions: 60 × 60 × 2 cm / 23.6 × 23.6 × 0.8 in Autumn Day reflects the colors of early ...

"Bird on a Wire" The Crow - Acrylic on Canvas Playful depiction of a crow by California-based artist, Ricardo de Silva (American/Brazil, 20th C). The crow is shown with green and ye...

Marianne Kolb (born 1958 in Bern) is a self-taught Swiss painter currently living in the United States. She is known for her emotionally-charged figurative paintings that address the human condition. Kolb paints directly onto canvas with her hands, placing her figures in isolation on a monochromatic...

"Look at the flowers. It is simply unbelievable how happy flowers are." — Osho Autumn Palette Dimensions: 60 × 60 × 2 cm / 23.6 × 23.6 × 0.8 in Autumn Palette reflects the colors o...

This contemporary figurative painting, "Live the Life That Makes You Happy", created by French artist Natalya Mougenot, presents an abstract and vibrant depiction of a woman, blendin...

Jim’s of Lambertville is proud to offer this artwork by: Vaclav Vytlacil (1892-1984) He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicago as a youth, he took classes at the School of the Art Institute of Chicago, returning to New York when he was 20. From 1913 to 1916, he enjoyed a scholarship from the Art Students League, and worked with John C. Johansen (a portraitist whose expressive style resembled that of John Singer Sargent), and Anders Zorn. He accepted a teaching position at the Minneapolis School of Art in 1916, remaining there until 1921. This enabled him to travel to Europe to study Cézanne’s paintings and works of the Old Masters. He traveled to Paris, Prague, Dresden, Berlin, and Munich seeking the works of Titian, Cranach, Rembrandt, Veronese, and Holbein, which gave him new perspective. Vytlacil studied at the Royal Academy of Art in Munich, settling there in 1921. Fellow students were Ernest Thurn and Worth Ryder, who introduced him to famous abstractionist Hans Hofmann. He worked with Hofmann from about 1922 to 1926, as a student and teaching assistant. During the summer of 1928, after returning to the United States, Vytlacil gave lectures at the University of California, Berkeley, on modern European art. Soon thereafter, he became a member of the Art Students League faculty. After one year, he returned to Europe and successfully persuaded Hofmann to teach at the League as well. He spent about six years in Europe, studying the works of Matisse, Picasso, and Dufy. In 1935, he returned to New York and became a co-founder of the American Abstract Artists group in 1936. He later had teaching posts at Queens College in New York; the College of Arts and Crafts in Oakland, California; Black Mountain College in North Carolina; and the Art Students League. His paintings exhibit a clear inclination toward modernism. His still lives and interiors from the 1920s indicate an understanding of the art of Cézanne. In the 1930s, his works displayed two very different kinds of art at the same time. His cityscapes and landscapes combine Cubist-inspired spatial concerns with an expressionistic approach to line and color. Vytlacil also used old wood, metal, cork, and string in constructions, influenced by his friend and former student, Rupert Turnbull. He eventually ceased creating constructions as he considered them too limiting. The spatial challenges of painting were still his preference. During the 1940s and 1950s, his works indicated a sense of spontaneity not felt in his earlier work. He married Elizabeth Foster in Florence, Italy, in 1927 and they lived and worked in Positano, Italy for extended periods of time. Later on, they divided their time between homes in Sparkill, New York and Chilmark, Massachusetts, where Vyt, as he was affectionately called, taught at the Martha's Vineyard Art...

Figures Chatting by Younnes Bouhabi (French contemporary) signed oil on canvas fabric pinned on board, unframed board: 31.5 x 39.5 inches Provenance: private collection, Paris Condit...