Antonio Fomez Still-life Prints
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Artist: Antonio Fomez
Still Life - Offset and lithograph by Antonio Fomez - 1970s
By Antonio Fomez
Located in Roma, IT
Still Life is a colored lithograph realized by Antonio Fomez in 1970s.
Hand-signed in pencil on the lower right. Numbered, edition of 99 prints in pencil on the lower left.
Good co...
Category
1970s Contemporary Antonio Fomez Still-life Prints
Materials
Lithograph, Offset
Still Life - Original Lithograph by Antonio Fomez - Mid 20th Century
By Antonio Fomez
Located in Roma, IT
Still Life is an original colored lithograph realized by Antonio Fomez between 1950 and 1974 .
Hand-signed in pencil on the lower right. Artist's proof (handwritten in pencil on t...
Category
Mid-20th Century Contemporary Antonio Fomez Still-life Prints
Materials
Lithograph
Still Life - Original Lithograph by Antonio Fomez - Mid 20th Century
By Antonio Fomez
Located in Roma, IT
Still Life is an original colored lithograph realized by Antonio Fomez between 1950 and 1974 .
Hand-signed in pencil on the lower right. Numbered, edition of 99 prints, (handwritten...
Category
Mid-20th Century Contemporary Antonio Fomez Still-life Prints
Materials
Lithograph
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Antonio Fomez still-life prints for sale on 1stDibs.
Find a wide variety of authentic Antonio Fomez still-life prints available for sale on 1stDibs. You can also browse by medium to find art by Antonio Fomez in lithograph, offset print and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the contemporary style. Not every interior allows for large Antonio Fomez still-life prints, so small editions measuring 20 inches across are available. Customers who are interested in this artist might also find the work of Piero Cesaroni, Renato Guttuso, and Leo Guida. Antonio Fomez still-life prints prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $77 and tops out at $284, while the average work can sell for $187.



