Arnold A. Grossman Sculptures

Judy Chicago Logo Pin and Pendant, 1993 Enameled pin with pendant loop in original presentation box 2 1/2 × 2 1/2 × 1/5 inches Judy Chicago's incised name and date on the verso Comes...

Artist: John Taylor (1936-) Scottish Title: "Wall Relief Tiles" (a pair) Medium: oil on board Size: 15cm x 20cm inc. frame & 13cm x 21cm inc. frame Notes: Painter, notably in watercolour, and printmaker, gallery owner and teacher, born in Darvel, Ayrshire. Graduated from Glasgow School of Art in 1959, some years later taking a higher diploma in art. Taylor made a big impact on the Scottish gallery scene when in 1963 he opened the New Charing Cross Gallery in Glasgow, giving young artists a chance to exhibit more adventurous work. Taylor had a long association with the Glasgow Print Studio as senior technician. In 1977, with Ainslie Yule, he was recommended by Scottish Arts Council for a residency at Editions Alecto to work on a screenprint. Taylor’s own work could sometimes have a strong polemical element, notably regarding war and the nuclear threat. As well as taking part in many group shows across Europe he was a regular solo exhibitor. Notable among these were Compass Gallery, Glasgow, 1985 and 1987; Richard Demarco Gallery in Edinburgh and Glasgow Print Studio in 1987; and Edinburgh Print...

"Framed and Draped: Material Collection", acrylic on abaca, dyes on rayon; woven, 63" x 38", 1989. This contemporary abstract mixed media tapestry was done by California-based Ameri...

Antique American modernist mixed media sculpture painting by Duayne Hatchett (1925 - 2015) . Mixed media metal sculpture . Signed on verso.

Peter Voulkos Ceramic Sculptural Dish, ca. 1985 Sculpted ceramic Hand-signed by artist, Incised signature on the base. 1.5 x 11.5 inches This charger plate by Voulkos features a Gree...

American, b. 1961 Jane DeDecker’s energetic and dynamic bronze sculptures serve as a reflection of her own life experiences and those of her closely-knit family. Her twelve nieces and nephews are the primary source of her inspiration, though DeDecker’s sculptures are not portraits. In fact, her loose style leaves her viewers with room for interpretation, so as to see their own lives within her sculptures. This imprecision, combined with her unique ability to capture specific moments to which each viewer can relate on a personal level, regardless of age, give DeDecker’s work a timeless quality that spans generations. DeDecker began her artistic training as a painter at the University of Northern Colorado, until a professor, noticing her joy in the portrayal of shapes and forms, suggested she try her hand at sculpture. Taking his advice, DeDecker went on to study at Gobelins School of Tapestry in...

"La Vague (The Wave)" is a figurative abstract bronze sculpture created by Camillle Claudel. The artwork is 24 1/4 x 19 x 24 inches, weighing less than 50 lbs. It is signed "C. Claud...

Alexander Liberman STOI V, 1986 Wood with paper and paint 97 1/2 × 28 × 37 inches This work is hand signed twice by Alexander Liberman: Signed on the side as well as the underside an...

Acrylic, oil, paper collage, car side mirror, branches, chimes, rag, clock radio (Instructions: Press “on” button on side of radio to turn on. Tune to suitable station) A pa...

Ben Eine SCARY (Hand painted Skateboard Skate Deck), 2017 Hand painted with blue skate deck on 100% Canadian maplewood Boldly signed and dated on the front in black marker; numbered ...

This is an 3-part painting / construction (assemblage) created from acrylic paint, wood, glass, and found objects. It includes several historic photograph of figures as well as many scenes from Black African American cultural history. Each piece measures 23" x 7.75" x 2.5", and they can be hung close together or far apart, depending on the buyer's preference. All pieces are wired with the appropriate hanging hardware and are ready to install, no additional framing needed. PROVENANCE: Exhibited in "Portals + Revelations: Richard J. Watson," the African American Museum in Philadelphia, Oct 2021 - Mar 2022. "Most of my works are supported by memories of the past and suggested realities. Issues of social politics, ancestral references, and astral projections are presented with fragmented elements of 'real life' collaged and collapsed, as dreams are prone to do. If connections are made, all the better. I feel that life should remind us of our dreams." - Richard J. Watson Richard J. Watson is an icon in the Philadelphia art world. Much of his work relates to his experiences as a Black African American man. He is a graduate of Pennsylvania Academy of the Fine Arts (1968), has taught at his alma mater, and has served in the Exhibitions Department at the African American Museum in Philadelphia since the 1980s. He has been exhibiting his work for decades, and has an extensive bibliography. His work is held in the Petrucci Family Foundation Collection of African American Art; the Pennsylvania Academy of the Fine Arts; the Uniworld Corporation; Sony; the Federal Reserve Bank; the City of Philadelphia; Sprint; the Church of the Advocate; the poet Dr. Sonia Sanchez; and the Woodmere Museum...

I am usually not thinking so much about a finished work, but am inspired, accepting and mystified by the process of creating it. I see each of my works as a rehearsal in enduring un...