Arthur Trevor Haddon Landscape Paintings

Beautifully painted, this is a contemporary work in the style of French impressionist artist Antoine Blanchard. In rich impasto brushstokes, the Parisian cityscape shows the vitality...

Contemporary impasto oils in rich deep color, this is a traditional landscape scene of croft and loch with a modern aesthetic. Stunning contrast from mountains that raise off the can...

Dutch Master 17th Century Farmer at the Well with Goats and Cows Oil on Wood Size: approx. 48 x 63 cm Frame: 68 x 83 cm Age-related condition, old restorations (see photos) Viewing...

19th century English landscape with trees, a Harvest Field during Summertime. A wonderful classic English landscape dating from the middle of the 19th century. This style of paintin...

A vibrant Bermuda seascape depicting the rocky shoreline with turquoise waters breaking against sunlit boulders beneath a sweeping tree. Mears uses bold, textured brushstrokes and a ...

Tall ships in a rocky bay, with figures in Eastern costume in boats and on the shoreline 19th Century School, unsigned oil on canvas, framed framed...

Famous Edinburgh scene with the foggy Castle on the Mount from the North Bridge, and a bustling city scene below. Impressionist style, dating to mid 1920s/1930s, presenting a glimps...

“Quebec City, 1853” by Edmund C. Coates (American, 1816-1871). A luminous 19th-century view of Quebec City by the American painter Edmund C. Coates, known for his detailed Hudson Ri...

“Being There,” an original oil on canvas by Robert K. White, is a piece for the true collector. White’s careful attention to detail and vivid use of browns and reds project from the painting, immediately capturing the viewer's attention and highlighting the artist's keen ability to capture emotion and life - all in a brushstroke. White's talent for depicting light and shadow provides the foundation for him to deliver subjects and scenes to the viewer's eye. This masterful work would make a great addition to an art collection and enhance most any home, perfect for those who have an affinity for cityscapes, theater, and architecture. In the artist’s own words, “I don’t paint what is inside of me; I paint what I see outside of me. I’m an observer. If I see something and I feel an affinity for it, something just clicks in my head. I’ll make the decision right then and there to paint that particular subject during that particular moment. It’s a perfect moment. Once something has caught my eye and I’ve heard the “perfect” click, it’s like a photograph has been taken in my mind’s eye. I only have a few days of clarity with that image. I have to start the painting quickly or else it will be gone and I will lose that image forever.” Artist: ROBERT KENNETH WHITE...

Traditional English hunt scene, this painting is in a beautifully grained wooden frame. Black and white horses are running with the hounds in a green landscape with blue sky. Sign...

Walking in the Highlands by Emma Landseer (later, 'Mrs D. McKenzie', working 1845-1860) see label verso, unsigned oil on board, framed framed: 13.5 x 16.5 inches board : 11.5 x 15 in...

English 19th century Victorian Sailing scene, with fishing vessels off of a landscape. Outstanding Victorian marine scene of a yacht at sail possible in the English Channel. Knell w...