Badri Narayan Paintings

'Providenza' Italian School, 18th century ink and wash drawing on paper, framed within a light oak wood frame (behind glass) image size: 10.5 x 7 inches overall framed: 17 x 13 inche...

Figurative Ink on Cotton paper Painting N.1 'Vessels II' by Dmitry Samygin H.27 x 19.5 cm About Dmitry Samygin Furniture and Product Designer. His approach relies on simple forms and clarity in ideas with carefully chosen materials to expose the essence of an object. His products exemplify humanistic design, comfort in everyday use and ergonomic function. He is a prize-winner in international competitions. He has taken part in exhibitions in Paris, Milan and Moscow, collaborates with European and Russian production, architectural and design companies. Since 2021 Dmitriy's design has been presented in a permanent exhibition at the Museum of Arts and Crafts in Moscow. Dmitry's graphics and designs are in private collections all over the world. Samygin's Awards 2023 I+D / Design Now / winner (product design & decor) 2021 Red dot / Modul 2021 I+D magazine award / Shelter (covers for the sculptures of Moscow State Architectural Museum) 2020 Best 2020 AD Russia 2019 Andrew World...

Figurative Ink on Cotton paper Painting N.1 'Vessels' by Dmitry Samygin H.27 x 19.5 cm About Dmitry Samygin Furniture and Product Designer. His approach relies on simple forms and clarity in ideas with carefully chosen materials to expose the essence of an object. His products exemplify humanistic design, comfort in everyday use and ergonomic function. He is a prize-winner in international competitions. He has taken part in exhibitions in Paris, Milan and Moscow, collaborates with European and Russian production, architectural and design companies. Since 2021 Dmitriy's design has been presented in a permanent exhibition at the Museum of Arts and Crafts in Moscow. Dmitry's graphics and designs are in private collections all over the world. Samygin's Awards 2023 I+D / Design Now / winner (product design & decor) 2021 Red dot / Modul 2021 I+D magazine award / Shelter (covers for the sculptures of Moscow State Architectural Museum) 2020 Best 2020 AD Russia 2019 Andrew World...

Elegant & fabulously rare, original Philippe Jullian (1919-1977) (ink signed LR) watercolour depicting a lavish Moorish opium salon interior with a reclining nude portrait on the wall and two monkeys with their turban clad handler. Sagittarius Gallery, NY label inscribed Jullian No. 18 on verso Art Sz: 8 3/4"H x 11 1/8"W Frame Sz: 16"H x 18"W w/ Hermes orange mat & antique bamboo frame Provenance: The estate of D. D. Ryan (1928-2007), noted fashion editor at Harper's Bazaar, an associate of Halston and a regular on best-dressed lists! Another widely appreciated achievement is her association with the creation of Eloise, the fictional little girl who lives at the Plaza Hotel. Eloise began as a character that Kay Thompson, a cabaret singer, portrayed to amuse her friends, of whom Ms. Ryan was one. Ms. Ryan urged her to write a book, put her together with Hilary Knight, the illustrator, and never stopped pushing her to finish the job. The result was “Eloise,” published in 1955 and a best seller the next year, and its popular sequels. “The book would never have existed without D. D. Never,” Mr. Knight said in an interview Thursday. “She would have just dropped it and gone on to something else.” Beyond her historic Eloise moment, Ms. Ryan thrived at the crossroads of New York’s fashion and artistic worlds, seeming to make a statement every time she dressed, almost always in clothes she made herself, always recognizable with her famous precisely stylized eyebrows. Her first job in Manhattan was as an assistant to the photographer Richard Avedon; she was photo editor at Harper’s Bazaar under the legendary editor Diana Vreeland, and she designed the costumes for Stephen Sondheim’s 1970 Broadway musical “Company.” Her social circle included Cole Porter, Andy Warhol, Mr. Sondheim and Truman Capote. When she recommended a new pair of sandals or a piece of costume jewelry — only “really good costume jewelry...

Original Painting. Colliers Magazine Cover Published 1933 Wedding Illustration Antonio Petruccelli (1907 - 1994) The Wedding Colliers published, June 17, 1933 17 1/4 X 11 1/2 inches (sight) Framed 23 1/4 X 17 1/2 inches Gouache on board Signed lower right BIOGRAPHY: Antonio Petruccelli (1907-1994) began his career as a textile designer. He became a freelance illustrator in 1932 after winning several House Beautiful cover illustration contests. In addition to 24 Fortune magazine covers, four New Yorker covers, several for House Beautiful, Collier’s, and other magazines he did numerous illustrations for Life magazine from the 1930s – 60s. ‘Tony was Mr. Versatility for Fortune. He could do anything, from charts and diagrams to maps, illustrations, covers, and caricatures,’ said Francis Brennan, the former art director for Fortune. Over the course of his career, Antonio won several important design awards, designing a U.S. Postage Stamp Commemorating the Steel Industry and designing the Bicentennial Medal...

This framed and matted 16" x 19" watercolor painting by an Unknown artist depicts an historic English chapel interior. The interior of the church features the large stained glass window pane...

'India' Italian School, 18th century ink and wash drawing on paper, framed within a light oak wood frame (behind glass) image size: 10.5 x 7 inches overall framed: 17 x 13 inches con...

'Africa' Italian School, 18th century ink and wash drawing on paper, framed within a light oak wood frame (behind glass) image size: 10.5 x 7 inches overall framed: 17 x 13 inches co...

'Mgnaminia' Italian School, 18th century ink and wash drawing on paper, framed within a light oak wood frame (behind glass) image size: 10.5 x 7 inches overall framed: 17 x 13 inches...

Moshe (Matusovski) Matus (Polish Israeli , 1908-1958), Depicting an orchestral concert. Hand signed lower right. Dimensions: (Frame) H 31" x W 37", (Sight) H 21" x W 28" Moshe Matus (Matusovski) 1908, Warsaw, Russian Poland - November 23, 1958 Toronto, Canada. was a Polish Israeli modernist painter who lived during the last decade of his life in The United States and Canada. Matus was born in 1908 in the Russian city ​​of Warsaw, into a traditional and Zionist family, the eldest of the three children of Dr. Josef Matusovsky, a dentist, and was a member of Hashomer Hatzair in Warsaw in 1924. When he was 15, He studied at the Bezalel Academy of Art and Design in the 1920s with Boris Schatz and was educated at the Herzliya Gymnasium where he studied painting and sculpture. He studied for several years at École nationale supérieure des Beaux-Arts (Bose-R) in Paris. He returned to Tel Aviv and lived there on Sheinkin Street. From the 30s was one of the most prominent artists in the country. he exhibited In shows general as well as in solo shows - which exhibition at the Herzliya in Tel Aviv, which opened Benzion friends (1932); in Allenby 15, Tel Aviv (1935) exhibition in Pomrock , which opened the poet Saul Tchernichovsky and Moses (1936), at the Steimatzky Gallery in Jerusalem , opened by Dr. Moshe Duchan (March 23, 1937); An exhibition at the Cosmopolitan Gallery in Tel Aviv (formerly the Bach Gallery, 1 Hess Street), opened by Mayor Israel Rokach (March 5, 1938); and an exhibition at the Tel Aviv Museum (1946). He painted the stage...

'Napoli' Italian School, 18th century ink and wash drawing on paper, framed within a light oak wood frame (behind glass) image size: 10.5 x 7 inches overall framed: 17 x 13 inches co...

Glassblowers WPA American Scene Mid- 20th Century Modern Figurative Workers. Dated and signed "32 Harry Gottlieb" lower right. Sight: 13 1/8" H x 18 1/4" W. Harry Gottlieb, painter, screenprinter, educator, and lithographer, was born in Bucharest, Rumania. He emigrated to America in 1907, and his family settled in Minneapolis. From 1915 to 1917, Gottlieb attended the Minneapolis Institute of Arts. After a short stint as an illustrator for the U.S. Navy, Gottlieb moved to New York City; he became a scenic and costume designer for Eugene O"Neill's Provincetown Theater Group. He also studied at the Philadelphia Academy of Fine Arts and the National Academy of Design. He was one of America's first Social Realist painters, influenced by that Robert Henri-led movement in New York City where Gottlieb settled in 1918. He was also a pioneer in screen printing, which he learned while working for the WPA. He married Eugenie Gershoy, and the couple joined the artist colony at Woodstock, New York. He lectured widely on art education. In 1923, Gottlieb settled in Woodstock, New York and in 1931, spent a a year abroad studying under a Guggenheim Fellowship. In 1935, he joined the Federal Art Project...