Belgo Chrome Side Tables

Brass and chrome-plated two-tiered console or hallway table, circa 1970s. Perfect for the Hollywood Regency style enthusiast or mid-century lover although, this table would sit very well indeed within any contemporary home decor design. Not dissimilar to the designs of Italian furniture designer Willy Rizzo - this tall double tiered console...

Mid-Century Modern two-tiered side table American, 1950s Sea foam green lacquer finish, with black legs and accents, brass capped feet. Recently refinished.  

A pair of Maison Jansen-style side tables. Chrome-plated metal frame with slim, clean lines typical of the Mid-Century Modern or Hollywood Regency style, brass details on both the un...

Unique pair of white plaster and composition swag drinks tables in the style of John Dickinson.

Gold plated belgochrom side table from Belgium 1970s.

Sleek and modern, this table features a polished chrome base paired with a clear glass top, creating a refined balance of industrial and minimalist design. The transparent surface hi...

A stunning pair of end tables with Italian travertine marble tops framed in chrome on a bronze base made to the highest standard by Belgo Chrome. CONDITION In great condition - n...

Pair of Hollywood Regency brass and glass side tables, circa 1970s. The tables have a rounded oval and beveled glass top ...

Top quality side table . Mirror top .Ornate Brass base . square shaped .

A fabulous pair of American mid-century sculptural paint decorated wooden console tables by the iconic luxury designer Phyllis Morris (United States; 1925-1988) Executed in timeless mid-20th century glitz and glam Hollywood Regency Moderne taste, the rare, possibly custom one-of-a-kind design, having a demi-lune red lacquered top, over conforming fluted apron, rising on elegant carved figural swan form legs, terminating in claw and ball feet, finished in parcel gilt antiqued cream paint finish. Bold, large scale, statement pieces, these extraordinary tables are sure to add a touch of sophisticated whimsical elegance, warmth, opulence, and comfort to any space! circa 1970 Signed, "Phyllis Morris" to the rear support in typical stylized font (under later metal wall mount brackets) Provenance / Acquisition: From an important Guadalajara, Mexico Estate Acquired from highly reputable auction house, Austin Auction Gallery, est.1983, Austin, Texas. Dimensions: (approx) 31" High, 49" Wide, 24.75" Deep (each) Phyllis Morris was one of the design industry’s first multitaskers. She wore many hats: furniture designer, businesswoman, civic leader, legendary hostess, humanitarian, wife and mother. Phyllis Morris is known for them all, but mostly that last one. The legendary interior designer of the 1950s and ’60s wrote her own rules and lived a life as large and colorful as the designs she favored. Morris began her design career in 1953 in Los Angeles, California by creating the "Poodle Lamp," a sculpture of her own poodle topped with a little flared shade. Dubbed “The Marilyn Monroe of the furniture industry” — she took charge of her destiny with her famous poodle lamp. After sculpting the original, based on her own pink-dyed pup, Morris left it on consignment in a Beverly Hills shop. She had friends place orders for it; the shop asked for a dozen models, and Morris was in business. “I knew I was not a homemaker,” she said. What transformed Morris from lamp designer to “designer to the stars” may have been her instinct for publicity. She reportedly delivered two of the lamps to Liberace, her first big-name customer, in a pink Cadillac convertible, while wearing a mink cape. Morris was a pro at offering provocative quips or outrageous photo-ops, which often made headlines around the globe. “My mom was a marketing genius,” says Morris’ daughter Jamie Adler, who now runs the brand and reintroduced the poodle lamp for Currey & Company last year. “She understood branding and how to get press. She was so brave and fearless as a woman in a male-dominated industry.” At a time when most women stayed home, Morris was a furniture designer, businesswoman, civic leader, legendary hostess, humanitarian, wife and mother. “She was multitasking long before the word was invented,” Adler says. With her colorful and eclectic interiors and over-the-top furnishings, Morris turned the interior design world upside-down, and celebrities came calling. She designed hotel suites frequented by Frank Sinatra, Jackie Kennedy Onassis and Elvis. Her opulent canopied beds became a status symbol for the likes of Cher and Sonny Bono, the Who’s Keith Moon, Gladys Knight and Jerry Vale, according to a 1978 People magazine story. A typical Morris room setting during the mid-1960s would find Pop art accessories...

A beautiful, floral, gilded coffee/side table from the 1970s. Shaped like a bouquet of roses, it is handcrafted from gilded metal with a round glass top. The table frame is in good s...

Large square coffee table with a sliding top creating a jewel box-like coffer, all in glass, with a polished steel frame with chrome and brass parts. Drawn by the iconic Belgian bran...