Ben-Zion Prints and Multiples

Original engraving #7 by Ernst FUCHS from Kabbalah (THIRTY-TWO PATHS OF WISDOM by SEFER YETZIRA), 1978 Etching signed and numbered 16/30 E.A. Page size - 30 ...

Souvenir d'Italie is a black and White etching realized by Camille Corot in the 1860s.  Titled in the lower Image Size: 32x23 Very good impression. Realized for the "Société des ...

James McBey. 1931. Drypoint. 8 7/8 x 5 7/8 (sheet 11 1/2 x 9 ). An extremely rich impression with drypoint burr, printed by the artist on cream wove paper. Signed in the plate lower ...

An early 19th century proof, in fair condition but with a very good inking, of the plate "View of the Arch of Constantine". It belongs to the first Paris Edition of 1800-1807. The f...

Etching on laid paper. A finely executed etching by Spanish artist Ricardo de Los Ríos, celebrated for his refined intaglio work and historical genre scenes. This plate, dated 1872,...

1917. Etching. Hardie 175. 8 x 15 (sheet 10 1/8 x 16 15/16). Edition 76. Slight mat line; otherwise excellent condition. A rich impression printed on antique laid paper with full m...

1925-26. Drypoint. Appleby 114. 8 9/16 x 12 (sheet 12 x 17). Edition 100, #10. An excellent impression with burr, printed with plate tone on the full sheet of 'VGI' laid paper with ...

The Centenarian. 1930-31. Drypoint. Appleby 144. 10 5/16 x 10 3/8 (sheet 17 3/8 by 12 3/8). Edition 100. A rich impression on cream-colored 'Whatman' laid paper with full margins. Signed and numbered in ink. Edmund Blampied was a painter, etcher, lithographer and sculptor. Born in 1886 to a family of three boys in St. Martin, Jersey, Blampied became interested in drawing at an early age. After visiting the studio of John Helier Lander in 1899, Blampied decided to make a career as an artist. In 1903 he went to London to attend Lambeth Art School, where he studied etching under Walter Seymour. In 1905, he joined the Daily Chronicle as an artist. In that year he was awarded a scholarship to Bolt Court Scool of Photo-engraving and Lithography. In 1912 he left the Chronicle and established his own studio. He earned a living by illustrating novels and short stories. In 1913, he had his first exhibition at the Leicester Gallery in London. The following year he married Marianne Van Abbé. During the 1920's, he became a member of the Royal Society of Painter-Etchers and Engravers. During the 1920s Blampied became a member of the Royal Society of Painters-Etchers and Engravers and exhibited in London to critical acclaim. He produced a folio of comic drawings in the 1930s which was published in New York in 1934 and another that was published in London in 1936. The Keeper of Prints and Drawings at the British Museum published a mongraph on his work. His London exhibitions were highly successful. In 1938, he moved to Bulwarks, St.Aubin in Jersey, but at the onset of the Occupation, had to relocate to Route Orange, St. Brelade. remained there throughout World War II during the German Occupation, despite the fact that his wife was Jewish. During the Occupation he designed bank...

Etching in paper realized by Eugène Champonnion after Mariano Fortuny. Signed "Fortuny 68" loer right, in the plate. Foreground Figures: Two Moroccan men are seated on the ground. ...

A Caza de Dientes is a black and White aquatint, drypoint and etching printed in blue-black ink on laid paper from Caprichos realized after Francisco Goya in 1881-1886 . 6th Edition...

Noémie (Marguérite). 1926. Etching. Fletcher catalog 57 state vi 7 1/8 x 4 3/16 (sheet 10 15/16 x 8 7/16). Edition 111 in this state (total 132 impressions). A fine impression print...

Tantalo is a black and White aquatint, drypoint and etching printed in blue-black ink on laid paper from Caprichos realized after Francisco Goya in 1881-1886 . 6th Edition.Very good...