Benjamin Mendoza Art

Graphite with watercolor and black crayon on cream wove paper mounted to board, 12 1/2 x 10 1/2 inches (318 x 267 mm), full margins. Signed in pencil on the mount. In excellent condi...

Flight, 2022 collage on paper 35 H x 50 W cm Signed on reverse Raluca Arnăutu dreams the world through collages. A collage, dreamlike and surreal, populated by thousands of pieces ...

Title of the work "Engineer". Series "Office". This series was first exhibited in the lobby of the South Quadrum building (Konstitucijos Ave. 21B), a site whose office function play...

The iconic subject matter from Botke's oeuvre often features birds, particularly white peacocks, geese, egrets, and cockatoos. Women artists are on fire and very much in demand today...

Title of the work "Focus". Series "Office". This series was first exhibited in the lobby of the South Quadrum building (Konstitucijos Ave. 21B), a site whose office function playful...

This piece titled "Sentinel 2" is an original artwork by Allison May Kiphuth and is made of watercolor on hand-cut paper, sealed with encaustic. This piece measures 10”h x 4.5”w and...

1928 Bentley Vintage Car - Antique Automotive Stamp Series- Illustration Illustration showing a 1928 Bentley vintage green car. Antique car stamp...

Title of the work "Task". Series "Office". This series was first exhibited in the lobby of the South Quadrum building (Konstitucijos Ave. 21B), a site whose office function playfull...

Title: Bullfighting Scene Artist: Roberto Domingo Technique: Gouache on paper Dimensions: 7 x 10 in (14 x 17.3 in with frame) Period: 1930s Style: Spanish Impressionism with Post-Impressionist influence Condition: Framed in a classic wooden frame Theme: Bullfighting scene Description of the Artwork "Bullfighting Scene" by Roberto Domingo is a vibrant and dynamic depiction of a typical moment in a bullring. The composition captures the drama and intensity of the moment, with a mounted picador on a striking white horse as the centerpiece, flanked by a matador and assistants preparing for the spectacle. The artwork radiates energy through swift and loose brushstrokes, imbuing the scene with movement and vitality. Domingo’s style emphasizes visual synthesis, focusing on color and form rather than meticulous detail to convey the atmosphere of the bullfighting arena. Warm tones dominate, with vibrant yellows and reds contrasting against the grays and whites of the horse and costumes, creating a captivating chromatic interplay. The classic frame adds sobriety and balance to the piece, further highlighting the expressive power of the gouache. Biography of the Artist Roberto Domingo Fallola (1883-1956), born in Paris, was a renowned painter and illustrator of Spanish descent. The son of the celebrated bullfighting painter Vicente Domingo, he inherited a passion for bullfights and became one of the leading exponents of bullfighting art...

"#187 – HE SAID IT WAS A LIE" is from Amy Williams' series A Farewell to Arms – wherein the artist is working directly onto page 187 of a found copy of Er...

"#70 – I AM TIRED" is from Amy Williams' series "A Farewell to Arms" – wherein the artist works directly onto page 70 of a found copy of Ernest Hemingway'...

Provenance Acquired by American Legacy Fine Arts directly from the artist Signed "2006 W.M. Stout" on upper right Exhibited The Imaginary, Carnegie Art Museum, Oxnard, California, ...