Bradshaw Crandell Art

Charcoal, acrylic mixed media As a feminist artist, Audrey Anastasi's first commitment is to painting other women, the human face, and figure. Whether working with figurative descri...

Franco Matania 1922 - 2006 Franco Matania was of Italian origin. He was a pupil of his uncle, the distinguished artist and illustrator, Fortunino Matania RI 1881-1963, and was an art...

America Martin "Woman in Purple, Yellow & Blue" Pastel & Ink on Paper 40” x 26” AMERICA MARTIN is an internationally represented Colombian-American fine artist based in Los Angeles...

Louis Kronberg American, 1872-1965 Dancer in Green Pastel on board 14 by 21 in, w/ frame 20 ½ by 27 ½ in Signed lower right Louis Kronberg, a popular portraitist of the early 20th ...

Work : Original Drawing, Handmade Artwork, Unique Work. Medium : Charcoal on Archival paper 300Gsm. Artist : Aurélie Sicas Subject : Après la pose... mon cœur bat (French Title) Sig...

Wolf Kahn Emily The Baby II (Grace Borgenicht Gallery), 1960 Pastel on Paper. Hand signed on the front. Grace Borgenicht gallery label on the back Vintage frame included Proven...

Calendar of the World is an original Charcoal, Tempera and white lead realized by Mino Maccari in 1930/1940s. Good condition on a blue cardboard. Hand-signed by the artist with pe...

Jenna Ringuette's "Girl Look Up" is an original, handmade charcoal drawing that depicts a female model in a striped robe looking upwards beyond the composition.

Subject : Lieu Commun - Le bras de Persoperine (Title - FR) This original colored pencil drawing is inspired by Gian Lorenzo Bernini’s iconic Baroque sculpture “The Rape of Proserpi...

Kurt Scooby AKA @Channel2Scooby is a charcoal drawing on paper. Kurt Scooby is a professional boxer who started training out of Churchill Boxing Club in Los Angeles. This drawing was taken by prominent boxing photographer Mayumi Cabrera...

Original pastel on paper. Hand signed on front; signed, titled and dated on verso. Visible image size: approx. 18.5 x 25.5 in. Frame size: 29 x 36 in. Artwork is in excellent conditi...

Pastel on paper, oval 9 x 7 ¼ inches; 230 x 185 mm Inscribed on the verso: ‘The Revd Henry Dabzac D.D./ late Senior Fellow of/ Trinity College Dublin/ ever to be lamented by all that knew/ Him. Extensive learning, zeal, gently tempered/ by a spirit of charity & above all, a strong/ faith & a piety deservedly gained/ the character of a great and good man./ This exceptional man died 12th May 1790/ This picture was his give to Jane [Mary] Crofton, his sincerely [missing] sister.’ Collections: Rev. Dr Henry Dabzac gift to his sister, Jane Crofton (d.1797); Sir Hugh Crofton (1763-1834); By descent to 1990; Private collection, Dorset to 2020. Literature: Robert Staveley, Traces of Past and Present, Dublin, 1895, p.74; Neil Jeffares, Dictionary of Pastellists Before 1800, online edition, no.J3751247 This characteristic pastel portrait by Hugh Douglas Hamilton was made early in his career; it depicts precisely the kind of education, well-connected Irish sitter who fuelled his success. The Reverend Henry Dabzac was from a distinguished Huguenot family, a celebrated academic historian, Dabzac received the Donegall lectureship in 1764 and from 1785 was Librarian and Senior Fellow of Trinity College, Dublin. According to his earliest biographer, Hamilton was the son of a peruke-maker based in Crow Street, Dublin. As Anne Hodge has pointed out, this places Hamilton’s father at the heart of the city: Crow street was a narrow thoroughfare formed part of the busy warren of streets bordered by the old Houses of Parliament and Trinity College at one end, and by Dublin Castle at the other. It is perhaps telling that in this early portrait, Hamilton shows Dabzac in a splendid powdered wig and his clerical bands. In 1754 Hamilton was apprenticed to James Mannin, a ‘pattern drawer’ who two years later was appointed master of the school of ornament at the Dublin Society’s drawing school, run by Robert West. Here Hamilton took the first prize in the 1755 competition, winning a premium of £1/16/. Hamilton developed a popular and profitable method of making pastel likenesses of sitters in a distinctive oval format. Hamilton developed a technique of using a sharpened pastel to hatch shaded areas of the features and, in the case of this portrait of Dabzac, the white powdered wig, which is drawn with particular care. In 1764 Hamilton moved to London where this small, oval pastels proved...