Bruno Barilli Art

Basquiat Réunion des Musées Nationaux exhibition catalog, 1997: A superbly composed & elaborate catalog of Basquiat drawings and works on paper published in 1997 by Réunion des Musée...

Pen and ink on paper, laid down on canvas, mounted to wooden scroll bars Signed and dated lower right: “Drawn by N. B. Rogers August. 1843” Inscribed with an ownership inscription on the verso: Rev. E. D. Daniels, Palmer, Mass. Provenance: Rev. Eugene Davidson Daniels, Palmer, Massachusetts, 1871 This extraordinary manuscript map is a rare survivor of the devotional and educational culture of New England in the first half of the nineteenth century. Although at first glance resembling a large-scale engraving or printed publication, this precisely rendered wall map was entirely drawn by hand, the product of meticulous research by a minister working in isolation in rural Maine. The map shows New Testament era cities, towns, tribal areas, and political borders as well as physical features such as rivers, lakes, mountains, and hills (indicated by half-tone cross-hatching). On to this geographically accurate rendering of the Holy Land, Rogers has located and inscribed significant locales mentioned in the Gospels and has annotated these places with relevant citations from the Bible. He further records these by plotting the travels of Jesus on what resemble a series of trails across the Holy Land. Each is distinguished by a different pattern of dots and dashes – correlated to an explanatory table at the lower right. From this we know that these lines document the “Flight into Egypt and return,” “Travels of Christ from Nazareth to Jerusalem and return,” “Travels from the commencement of his Ministry to the first Passover,” “Travels from the first and the second Passover,” “Travels from Jerusalem to Galilee after the 2nd Passover,” and “Travels from the third Passover to the Crucifixion.” An inset map of “Jerusalem...

Mariusz Szalajdewicz (b. 1974) Studied at the Faculty of Architecture at Warsaw University of Technology, where he mastered the drawing skill. Architect and urbanist, illustrator. ...

Mariusz Szalajdewicz (b. 1974) Studied at the Faculty of Architecture at Warsaw University of Technology, where he mastered the drawing skill. Architect and urbanist, illustrator.

PIOTR FĄFROWICZ (born in 1958). He studied art history at the Catholic University of Lublin. He deals with painting and graphic design. Winner of numer...

Based in Chicago, IL, contemporary artist Michael Thompson creates unique kites, collages and mixed media works assembled from material fragments of past and present collected in his...

Two putti with symbols of war and victory (cannons, cannonballs, armour, anchor, lion's head, laurel branch/ olive branch, flag, staff with helmet) in pediment triangle. Probably a design for a painting or architecture Pen-and-ink drawing in black on brownish paper, black wash Plain gold moulding with UV glass Allegory of Victory, 18th Century, Old Master Drawing, By De Wit, Figurative Jacob de Wit...

Southern Landscape with View of a Castle and Ships passing by Pen and brush in brown and black over pencil, brown and grey wash, 17,5 x 22,7cm Plain black moulding with golden pearl ...

Ed Mell 1942-2024 Original signatures on stamps and envelope. Custom presentation frame. Arizona Centennial Commemorative Stamp, Arizona First Day of Issue by Ed Mell, 1942-2024. C...

Philip Treacy hardback book (hand signed by Philip Treacy), 2013 Hardback monograph with dust jacket (hand signed by legendary milliner Philip Treacy) hand signed by Philip Treacy on the half title page 11 × 8 1/2 × 1 inches Hand signed by Philip Treacy on the half title page. Book information: Publisher: Phaidon Press (February 5, 2013) English; Hardcover; 200 pages with over 200 photographs Review "Lovely... All the most iconic designs are here."―The Observer "How did one man change our minds on headgear? Philip Treacy by Kevin Davies celebrates [...] backroom moments of Treacy's career, no less striking than the headpieces he creates... The unseen stories behind all the 'moments'."―The Independent "An usually revealing insight into the designer's work."―Harper's Bazaar "Revealing [...] photos of Treacy at work. He looks determined and serious, but he has a kind face and he's never a poseur... In short, this is a cool book about a great guy."―VICE "The head-topper extraordinaire gets a tip of the cap in the new book... Featuring over 200 images of the milliner's museum-quality lids, including head-turning snaps of mega-fierce singer and Bond villainess Grace Jones."―InStyle "Inside the pages are 200 intimate pictures covering everything from Treacy's years at 69 Elizabeth Street to the scene backstage at fashion shows to the dignified funeral held for Treacy's beloved Jack Russell terrier, Mr. Pig."―The New York Times Style Magazine blog More about Philip Tracey...

Jan van der Heyden (1637 Gorinchem - 1712 Amsterdam), attributed. Old Master Drawing, Westerkerk Keizersgracht in Amsterdam, 17th century, Dutch Westerkerk and Keizersgracht in Amsterdam Backside: later drawn backside with village church of the 18th century Chalk and pen on paper 23,5 x 18,5 cm Preliminary drawing for a painting from the creative period c. 1667 - 1670. This painting has been published a few years ago by Peter C. Sutton in the catalogue raisonné of the artist. Van der Heyden was initially a pupil of a glass painter, but later turned exclusively to architectural painting and went to Amsterdam, where he painted views of churches, castles, palaces, public squares, streets, canals, etc., most of which are richly decorated with staffage. In addition, van der Heyden was also active as an inventor, for example, he developed a street lighting system for Amsterdam by means of oil street lamps, which was in operation from 1669 to 1840. After a stay in London, he painted the London fire of 1666, which he either witnessed himself or had seen the consequences of. Certainly influenced by this, he did much to further the technical and organisational development of the fire brigade from 1669 onwards. His greatest invention was probably the fire hose, which enabled significant improvements in fire-fighting technology and tactics. He also improved the hand-operated fire engines of the time by making them smaller, more mobile and more powerful, and he developed the series connection of several pumps to increase the pressure in order to achieve a greater range for the water jet. In 1690, together with his son, he was the author and illustrator of the Brandspuiten-boek, the first manual for fire fighting. Johann Lingelbach, Adriaen van de Velde and Eglon van der Neer...

Colour screen-print. Hand-signed, numbered or labelled, dated, titled. A beautiful artwork that looks good in every room and especially in the living room or bedroom. Can be frame...