Bruno Monzuzzi Prints and Multiples

Herbert Bayer Sale and Marketing Kiosk for P Cigarettes (Verkauf- und Werbekiosk, Zigarettenmarke P ), 1924 Offset Lithograph Year: 1994 Size: 33.2 × 23.2 inches Publisher: Bauhaus A...

Artist: Alexander Calder Title: Plate 1 Portfolio: Derriere le Miroir #173 Medium: Lithograph Year: 1968 Edition: Unnumbered Frame Size: 21 1/4" x 17 1/4" Sheet Size: 15" x 11" Image...

Tony Graham is a graphic artist known for his drawings and prints of New York City. “Manhattan” is the artist’s most iconic and collectible image published in 1978. Nicely framed. M...

Original off set lithograph (poster) in colors on paper. Image size approx 19 x 25 inches. Sheet size 24 x 30 inches. Artist signature printed in the plate. Not hand signed. Printe...

Iceberg By Gerhard Richter 1982 Offset lithograph on paper 100 x 100 cm

Artist: Claes Oldenburg Title: Notebook Torn in Half Medium: Lithograph Date: 1997 Edition: 97/97 Sheet Size: 25 1/2" x 22" Signature: Signed and numbered in pencil

Artist: Francis Bacon (1909-1992) Title: Portrait Isabel Rawsthorne Year: 2003 Medium: Offset Lithograph on premium paper Size: 39.25 x 27.5 inches Condition: Excellent Notes: Publis...

Artist: After Francis Bacon (1909-1992) Title: Le Boeuf, exhibition poster Year: 1986 Medium: Offset Lithograph on premium paper Size: 30.75 x 18 inches Condition: Excellent Notes: Published by Foundation Maeght FRANCIS BACON (1909-1992) Francis Bacon has a distinctive style as a figure painter. In his mature style, developed in the 1950s, the paintings include images of either friends or lovers, or images of people found in movie stills...

Lithograph, 1979 Handsigned by the artist in pencil and numbered 88/100 Publisher : Bram Van Velde & Jacques Putman (Paris) Printer : Pierre Badey (Paris) Catalog : Mason Putman 341 ...

Lyonel Feininger, 'Little Locomotive (Kleine Lokomotive)', woodcut, 1936, one of a small but unknown number of letterhead proofs; Prasse W158. Annotated 'W 158' (Feininger catalogue number) and '1936' in pencil, in the bottom right sheet corner. A fine impression, on cream, laid letterhead stock; hinge remains on the left and right top sheet edges, verso, in excellent condition. Very scarce. Image size 2 1/4 x 3 5/16 inches; sheet size 10 x 7 inches. Archivally sleeved, unmatted. Exhibited: 'Lyonel Feininer, Woodcuts Used As Letterheads'; Associated American Artists; Feb 4 - March 2, 1974; New York, NY. Collections: Cleveland Museum of Art, Museum of Modern Art, Staatliche Museen zu Berlin (East Berlin KK). ABOUT THE ARTIST Lyonel Feininger (1871-1956) was born in New York City into a musical family—his father was a violinist and composer, his mother was a singer and pianist. He studied violin with his father, and by the age of 12, he was performing in public, but he also drew incessantly, most notably the steamboats and sailing ships on the Hudson and East Rivers, and the landscape around Sharon, Conn., where he spent time on a farm owned by a family friend. At the age of 16 he left New York to study music and art in Germany, from where his parents emigrated. Drawn more to the visual arts, he attended schools in Hamburg, Berlin, and Paris from 1887 to 1892. After completing his studies, Feininger began his artistic career as a cartoonist and illustrator, his originality leading him to great success. In 1906, after working for a dozen years in Germany, he was offered a job as a cartoonist at the Chicago Tribune, the largest circulation newspaper in the Midwest. He worked there for a year, inventing what became the standard design for the comic strip: in the words of John Carlin, “an overall pattern. . . that allowed the page to be read both as a series of elements one after the other, like language and as a group of juxtaposed images, like visual art.” His originality did not end there: he went on to become one of the great abstract painters. Like Kandinsky, music was his model, but Kandinsky only knew music from the outside—as a listener (inspired initially by Wagner, then by Schoenberg)—while Feininger knew it from the inside. He lived in Paris from 1906 to 1908, during which time he met and was influenced by the work of progressive painters Robert Delaunay and Jules Pascin, as well as that of Paul Cezanne and Vincent van Gogh. He began painting full-time, developing his distinctive Iyrical style based on Cubist and Expressionist idioms and a concern for the emotive qualities of light and color. He exhibited with the Der Blaue Reiter group in 1913, and in 1917, he had his first solo exhibition at Galerie Der Sturm in Berlin. One year after his solo exhibition, in 1918, Feininger began making woodcuts. He became enamored with the medium, producing an impressive 117 in his first year of exploring the printmaking medium. In 1919 at the invitation of the architect Walter Gropius, he was appointed the first master at the newly formed Staatliches Bauhaus in Weimar. His woodcut of a cathedral crowned...

Artist: After Jean-Michel Basquiat (1960-1988) Title: Chateau la Coste Year: 2019 Medium: Offset lithograph exhibition poster on wove paper Size: 23.75 x 15.75 inches Condition: Exce...