César Domela Abstract Prints

This striking vintage original serigraph by celebrated Aspen artist Thomas Whelan Benton showcases a bold, graphic composition featuring a bright white snowflake set against a deep b...

"Trees in Ranchitos II" is a striking 1975 color lithograph by acclaimed modernist artist Andrew Michael Dasburg (1887–1979). This collectible artwork, initialed in the lower right, beautifully captures the serene landscapes of New Mexico, reflecting Dasburg’s signature fusion of Post-Impressionism and Cubist influences. The composition conveys the tranquil rhythm of trees and desert terrain, combining geometric abstraction with lyrical naturalism. The lithograph is presented in a custom frame measuring 30 ½ x 36 ¼ inches, with an image size of 16 ½ x 23 ¼ inches, making it a sophisticated and visually compelling addition to any collection of Taos Modernist art, American modernism, or Southwestern landscape prints. About Andrew Michael Dasburg (1887–1979): Born in Paris, France, Dasburg immigrated to New York City in 1892, where his early talent was recognized. He trained at the Art Students League of New York under notable instructors including Robert Henri, Kenyon Cox, and Birge Harrison. In 1908, he returned to Paris and encountered the works of Henri Matisse and Paul Cézanne, experiences that ignited his lifelong commitment to modernism. After settling in Woodstock, NY, Dasburg immersed himself in the avant-garde scene, collaborating with Morgan Russell...

"Night Views" Silkscreen Print by The Skyscape Artist, 25/100. By Tetsuro Sawada ( Japanese, 1933-1998) This raven black geometric abstraction focuses on hard-edged horizontal lines, color, and light, giving the impression of dusk through the "bokashi," or shading, technique, which is most difficult in the silkscreen medium, a good example of Sawada's theme of the infinite beyond, the silent emptiness of the universe. Signature in the bottom right corner reads, "T. Sawada '87," titled in the bottom center, "Night Views," and numbered, "25/100," in the bottom left corner. Presented in a new white mat. Paper size: 34"H x 22"W, Mat size: 39"H x 27"W Born in Hokkaido, Tetsuro Sawada (1933-1998, Japanese) graduated from Musashimo Art University where he majored in Western painting. In 1960, he began painting abstract oils...

Screenprint Edition 102 of 120 83.5 × 70.5 cm (32.9 x 27.8 in) Signed, titled, dated and numbered on front Artwork in excellent condition considering its age. Only visible under stud...

This screenprint has vibrant red and black tones on wove paper Created in 2006, It is hand signed in pencil and numbered from the edition of 118. 32 by 24 3/8 inches (image), 36 3/4 ...

Nick Thomm CHROMATIC - 4 Print Set (XL SIZE 36" x 48" PER PRINT). Limited Edition #43 of 50. Hand Signed Numbered. Archival Pigment Print on Hahnemühle 308gsm Fine Art Paper. ...

A minimal geometric silkscreen of a traditional Japanese living room with cushions and a portable hand warmer by Yuiichiro Kato (Japanese, b- 1926). Displayed in a metal frame. Image...

Signed and numbered by the artist. Medium: Etching and aquatint Image Size: 14 x 11.25 inches Edition size: 13 The horizontal and vertical directional lines and the use of black and...

Unique monotype, signed and numbered 1/1. Artist Robert Roach worked in Santa Fe, New Mexico. His one-of-a-kind, abstract monoprints are inspired by the landscape, climate and light...

Yona FRIEDMAN (1923-2019) Pictograms of Genesis (Purple), 1975 Original screenprint (Silium workshop) Signed in pencil Numbered / 100 copies On Arches vellum 76 x 58 cm Very good c...

One screen print on wove paper titled, Alice Tully Hall by Guillermo Kuitca, 2009. It is hand signed in pencil, dated and numbered from the edition of 117 (total edition includes 18 artist's proofs) The sheet size is 22 1/4 by 20 inches, with the blindstamp of the printer, Brand X Editions, New York. Published by Lincoln Center for the Performing Arts, Inc., New York. This impression has a rich, bold red color on bright white paper. Guillermo Kuitca, whose paintings and prints are often inspired by seating arrangements in theater interiors, recreates the seating chart...

This 1966 American Modernist abstract color lithograph by renowned artist Lewis Lee Tilley (1921–2005) is a striking example of mid-20th-century abstraction. Pencil-signed by the artist and numbered 4 of 5 in a very limited edition, this rare lithograph demonstrates Tilley’s mastery of color theory, geometric abstraction, and dynamic composition, making it highly desirable for collectors of American Modernist prints. The artwork features a bold interplay of vibrant colors and abstract forms, creating a rhythmic and visually compelling composition. Its balance of energy and sophistication reflects Tilley’s distinctive modernist style and innovative approach to printmaking. Ideal for gallery display or a contemporary interior, this lithograph is a refined addition to any modern art collection. Professionally framed, the piece measures 29 x 23 inches overall, with an image size of 12 ½ x 10 ½ inches, providing a strong visual presence without overwhelming space. Provenance: Formerly part of the Fremont Center for the Arts collection, Canon City...