Charles [Karl] Hidenlang Abstract Prints

Schmidt's 1923 poster for the Bauhaus Exhibition is celebrated for its innovative use of geometric forms and typographic elements, reflecting the school's avant-garde approach to des...

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes. It's made by layering paper cutouts and different exposures using uv-...

Twin Formation in Gray, color woodcut, 1982, edition 30, Rose III.400. Signed, dated and numbered I7/XXX in pencil, annotated 415 and titled in the bottom left sheet edge. A fine impression with fresh, rich colors, on heavy off-white Japan paper; the full sheet with wide margins (1 3/4 to 3 1/4 inches), in good condition. Printed in black, dark gray, medium gray, yellow/orange, and lemon yellow. Matted to museum standards, unframed. An impression of this work is included in the permanent collection of the Smithsonian American Art Museum. ABOUT THE ARTIST Painter, printmaker, and art teacher, Werner Drewes (1899–1985) was among the founding fathers of American abstraction. A student at the famed Bauhaus in the 1920s, he studied under Lyonel Feininger, Paul Klee, Laszlo Moholy-Nagy and Wassily Kandinsky. Following his emigration to the United States in 1930, he was instrumental in introducing modernist Bauhaus concepts and esthetics to America. Drewes’ boldly dynamic and emotionally expressive work, which encompassed both non-objective and figurative genres, brought him critical acclaim and numerous gallery and institutional exhibitions throughout his artistic career. Drewes' graphic work can be found in most major American art museums including, the Ackland Art Museum, The Art Institute of Chicago, Bauhaus Archive...

A 1969 woodcut, titled "Andalusian Sky" by Bauhaus Master Werner Drewes. Signed and numbered in pencil. Edition: 21/XXX. An impression of this print is in the collection of the Sm...

Vintage poster realized in 1976 in occasion of the exhibition of the Artist at Galleria Rondanini, Rome. Very good condition.

Werner Drewes, 'Pointed Shapes and Black Half Moon', etching, 1935, edition 20, Rose l.198. Signed, dated, and numbered 'I-XX' in pencil. A fine, rich impression, in warm black ink...

Artist: Gisela Beker, German/American (1932 - 2015) Title: Bauhaus (Red and Green) Year: Circa 1975 Medium: Serigraph, signed and numbered in pencil E...

Artist: Herbert Bayer, Austrian (1900 - 1985) Title: Triangulated Squares Year: 1969 Medium: Screenprint, signed in pencil Size: 32 in. x 33 in. (81.28 cm x 83.82 cm) Printed at Kel...

"Sometimes is forever" - 1976 Surrealist Lithograph on Paper 1976 surrealist lithograph on paper titled "Sometimes is forever" by Jim Crabb (American, b. 1947). This piece resembles a surreal landscape, with various biomorphic objects floating in the sky. Some of them resemble coral, growing vertically. Others look like microscopic organisms, with stringy tails. Titled, numbered, signed, and dated along the bottom edge: Sometimes is forever 16/50 J CRABB...

Original 1968 “Discover France by Train” Vintage Travel Poster (English text) — Linen Backed, Mourlot Printed. Grade A, A-, ready to frame. Enhance your collection with this authent...

Lyonel Feininger, 'Masken (Masks)' also 'Carnival Masks', woodcut, 1920, proofs only. Prasse W193. Signed and titled in pencil. Annotated '1973', the artist’s inventory number. A fin...

Lyonel Feininger, 'Da-Da I' also titled by the artist 'Der Abgott' (The Idol), woodcut, 1918, a proof impression. Prasse W91. Signed in pencil and annotated '1876', the artist’s inv...