Charles Martin Figurative Photography

Flipping Boy, 4th Ward, Houston, TX by Earlie Hudnall, Jr. is a 14 x 11 inch silver gelatin print. This photograph features a boy flipping in the street, with people watching from the sidewalk and the skyline of Houston in the background. This photograph is signed, titled, and dated in pencil on print verso by Earlie Hudnall, Jr. Earlie Hudnall, who is one of the most notable African American...

TECHNICAL INFORMATION Schiller, Lawrence Marilyn Monroe Birthday Cake 1962 / 2007 Silver Gelatin Print 30 x 40 in. Edition of 75 Signed & numbered ...

Beach, Italy, 1984 by Leonard Freed is an 8" x 10" black and white photograph, a gelatin silver RC press print from the Freed archive, signed verso (on back of photograph) by the photographer. Provenance: Freed Estate Leonard Freed discovered Little Italy in New York...

"Abramson comes much closer to recording the sound of these clubs than we would have any right to expect from a photographer." - Nick Hornby (London, 2009), Light On the South Side, ...

Anthony FRIEDKIN (*1949, America) Woman by the Pool, Beverly Hills Hotel, Beverly Hills, California, U.S.A., 1975 Silver Gelatin Print, later print Image 76,2 x 114,3 cm (30 x 45 in....

Beach II, Italy, 1984 by Leonard Freed is an 11" x 14" black and white photograph, a gelatin silver RC press print from the Freed archive, signed verso (on back of photograph) by the...

LINA SCHEYNIUS (*1981, Sweden) Untitled (Diary), 2002 Fibre-based silver gelatin print, hand proofed by the artist. Image 40 x 60 cm (15 3/4 x 23 5/8 in.) Sheet 50 x 70 cm (19 5/8 x ...

A camera is a window through which a photographer interacts with the world, and it's up to the operator to decide whether his camera will be a barrier or a mirror between he and his subjects. In the 1970s, Michael Abramson chose the latter path when he brought his camera to Pepper's Hideout on Chicago's South Side. Following in the footsteps of his acknowledged influence Gyula Halász, a Hungarian photographer better known as Brassaï who became the pre-eminent chronicler of the Paris nightlife he loved so much, Abramson initiated himself into the nightlife of Chicago's predominantly black neighbourhoods. He was very much a part of the scene he documented on film, drinking, laughing, and dancing with his subjects into small hours and becoming as much a part of the atmosphere as the locals who frequented the same nightspots he did. - Joe Tangari (Numero Group, 2009) This series won Abramson a grant from the National Endowment for the Arts in 1978 and launched his career as a photojournalist. Eventually the project resulted in a hardbound book, Light: On the South Side, including the Grammy and Mojo nominated album, featuring Chicago blues...

Edition of 50 Signed, titled, dated and numbered. Keith Carter is an American photographer who is known for his dreamlike black and white photographs of the figure, animals, and mea...

Open Hand, 2004 Gelatin silver print, Paper size: 16 x 20 in., Image size: 15 x 15 in. Signed, titled, dated and numbered in pencil on print verso by Keith ...

Hand Signed by Lynn Goldsmith Limited Edition of 20 Lynn Goldsmith's imagery is in numerous collections: The Smithsonian, The Polaroid Collection, The Museum of Modern Art, the Chicago Museum of Contemporary Photography, and the permanent collection of Museum Folkwang. She is a multi-awarded portrait photographer whose work has appeared on and between the covers of Life, Newsweek, Time, Rolling Stone, People, Elle, The New Yorker, etc. Her subjects have varied from entertainment personalities to sports stars, from film directors to authors, from the extra-ordinary to the ordinary man on the street. Her forty years of photography have not only been an investigation into the nature of the human spirit, but also into the natural wonders of our planet. Twelve books of her photography have been published. She has been on The New York Times Best Seller list...

Edition of 15 Signed, titled, dated, print date, numbered, and print type by Mario Algaze Selenium toned gelatin silver print, 16 x 12 in. Mario Algaze was a contemporary Cuban-American photographer whose work celebrated the culture of Latin America. In 1960, at the age of thirteen, Algaze was exiled from Cuba with his family. He relocated to America and settled in Miami, Florida. Miami offered a rich cultural mecca that encouraged Algaze to travel throughout Central and South America. These trips allowed him a glimpse of belonging within a familiar culture. In finding his identity after exile, he began photographing Latin America in the 1970’s while reconnecting with the feeling of home. His photographs embody the everyday of Latin life. Between his travels in the late 70’s, Algaze studied visual art at Miami Dade College. Algaze’s masterful command of light illuminates his street scenes that detail the struggles and victories of Latin culture. Mario Algaze was the recipient of various acclaimed awards, including the Florida Artist Fellowship from the Florida Arts Council (1985), the Cintas Foundation Fellowship in Photography (1991), the Visual Arts Fellowship and the SAF Artist Fellowship sponsored by the National Endowment for the Arts. In 1992, he received the National Endowment for the Arts Fellowship in Photography. A retrospective collection of his work was showcased in the important monograph, Mario Algaze: Portfolio, published by Di Puglia Publisher, 2010. Additional monographs by the artist include, Mario Algaze Portafolio Latinamericano, Mario Algaze: Cuba 1999-2000, and Mario Algaze A Respect for Light: The Latin American Photographs...