Charles Wyatt Warren Abstract Paintings

Stinchcombe Hill by Rupert Aker [2022] View along the Cotswold escarpment from Stinchcombe Hill Additional information: Original Oil on board Image size: H:30 cm x W:30 cm Complete...

Ebbing tide is an original landscape painting by Stephen KInder. This painting was completed on location in the late summer of 2019. The painting was completed on West Wittering...

This is a bold, abstracted city scene. It appears to be New York City, It could be any large metropolis with skyscrapers and a bustle to it. It is signed S. Chait and signed with ini...

Green, yellow, and blue abstract impressionist Western landscape by Texas artist Fred Darge. The painting depicts an arid desert with a huge desert sage bush against a mountainous landscape with overcast clouds. Signed by the artist at the bottom right corner. Unframed but framing options are available. Artist Biography: Friedrich Ernst (Fred) Darge was born in Rendsburg, Germany March 1, 1900, and died in Dallas, Texas April 10, 1978. He entered the U.S. at Port Arthur, Texas in 1923. By 1924 he was in Chicago painting...

This intimate abstract Impressionist piece, "Windy Summer Day", is the work of French artist Natalya Mougenot. Part of her ongoing series dedicated to...

"Ole Swimmin Hole" Southern California Oil on canvas board 1930s Elegant mid century landscape depicting a lake and hillside in summer by well known and collected California artist ...

The light of the setting sun bounces off the particles of smoke from a distant fire, creating a moment of mixed emotions, stirred by nature's power. I'm interested in phenomena that...

Charles Green Shaw Harvard vs. Yale, 1944 Signed and dated on the reverse Oil on canvasboard 9 x 12 inches Provenance: Harvey and Francois Rambach, New Jersey Private Collection, California Washburn Gallery, New York D. Wigmore Fine Art, New York Private Collection, New York Charles Green Shaw, born into a wealthy New York family, began painting when he was in his mid-thirties. A 1914 graduate of Yale, Shaw also completed a year of architectural studies at Columbia University. During the 1920s Shaw enjoyed a successful career as a freelance writer for The New Yorker, Smart Set and Vanity Fair, chronicling the life of the theater and café society. In addition to penning insightful articles, Shaw was a poet, novelist and journalist. In 1927 he began to take a serious interest in art and attended Thomas Hart Benton's class at the Art Students League briefly in New York. He also studied privately with George Luks, who became a good friend. Once he had dedicated himself to non-traditional painting, Shaw's writing ability made him a potent defender of abstract art. After initial study with Benton and Luks, Shaw continued his artistic education in Paris by visiting numerous museums and galleries. From 1930 to 1932 Shaw's paintings evolved from a style imitative of Cubism to one directly inspired by it, though simplified and more purely geometric. Returning to the United States in 1933, Shaw began a series of abstracted cityscapes of skyscrapers he called Manhattan Motifs which evolved into his most famous works, the shaped canvases he called Plastic Polygons. The 1930s were productive years for Shaw. He showed his paintings in numerous group exhibitions, both in New York and abroad, and was also given several one-man exhibitions. Shaw had his first one-man exhibition at the Valentine Dudensing Gallery in New York in 1934, which included 25 Manhattan Motif paintings and 8 abstract works. In the spring of 1935 Shaw was introduced to Albert Gallatin and George L.K. Morris. Gallatin was so impressed with Shaw's work, he broke a policy against solo exhibitions at his museum, the Gallery of Living Art, and offered Shaw an exhibition there. In the summer of 1935 Shaw traveled to Paris with Gallatin and Morris who provided introductions to many great painters. Shaw regularly spent time with John Ferren and Jean Hélion. The following year Gallatin organized an exhibition called Five Contemporary American Concretionists at the Reinhardt Gallery that included Shaw, Ferren, and Morris, Alexander Calder, and Charles Biederman...

Abstracted River Canyon Landscape in Oil on Canvas Dramatic landscape by Honora Berg (American, 1897-1985). Three large cliffs tower over a river, creating a massive canyon. The landscape is represented in colors reminiscent of fauvism - greens, yellows, and magentas. Signed "Honora Berg" at the bottom edge. Acquired with a collection of the artist's work. Initialed and numbered "HB 103" on verso Unframed. This piece is on canvas that has been stretched over cardstock by the artist. Board size: 20.5"H x 25.75"W Honora Berg (American, 1897-1985) was an Abstract Expressionist and Bay Area Figurative School artist who studied at the San Francisco Art Institute with David Park, Elmer Bischoff and James Budd Dixon. Berg's friend Edith Truesdell — David Park's aunt — suggested a move to California in 1951 to study under Park. She exhibited at the 25th Annual Drawing, Print and Sculpture Exhibition at the San Francisco Museum of Modern Art, 1961. Provenance, Estate of Honora Berg - David Carlson Gallery, Larry Miller...

An abstract landscape depicting the emergence of life or nature’s support for us. The painting incorporates natural materials—sand, grass—that create texture and enhance the idea of nature’s energy. Earthy tones, interspersed with vibrant greens and warm yellows, evoke a sense of dynamic growth and natural vitality. - Original oil painting - 90x70 cm - 0.6 inch thick galley wrapped painted edges - no framing necessary. - ready to hang - Your painting will come signed and include a certificate of authenticity, -UV protectant to prevent fading -This artwork was exhibited : - December 2024 Art Expo, Trieste Italy

In this contemporary abstract impressionist summer landscape "Cypress by the Coast", French artist Natalya Mougenot captures the sunlit charm of Provence, near the Méditerranéen Sea...

Alanna's work is concerned with themes of nature, escapism and nostalgia. She has a particular interest in colour, light and abstract mark making. The paintings themselves are loosel...