Charlotte Andry Gibbs Animal Paintings

ROBERT KENNETH WHITE – "OLD RAM" Oil on Canvas ⚜ Hand Signed Lower Right ⚜ Frameless Display A MOUNTAIN KING IN DAPPLED LIGHT A majestic and earthy depiction by Robert Kenneth Whit...

Lilian Cheviot (1876- c.1936) The sage signed 'L. Cheviot' (lower right) oil on canvas 12 x 10 in. (30.5 x 25.3 cm.) with frame 15 ¾ x 13 ¾ in. (40 x 35 cm.) Renowned for her sens...

Painting on burlap by Jose Maria de Servin of an Abstract Naive Lion animal using bright colors and geometric patterns. In this piece the artist simplifies the representation of the ...

Two white and tan hunting dogs, contemporary 20th century work, painted in older period style, presented on canvas with oil paint attached to board in a wooden mahogany toned frame. ...

ROBERT KENNETH WHITE – "VELVET WRINKLES" ⚜ Oil on canvas ⚜ Signed lower right ⚜ Frameless display ADORABLE SHAR PEI PORTRAIT BY ROBERT KENNETH WHITE In Velvet Wrinkles, Robert Kenneth White masterfully captures the irresistible charm of two Shar Pei puppies, their soft folds rendered with lifelike precision. The artist’s signature realism and attention to texture bring warmth, character, and humor to this endearing composition. Known for blending technical expertise with playful subject matter, White’s works are highly sought after by collectors of contemporary animal portraits. The puppies’ expressive gaze and meticulously painted wrinkles highlight the artist’s ability to elevate everyday subjects into captivating fine art. WHY COLLECT THIS WORK? ✓ Original oil by Robert Kenneth White, renowned for his lifelike portraits and charming animal studies ✓ Depicts two Shar Pei puppies with exceptional attention to texture, expression, and detail ✓ Ideal for collectors of dog art, photorealism, or contemporary figurative works ✓ Ready to hang or frame — perfect for home, office, or gallery display ARTWORK DETAILS: ▸ Title: "Velvet Wrinkles" ▸ Artist: Robert Kenneth White ▸ Medium: Oil on Canvas ▸ Year of Creation: 2019 ▸ Signature: Signed lower right ▸ Country of Origin: United States ▸ Dimensions: — ◼︎ Canvas Size: 20.125 x 24 inches ▸ Condition: Excellent ▸ Framing: Frameless Display – Ready to hang or frame INCLUDED DOCUMENTATION ✓ Certificate of Authenticity ✓ Artist Biography Document THE ARTIST: Robert Kenneth White is an acclaimed American painter celebrated for his detailed landscapes, atmospheric seascapes, and photorealistic animal portraits. Working primarily in oil, White combines technical precision with a painter’s sensitivity to mood and subject, often blending realism with gentle humor. Drawing inspiration from California’s coastal vistas, rural Americana, and domestic life, White’s works resonate with collectors seeking both aesthetic beauty and emotional connection. His signature style has earned comparisons to 20th-century realist painters such as Andrew Wyeth and John Register...

Charles H. Boland de Spa (Belgium, 19th Century) 'Tom’ - a Brussels Griffon terrier signed 'Ch. Boland' (lower left) oil on panel 13 x 8 ⅝  in. (33 x 21.9 cm.) frame 18 ½  x 14 in. (...

Catriona Millar (Scottish, b. 1956) Veva’s Guest Oil on canvas Signed with initials (lower left) 19.5/8 x 15.5/8 in. (50 x 39.7 cm.) Catriona Millar (born 1956) is a Scottish figurative painter born in Milngavie, Glasgow. She studied at Grays School of Art, Aberdeen, where her tutors included Joyce Cairns RSA and Keith Grant...

MADELINE CHRISTINE CLAVIER (1913-2015) Signature: Signed lower right & titled verso Medium: Oil on canvas Provenance: The collection of the artist's family Marie Christine Clavier was born in Saigon, Vietnam in 1913 to French parents and lived there for her formative years. She returned to France as a teenager and began to study painting. Her work quickly developed into whimsical paintings of poetry and songs – harmonized in a unique and distinct painting technique. Her work has an impasto feel and a folk art, outsider artist sensibility to it. Similar in style to Maik and other fantasy realists who use animals, flowers and foliage in their artworks. Marie Clavier painted ro herself rather than for profit as she was quite independently wealthy. She exhibited extensively in the United States in the 1970s especially across Connecticut and New York, showing at various galleries and cultural centres. She had numerous solo exhibitions in the 1970’s- notably at the Maison Francaise in New York and New York University. She showed at Galerie Bernheim Jeune in Paris. She won many awards for her work including Gold Medals and Palme D’Or medals. In 1988 the prestigious art publisher Leopard D’Or produced catalogue book on her life and work – by this point she had virtually given up painting. She died in 2015 aged 102. Bernheim-Jeune gallery is one of the oldest art galleries in Paris. Opened on Rue Laffitte in 1863 by Alexandre Bernheim (1839-1915), friend of Delacroix, Corot and Courbet, it changed location a few times before settling on Avenue Matignon. The gallery promoted realists, Barbizon school paintings and, in 1874, the first impressionist and later post-impressionist painters. It closed in 2019. In 1901, Alexandre Bernheim, with his sons, Josse (1870-1941), and Gaston (1870-1953), organized the first important exhibition of Vincent van Gogh paintings in Paris with the help of art critic Julien Leclercq. In 1906, Bernheim-Jeune frères started presenting works by Pierre Bonnard, Edouard Vuillard, Paul Cezanne, Henri-Edmond Cross, Kees van Dongen, Henri Matisse, Le Douanier Rousseau, Raoul Dufy, Maurice de Vlaminck, Amedeo Modigliani, Maurice Utrillo and Georges Dufrenoy. From 1906 to 1925, art critic Félix Fénéon was the director of the gallery and was instrumental in bringing in the art of Georges Seurat and Umberto Boccioni. In 1922, an exhibition brought together works by Alice Halicka, Auguste Herbin, Pierre Hodé, Moise Kisling, Marie Laurencin, Henri Lebasque, Fernand Leger and Henri Matisse. The gallery now exhibits painters and sculptors in the tradition of the École de Paris and artists such as Jean Carzou, Shelomo Selinger or Pollès. Her style is a recognizable, cheerful, whimsical and a happy creation. Naïve art is any form of visual art that is created by a person who lacks the formal education and training that a professional artist undergoes (in anatomy, art history, technique, perspective, ways of seeing). Unlike folk art, naïve art does not necessarily evince a distinct cultural context or tradition. Naïve art is recognized, and often imitated, for its childlike simplicity and frankness. Paintings of this kind typically have a flat rendering style with a rudimentary expression of perspective. One particularly influential painter of "naïve art" was Henri Rousseau (1844–1910), a French Post-Impressionist who was discovered by Pablo Picasso. Naïve art is often seen as outsider art that is by someone without formal (or little) training or degree. While this was true before the twentieth century, there are now academies for naïve art. Naïve art is now a fully recognized art genre, represented in art galleries worldwide. Museums devoted to naïve art now exist in Kecskemét, Hungary; Riga, Latvia; Jaen, Spain; Rio de Janeiro, Brasil; Vicq France and Paris. Another term related to (but not completely synonymous with) naïve art is folk art. There also exist the terms "naïvism" and "primitivism" which are usually applied to professional painters working in the style of naïve art (like Paul Gauguin, Mikhail Larionov, Paul Klee). At all events, naive art can be regarded as having occupied an "official" position in the annals of twentieth-century art since - at the very latest - the publication of the Der Blaue Reiter, an almanac in 1912. Wassily Kandinsky and Franz Marc, who brought out the almanac, presented 6 reproductions of paintings by le Douanier' Rousseau (Henri Rousseau), comparing them with other pictorial examples. However, most experts agree that the year that naive art was "discovered" was 1885, when the painter Paul Signac became aware of the talents of Henri Rousseau and set about organizing exhibitions of his work in a number of prestigious galleries. The Earth Group (Grupa Zemlja) were Croatian artists, architects and intellectuals active in Zagreb from 1929 to 1935. The group included the painters Krsto Hegedušić, Edo Kovačević, Omer Mujadžić, Kamilo Ružička, Ivan Tabaković, and Oton Postružnik, the sculptors Antun Augustinčić, Frano Kršinić, and the architect Drago Ibler. A term applied to Yugoslav (Croatian) naive painters working in or around the village of Hlebine, near the Hungarian border, from about 1930. Some of the best known naive artists are Dragan Gaži, Ivan Generalić, Josip Generalić, Krsto Hegedušić, Mijo Kovačić, Ivan Lacković-Croata, Franjo Mraz, Ivan Večenaj and Mirko Virius. Camille Bombois (1883–1970) Ferdinand Cheval, known as 'le facteur Cheval' (1836–1924) Henry Darger (1892–1973) L. S. Lowry (1887–1976) Grandma Moses, Anna Mary Robertson...

ROBERT KENNETH WHITE – "BEAR WATCHING" (aka "GRAND CRU CLASSÉ") ⚜ Oil on Canvas ⚜ Hand Signed Lower Right; Titled on Verso ⚜ Frameless Display A WHIMSICAL BLEND OF STRENGTH, GRACE, ...

Bernard Ward Turner (British, 20th Century) Two Borzois by a lake in a landscape, with a country house beyond signed ‘B. Ward Turner/ BRSA.’ (lower right) oil on canvasboard 20 x 24 ...

ROBERT KENNETH WHITE – "ISLAND GOATS" Oil on Canvas ⚜ Hand Signed Lower Right ⚜ Frameless Display A SUNLIT HERD IN A ROCKY GROVE This compelling 2018 composition by Robert Kenneth ...

A fantastic example of George Armfield’s renowned portraits of dogs. This work depicts a Manchester Terrier excitedly standing outside a rabbit hole on the edge of a forest. The ter...