Claude Michaud Decorative Objects

Ferdinando Vichi (Italian, 1875-1945) A fine and lifesize Italian white Carrara marble Greco-Roman figure of the Belvedere Apollo, after the original, now in the Vatican Museum, the Belvedere Apollo has defined the Greek aesthetic ideals of harmony, noble simplicity and quiet grandeur. Apollo is depicted as an archer, having just killed the Python of Delphi. The carved figure displays the tension lingering as if the arrow has just left his bow. Standing on an oval base inscribed: F. Vichi, Firenze, Made in Italy. Florence, circa 1895-1900. Measures: Height 68 inches (192 cm) Width 47 1/4 inches (120 cm) Depth 38 1/2 inches (97.8 cm) Width of base 25 inches (63.5 cm) Former Property of Adolph Henrich Joseph Sutro's famous Cliff House and indoor public swimming establishment, The Sutro Baths...

For centuries, artists have been inspired by the human figure and crafted the likeness in a multitude of materials. One of the most popular and ancient of these materials is cast bro...

Beautiful pair of vintage Art Noeveau bookends by Verona. This set in beautifully aged cast iron reminiscence of the art noeveau era with its use of arches and curved forms. In this ...

Lying Figure hand carved marble sculpture by Tom Von Kaenel Dimensions: D18 x W16 x H8.5 cm Materials: Marble Tom von Kaenel, sculptor and painter, w...

H 42 x W 24 x D 34 cm Weight: 42 kg Very good condition Material: Portuguese marble, black stone base At once tender and sculptural, this marble sheep by Fanny Baan (1995) is a st...

A very nice abstract African marble figural sculpture by noted Zimbabwean artist, Ernest Chiwaridzo, circa early 1980s. The piece has a wonderful patina and measures 5"W x 2.5"D x 10...

Well sculpted white marble statue by the artist Viviana. It is signed on the center back base. It has had a professional restoration to one toe that is shown in the photo. The mothe...

An Important Lifesize Statuary Marble Figural Group of a Mother and Her Two Children, Entitled 'Mamma ce n'è una sola' (You only have one mother), By Silverio Martinoli (Italain, 183...

A late 19th-century French figural vase by Mathurin Moreau, titled: "LES ROSES", composed of patinated and gilt bronze, marble, and ormolu. The piece features a bronze female figure ...

19th Century marble sculpture “Eve at the Fountain”. After Edward Hodges Baily (1788-1867) Unsigned, Atelier /English School Work Last Quarter of 19th Century An exceptional p...

An Art Deco statuary marble figure of Cleopatra. The half-lifesize standing figure posed with her right foot raised and looking to dexta, in front of a recumbent sphinx raised on a stepped entablature. On a Siena marble pedestal carved with panelled front. Italian, Early 20th century. Intertwining history and legend, the story of Cleopatra (68-30 B.C.) has inspired artists for centuries. The present depiction dates to a period of Egyptomania inspired by Howard Carter...

A magnificent 19th century Italian carved marble figure of the son of William Tell kneeling under a tree trunk with a punched apple above his head. Raised on a contemporary solid marble pedestal. By Pasquale Romanelli (1812-1887) This model is recorded as the first sculpture exhibited by Pasquale Romanelli, it met with such success that it was subsequently given a prize at the New York Exhibition of 1854 and also at the 1861 first Great Italian exhibition which followed the Unification of Italy in 1860. The statue was bought by Italian king S.M. Vittorio Emanuele II. Signed: Romanelli, circa 1860 Dimensions: Height with pedestal 70.5" (179 cm) Diameter with pedestal 24" (61 cm) Height of sculpture 41.5" (105 cm) Diameter of sculpture 22" (55 cm) Pasquale Romanelli was born in Florence on May 28 1812. When he was 15 years old he entered the studio runned by Master Sculptor Luigi Pampaloni and later moved to Lorenzo Bartolini’s studio in Borgo San Frediano. Lorenzo Bartolini was a teacher at Accademia in 1837 and suggested the young pupil to attend proper sculpture training at the Accademia of Belle Arti. Soon he learned to sculpt in marble at such a high level that Bartolini himself did not need to finish his pieces if they have been carved by Pasquale. In 1840 he got his studio at the San Barnaba Monastry (nearby San Lorenzo church) and in this years he already took part in the political life, sure enough his subjects were connected to his political IDEA of freedom and independence of Italy. In 1850 Lorenzo Bartolini died his heirs had to deal with several sculptures uncompleted and sort out how to finish them without distorting either the original project and the Master’s style. As Bartolini was very jealous of his “last touch”, the heirs chose Pasquale Romanelli to complete most of his works, as he was the only assistant that could match the ability of the master. Just to mention some of this works, according to the tradition, the famous sculpture ”La fiducia in Dio” now housed at Hermitage Museum was sculpted by Pasquale Romanelli from an original model by Bartolini, as well as the “Monumento Demidoff” placed in Piazza Demidoff in Florence. Till the end of his life he worked on several commissions, either public monuments as the sculpture Francesco Ferrucci (Portico degli Uffizi) and private ones, mostly sold abroad. He was a renown portraitist and according to the tradition, luxury carriage...