Daniel Meyer Decorative Objects

Sculpted by Brazilian plastics artist Penithencia, this unique brutalist abstract bronze sculpture sits a top a bronze painted wood base. Signed and numbered 2/9 on bronze and maint...

Unusual brutalist brass, copper and rock sculpture by Daniel Dhaeseleer, Belgium, 1970s. Very similar to Curtis Jere designs in the USA. Has the original tag, and also is hand signed...

Polished soldered gilt brass sculpture figuring an eagle, which takes flight, with wings slightly opened. It stands on a gilt brass raw rock. Signed by Daniel CHASSIN and dated 1995....

Wood sculpture titled "Mate" by Daniel Basso, Argentina, 2016. Doesn't include the wooden base. Daniel Basso, Mar del Plata, 1974. He studied painting at...

1980s steel and polished stainless metal sculpture signed by Rosette Bir. Base diameter: 13 cm.

Unique sculpture signed by Jörg Pietschmann Materials: Tropical driftwood Measures: H 20 x W 33 x D 11 cm In Pietschmann’s sculptures, trees that for centuries were part of a landsc...

Vanity lipstick sculpture by Daniel Basso, Argentina, 2020. Titled "Vanity Lipstick". Daniel Basso, Mar del Plata 1974. He studied painting a...

Contemporary American ceramic artists Richard Hirsch, Scott Meyer and Virginia Scotchie's Crucible Assembly Sculpture was created in 2012. This piece is ma...

Shibuya wall sculpture by Daniel Schneiger Dimensions: D 71 x W 137 x H 18 cm Materials: wood, foam, resin and paint Custom sizes available. Custom finishes available. Please cont...

A pair of wooden totem sculptures by Meyer R. Wolfe, 1970's.

Palatial bust of Henri Robert-Marcel Duchamp by Ursula Meyer. The sculpture itself measures 47" in height, 27.5" in width, and 21.5" depth acquired from the home of the most prolific American conceptual artist. Signed and dated. Provenance: From the Estate of Ann Pollon Re: The Collection of Ursula Meyer. Descendant. Acquired from the artist. Henri-Robert-Marcel Duchamp French: (28 July 1887-2 October 1968) was a French-American painter, sculptor, chess player, and writer whose work is associated with Cubism, Dada, and conceptual art He was careful about his use of the term Dada and was not directly associated with Dada groups. Duchamp is commonly regarded, along with Pablo Picasso and Henri Matisse, as one of the three artists who helped to define the revolutionary developments in the plastic arts in the opening decades of the 20th century, responsible for significant developments in painting and sculpture. Duchamp has had an immense impact on twentieth-century and twenty first-century art, and he had a seminal influence on the development of conceptual art. By the time of World War I he had rejected the work of many of his fellow artists (such as Henri Matisse) as "retinal" art, intended only to please the eye. Instead, Duchamp wanted to use art to serve the mind. Ursula Meyer was a German-born American sculptor, art-focused academician, and fine art critic, who proved an influential player in the transmission of and appreciation for European born Modernism to the United States in the post-World War II era. At first a ceramicist beholden to the teachings of 1930s Germany’s Bauhaus and Italy’s Futurists, she eventually became a creator and exponent of a crisp, geometry-focused sculptural lexicon in ceramics, and later wood and metal sculpture. Her legacy includes a decades-long exploration of Minimalism, as well as experimentations in creating and deciphering Conceptual and Expressive genres. Born in Hanover, Germany in 1915 to Ernst Josef Meyer and Elsa Katzenstein, Ursula Meyer is recorded as having “studied with former Bauhaus masters after the Bauhaus itself had closed under threat of National Socialism” in 1933. Spanning the years 1934 through 1937, Ursula’s Bauhaus tutorial is not fully documented, but it may well have included at least brief study with the French-born Marguerite Friedlaender Wildenhain (1896-1985), the first woman to earn the Master Potter certification in Germany, and who worked with Paul Klee, Wassily Kandinsky, Max Kehan and Gerhard Marcks (1889-1981). Meyer is recorded as having directly worked with Marcks, as well as with Otto Lindig...

Wood, bronze, velvet and acrylic sculpture by Daniel Basso, 2011. Untitled. Daniel Basso, Mar del Plata, 1974. He studied painting at the Higher School of Visual Arts in Mar del Plata. He has been working in the development of his work since 2002. He was awarded a scholarship by Fundación Antorchas, the National Fund for the Arts, Fundación Telefónica, TRAMA (sponsored by the Rijk Academie) and the Ministry of Culture of the Nation. He made the individual exhibitions D´accord (Contemporary Baltar, Mar del Plata, 2006), Bijouterie for Trucks, full version (Appetite Gallery, Bs-As., 2008), Sagrado Corazón...