De Ster Gelderland Sofas

Sofa, teak, leather, Europe, 1960s A sofa characterized by a striking geometric structure with clean lines and distinctive carvings. Its wide armrests feature subtle detailing with ...

Anfibio sofa-bed by Alessandro Becchi for Giovannetti, 1972. Fully restored and upholstered with high-quality grey Italian natural leather. Mattress upholstered with soft sheepskin wool. The Anfibio sofa ranks among the most outstanding cult products of Italian design. It is innovative, original, and highly functional; it is a revolutionary sofa-bed, a symbol of high quality and sapient artisanry. It is possible to find it in the permanent collection of 13 museums worldwide, among which the MoMa in New York, since 1972. Alessandro Becchi designed the “Anfibio” sofa for the Italian manufacturer Giovannetti in 1970. It is characterized by generous dimensions and soft, embracing shapes that invite relaxation and comfort. It reminds a floating dinghy thanks to its lack of rigid mechanism. This feature inspired its name, which means amphibious. Furthermore, the sofa presents a rectangular steel structure and padding in non-deformable high-density polyurethane, covered with acrylic thermo-welded fibers and protective fabric. The Anfibio sofa by Giovannetti is available covered in leather or fabric and several colors. This artwork is the ideal convertible solution, the perfect combination of aesthetic research and innovative household living. Alessandro Becchi was born in Florence in 1946. He studied at ISIA in his hometown, and in the late 60s, he began his career as a designer. In 1970 he designed the revolutionary Anfibio sofa for Giovannetti. In 1972, thanks to the success of Anfibio, he was invited to the exhibition “Italy: the New Domestic Landscape” at the Museum of Modern Arts in New York. This date opens in close collaboration with Giovannetti. He designed a series of sofa-beds, such as Only You, Brando, Diletto, and the famous armchairs Le Bugie...

A pair of wonderfully organic Dutch armchairs in walnut with hand-woven rush seats and upholstered backs covered with a paisley design. The form is greatly considered and perfectly ...

Osvaldo Borsani for Tecno, sofa or daybed, model D70, steel, brass, fabric, Italy, 1954. Osvaldo Borsanis sofa 'D70' was presented at the Triennale of Milan in 1954 where it won the Gold Medal for design. Not only the design is extraordinary, because so is the technology. With a single twist the back and seating are positioned upwards or down, all to create the highest comfort for the sofa or daybed. This eccentric sofa...

Iconic Danish Mid-Century Modern daybed, sofa - model GE- 258 designed by Hans Wegner for Getma. This example is in very good, estate condition, specifically the fabric shows wear, s...

Tito Agnoli for Cinova, sofa or daybed model 711, leather, laminated wood, brass, Italy, 1968 Cubic sofa that can be transformed into a daybed ...

Beautiful mid century three seater sofa with a nicely organic designed teak wooden frame and newly upholstered faux leather cushions. This model is called 'de Knoop'. Eye catching ...

Beautiful 1955 Danish Sofa designed by Johannes Aasbjerg has original upholstery with a 4 seat design. Long 106 inch long sofa. Sits on 8 Solid teak tapered legs. Use As-Is or have i...

Armchair by De Ster Gelderland

Armchair by De Ster Gelderland Stick back and rush seat Dutch 1950s This armchair features a classic mid-century modern design with a Dutch influence. The high, gently curved stic...

Tito Agnoli for Cinova, sofa or daybed model 711, red leatherette, steel, laminated wood, Italy, 1968. Cubic sofa that can be transformed into a daybed by Italian designer Tito Agno...

Easy chair designed by Rob Parry, manufactured by Gelderland (Netherlands) circa 1960. Hand signed by the Designer in Pen. The chair has a beautiful steel base, wooden armrests and side panels. It has been reupholstered. In good original condition, with minor wear consistent with age and use, preserving a beautiful patina. Rob Parry (born in The Hague, Netherlands, 1925) studied at the Royal Academy of Art, The Hague where his most important teachers were Cor Alons, Paul Schuitema and Gerrit Rietveld, whom Parry worked for. It was Rietveld’s firm that laid the foundation for Parry’s interest in exhibition design. In 1950, Rob Parry started his own firm. Emile Truijen was his design partner from 1954 to 1958. Together they developed a myriad of designs, including one of the icons of Dutch design: the double post box. Up until 1995, he designed interiors, furniture, stands, exhibitions, Jewellery, lettering and toys. In his designs, Rob Parry experimented with new materials and techniques. Designs by Rob Parry are included in the collections of the Stedelijk Museum in Amsterdam, Boijmans Van Beuningen...