Dennis Ray Beall Art

Alexander CALDER Composition with Red and Blue Ball Original lithograph (printed in Mourlot workshop) Printed signature in the plate On Arches vellum 25 x 19 cm (c. 10 x 8 inch) Edi...

Leonard Baskin (1922-2000) Death of the Laureate, `1957 Wood Engraving Framed: 18 1/2 x 18 in. Signed and inscribed bottom: Death of the Laureate, Ed. 20, For Walter [Rosenblum], Leo...

"Trees in Ranchitos II" is a striking 1975 color lithograph by acclaimed modernist artist Andrew Michael Dasburg (1887–1979). This collectible artwork, initialed in the lower right, beautifully captures the serene landscapes of New Mexico, reflecting Dasburg’s signature fusion of Post-Impressionism and Cubist influences. The composition conveys the tranquil rhythm of trees and desert terrain, combining geometric abstraction with lyrical naturalism. The lithograph is presented in a custom frame measuring 30 ½ x 36 ¼ inches, with an image size of 16 ½ x 23 ¼ inches, making it a sophisticated and visually compelling addition to any collection of Taos Modernist art, American modernism, or Southwestern landscape prints. About Andrew Michael Dasburg (1887–1979): Born in Paris, France, Dasburg immigrated to New York City in 1892, where his early talent was recognized. He trained at the Art Students League of New York under notable instructors including Robert Henri, Kenyon Cox, and Birge Harrison. In 1908, he returned to Paris and encountered the works of Henri Matisse and Paul Cézanne, experiences that ignited his lifelong commitment to modernism. After settling in Woodstock, NY, Dasburg immersed himself in the avant-garde scene, collaborating with Morgan Russell...

Love Apple (Brown background). 1967. Linoleum cut printed in black, red, orange, brown and tan. 16 1/2 x 12 1/2 (sheet 21 3/4 x 15). Edition 18. A vivid impression printed on wove pa...

James Rosenquist An Intrinsic Existence, 1975 Original lithograph (Printed in Mourlot workshop) Unsigned On vellum 31 x 24 cm Edited by San Lazarro, 1975 Excellent condition

Lithograph, screenprint, etching and aquatint printed in colours, with relief, 1998, signed in pencil, dated, numbered from the edition of 55 (there were also 14 artist's proofs), with the publisher's blindstamp, Tyler Graphics, Ltd., Mount Kisco, 54.6 x 55.2 cm. (21½ x 21¾ in.) Catalogue Raisonne: Axsom 252 Over a period of four years, Stella created a body of prints whose titles all came from ‘The Dictionary of Imaginary Places’ by Alberto Mangual and Gianni Guadalupi. Each work from this series is recognisable for its teaming compositions of twisting, colliding and knotted forms. The shapes appear to spill out of their sheet, seemingly trying to escape their frames. As he had done since the ‘Swan Engravings...

Agnes Mills (American, 1915-2008) Guignol Intermezzo, 1982 Hand colored etching (UNIQUE) Sight: 13 3/4 x 11 1/4 in. Framed: 19 1/2 x 17 x 3/4 in. Titled lower right Inscribed "AP" bo...

Standard Oil Building. 1923. Etching. Wuerth 817. 12 1/4 x 9 1/4 (sheet 13 1/2 x 10 1/16). Edition probably 50. A glowing impression, printed by the artist on antique cream wove paper. Signed and annotated 'imp' in pencil. Housed in a 20 x 16-inch archival mat proof printed by the artist. $875. 26 Broadway" is the home of the Standard Oil...

Published edition, not trial proof Open Action. 1926/1928. Etching. Giardina 124. 7 x 15 1/8 (sheet 12 3/4 x 15 1/4). Trial proof, prior to the edition of 90. A rich, tonal impressi...

Paul Resika Untitled Signed lower right Etching on wove paper 10 1/2 x 6 inches Paul Resika (born 1928, New York, New York) is primarily recognized for his artwork featuring the di...

Hand signed and numbered Aquatint Etching Susan Hall lives and works in Point Reyes Station, California, a town in the heart of the Point Reyes National Seashore. This pristine wilderness area is dominated by a mosaic of bays and ocean, rolling grass lands and forests. It is inhabited by a diversity of wildlife, including over 450 species of birds, mountains lions, deer, bobcats, foxes, and elk. Ms. Hall who is a native of this area returned after spending twenty years in New York City. In her book, “Painting Point Reyes”, Hall says, “Point Reyes is the center of my painting life. Point Reyes has been my life and when I haven’t lived here, it has been an underground stream that spoke to me in dreams and visions.” While living and painting in New York City, Ms. Hall exhibited her work widely in museums and galleries. Among them are the Whitney Museum of Art; San Francisco Museum of Art; Nancy Hoffman Gallery, Trabia MacAfee Gallery, Phyllis Kind Gallery, Chicago; Ovsey Gallery, Los Angeles. In addition, her work has been featured in group exhibitions throughout the United States and abroad, including in 2020 Bud Shark's Ink: The California Crew at BMoCA, Boulder Museum of Contemporary Art Colorado USA representing the panoply of aesthetics, cultural backgrounds, viewpoints, and talent held within the bounty of art “made in California.” This remarkable grouping of artists, Brad Brown, Enrique Chagoya, Roy De Forest, Amy Ellingson, Susan Hall, Don Ed Hardy, Mildred Howard, Robert Hudson, Hung Liu, Kara Maria, Rex Ray, Alison Saar, Italo Scanga, and William T. Wiley. Women to the Fore, Hudson River Museum Yonkers 2021 A group of women artists working in oil painting and drawing, lithograph prints and photograph, collage and sculpture. Many icons of feminist art history. Judy Chicago, Judy Giera, Marisol, and Shanequa Benitez, Ann McCoy, Anna Walinska, Audrey Flack, Barbara Morgan, Berenice Abbott, Bessie Potter Vonnoh, Georgia O'Keeffe, Hannelore Baron, Harriet, Judy Chicago, Louise Nevelson, Marisol, Mary Frank, Nancy Graves, Susan Hall, Yvonne Thomas...

Tommy's Pond Etching, aquatint and intaglio, 1966 Signed, dated and numbered in pencil Image/Plate size: 13 7/8 x 10 7/8 inches Sheet size: : 20 1/16 x 14 7/16 inches From: The Portf...