Dieter Roth More Prints

Kalithea is an original print realized by Piero Dorazio in 1977. Mixed color lithograph on paper. Hand-signed in pencil on the lower right. Numbered on the lower left. Edition of 1...

Sister Mary Corita Kent (American, 1918-1986) He Repeated the Letters of the Alphabet... Color Screenprint 22.5 x 38.75 inches Signed Lower Right Sister Mary Corita Kent, once the n...

Alexander Calder The original Los Angeles County Museum of Art poster, 1965 Limited Edition vintage Offset Lithograph 32 × 24 3/4 inches 81.3 × 62.9 cm Edition of 300 This is the OR...

FEATHER DANCER is a limited edition color lithograph by the American painter Lamar Briggs printed using traditional lithography techniques on archival Arches paper. Lamar Briggs (193...

Very good impressions of these 4 color screenprints on white wove paper. Each signed, dated and numbered 15/25, 18/36, 15/39 or 6/40 in pencil.

Original Cinquantenaire Aeronautique vintage poster. Archival linen backed and ready to frame. Printer: Bedos & Co, Paris. A- condition. (50TH ANNIVERSARY 23E SALON INTERNATIONAL D' AERONAUTICS, JUNE 12 TO 21, 1959 * LE BOURGET AIRPORT.) This mid-century modern original French poster is for an air show...

James Siena at PACE Gallery, 2019 Offset lithograph exhibition invitation (Hand signed by James Siena) 19 1/2 × 14 1/2 inches Unframed This exquisite fold...

Avraham Inlender Stones III Color Offset Lithograph Year: 2003 Size: 5.9 x 5.5 inches (15 x 14 cm) Signed in pencil COA provided Avraham Inlender (1932–2003) was a Polish-born arti...

This original lithograph of an abstract depiction of Van Gogh by Jose Luis Cuevas was printed at the Atelier Mourlot in 1968 and is dated in the plate on the bottom right of the image. Certificate of Provenance: Each individual work of art carefully curated by Mourlot Editions comes with a Certificate of Provenance, signed, dated, stamped, and numbered by Eric Mourlot. Stored in a clear protective sleeve accompanying your piece, this certificate guarantees the origin and authenticity of your personal lithograph. About the Artist: José Luis Cuevas is a Mexican artist who worked primarily with etchings, illustrations, sculptures, and paintings, though he is perhaps best known for his drawings. According to Cuevas, “perhaps because I was born in a paper mill and pencil factory, paper has always had a great fascination for me.” He briefly attended the eminent Mexican institution Escuela de Pintura, however Cuevas considers himself a self-taught draughtsman in search of an alternative to the Mexican Muralists and their social messages. For Cuevas, his drawings represent the isolation of man and an inability to communicate, many of his drawings featuring distorted human figures and figures transformed into animals. His work was inspired by the graphic styles of Francisco de Goya, Pablo Picasso, and José Guadalupe Posada...

KIMBER SMITH Untitled Abstract Expressionist Geometric Abstraction, 1967 Lithograph on Rives paper 25 × 19 3/5 inches Signed in silver...

Johnny Friedlaender (26 December 1912 – 18 June 1992) was a leading 20th-century artist, whose works have been exhibited in Germany, France, Netherlands, Italy, Japan and the United States. He has been influential upon other notable artists, who were students in his Paris gallery. His preferred medium of aquatint etching is a technically difficult artistic process, of which Friedlaender has been a pioneer. Gotthard Johnny Friedlaender was born in Pless (Pszczyna), Prussian Silesia, as the son of a pharmacist. He was graduated from the Breslau (Wrocław) high school in 1922 and then attended the Academy of Arts (Akademie der Bildenden Kunste) in Breslau, where he studied under Otto Mueller. He graduated from the Academy as a master student in 1928. In 1930 he moved to Dresden where he held exhibitions at the J. Sandel Gallery and at the Dresden Art Museum. He was in Berlin for part of 1933, and then journeyed to Paris. After two years in a Nazi concentration camp, he emigrated to Czechoslovakia, where he settled in Ostrava, where he held the first one-man show of his etchings. In 1936 Friedlaender journeyed to Czechoslovakia, Switzerland, Austria, France and Belgium. At the Hague he held a successful exhibition of etchings and watercolours. He fled to Paris in 1937 as a political refugee of the Nazi regime with his young wife, who was an actress. In that year he held an exhibition of his etchings which included the works: L ‘Equipe and Matieres et Formes. From 1939 to 1943 he was interned in a series of concentration camps, but survived against poor odds. After freedom in 1944 Friedlaender began a series of twelve etchings entitled Images du Malheur with Sagile as his publisher. In the same year he received a commission to illustrate four books by Freres Tharaud of the French Academy. In 1945 he performed work for several newspapers including Cavalcade and Carrefour. In the year 1947 he produced the work Reves Cosmiques and in that same year he became a member of the Salon de Mai, which position he held until 1969. In the year 1948 he began a friendship with the painter Nicolas de Staël and held his first exhibition in Copenhagen at Galerie Birch. The following year he showed for the first time in Galerie La Hune in Paris. After living in Paris for 13 years, Friedlaender became a French citizen in 1950. Friedlaender expanded his geographic scope in 1951 and exhibited in Tokyo in a modern art show. In the same year he was a participant in the XI Trienale in Milan, Italy. By 1953 he had produced works for a one-man show at the Museum of Neuchâtel and exhibited at the Galerie Moers in Amsterdam, the II Camino Gallery in Rome, in São Paulo, Brazil and in Paris. He was a participant of the French Italian Art Conference in Turin, Italy that same year. Friedlaender accepted an international art award in 1957, becoming the recipient of the Biennial Kakamura Prize in Tokyo. In 1959 he received a teaching post awarded by UNESCO at the Museum of Modern Art in Rio de Janeiro. By 1968 Friedlaender was travelling to Puerto Rico, New York City and Washington, D.C. to hold exhibitions. That year he also purchased a home in the Burgundy region of France. 1971 was another year of diverse international travel including shows in Bern, Milan, Paris, Krefeld and again New York. In the latter city he exhibited paintings at the Far Gallery, a venue becoming well known for its patronage of important twentieth-century artists. From his atelier in Paris Friedlaender instructed younger artists who themselves went on to become noteworthy, among them Arthur Luiz Piza, Brigitte Coudrain...

Pierre Soulages - Original Lithograph Published in the deluxe art review "XXe siècle" 1970 Unsigned as published Dimensions: 32 x 24 cm Pierre Soulages or the "painter of black" as ...