Dina Brodsky Landscape Paintings

N210, 50x50cm

This small Flemish painting, measuring only 24.5 x 18.5 cm and executed on a copper plate, depicts Saint Nicholas of Tolentino. Created in the 17th century, the artist remains unknow...

Artist: Adriaen van Stalbemt (Stalbempt) 1580-1662 Title: Abraham and the Sacrifice of His Son Isaac “Das Opfer des Abraham” According to the Old...

Mater Dolorosa, 16th/17th Century Italian School 16th 17th Century Italian School depiction of the Mater Dolorosa (Mother Of Sorrows), oil on copper. Excellent quality and conditio...

Flemish School, 1600s Landscape With Pan and Syrinx painted around the 1600s oil on copper 19 x 23.5 cm frame 29 x 34 cm Hand-made oak frame by Swedish frame maker Christer Björkma...

N208, 50x60cm

Painted in collaboration with Hendrick van Balen (Antwerp, 1575 – 1632). Provenance: Private Collection, Uruguay, since the 1930s. The eldest son of Jan Br...

An early 17th-century Flemish School oil on copper showing the mythological contest between Apollo and Pan in which the mountain god, Tmolus, gives judgement for Apollo. Unsigned. Pa...

Watercolor on wove paper. Signed by the artist in pencil lower left.

Madonna and Child with Angels Attributed to Louis de Caullery (1565 -1622) for figures & Abraham Govaerts (1589 - 1626) for landscape Not signed 17th century Antwerp school, circa 16...

A very interesting set of five mid-20th-century Italian oils on copper. All five are classical landscape subjects and are signed Roger, though we don't know which artist with the n...

Consigned to the gallery, Pasadena, California; From a private collector, Encino, California, by descent; Acquired in 1997 by a private collector, Palo Alto, California; From Sean's Antiques, San Francisco, California. Signed "L.P. Latimer" on lower right Description This intimate watercolor captures Fallen Leaf Lake, a serene alpine lake in El Dorado County, California, situated just south of Lake Tahoe—an area celebrated each autumn for the Kokanee Salmon trail runs. Latimer invites the viewer onto a rocky slope, framed by stately evergreens, guiding the gaze across the lake’s glassy blue surface toward the snow-capped Sierra Nevada peaks beyond. His delicate washes and masterful color transitions—pale rose and gold in the drifting clouds, soft greens in the foliage, and muted blue-grays in the distant mountains—reflect his refined command of the watercolor medium. The composition conveys the quietude of early morning or late afternoon light in the high country, capturing a timeless sense of place that has long inspired artists of the Lake Tahoe region. Historical Significance Lorenzo Palmer Latimer (1857–1941) was a foundational figure in early 20th-century California plein air painting, especially known for his evocative watercolors of Lake Tahoe, the Sierra Nevada, and Northern California landscapes. He taught at the San Francisco Mechanics’ Institute and later founded the Latimer Art Club in Reno (1921), shaping an entire generation of regional artists. His deep connection to Fallen Leaf Lake is well-documented—he first painted there in 1914 and led annual summer workshops at the site, drawn by its pristine beauty and the opportunity to work directly from nature. Today, Latimer’s mastery is celebrated in the beautifully illustrated book The Latimer School: Lorenzo Latimer...