Dominicus van der Smissen Paintings
to
1
Overall Width
to
Overall Height
to
1
1
1
1
1
1
1
1
1
1
1
1
1
780
721
710
686
1
1
Artist: Dominicus van der Smissen
Portrait of Conrad Friedrich Hurlebusch, Early 18th Century Oil Painting
By Dominicus van der Smissen
Located in London, GB
Dominicus van der Smissen
Early 18th Century
Portrait of Conrad Friedrich Hurlebusch
Oil on canvas
Image size: 20½ x 16¼ inches
Period gilt frame
This is a portrait of Conrad Friedrich Hurlebusch, composer, Kapellmeister and organist, whom Van der Smissen most probably portrayed during his stay in Hamburg, Brunswick or Amsterdam. The identification is based on the reproduction of the portrait which was engraved by Pieter Anthony Wakkerdak (1740- 1774).
Van der Smissen has reduced the face of the sitters to an egg-shaped oval in three-quarter view, applying diminution to one half of the figure’s torso, which is farther away from the viewer. This partial side view, with the head turned to look at the viewer over the shoulder, creates spatial depth and brings the figure to life by avoiding the stiffness of a frontal depiction.
Because the artist chose to highlight the figure from above, a distinct shadow is cast under the tip of the nose, in the shape of a triangle. This is an often recurring and almost ‘signature’-like feature in Van der Smissen’s oeuvre.
Hurlebusch's garments are of a very high quality and serve to reflect the sitter’s wealth, status and elegance. During this period, gentlemen often shaved their heads in order to facilitate the wearing of a wig, which wouldbe worn with a suit. Here Hurlebusch has been depicted in a luxurious turban-like cap lined with lynx fur, a highly fashionable and expensive material at the time.
Over his shirt, he wears a velvet fur-lined gown adorned with decorative clasps fashioned from silver braid. The elegant informality of his appearance can be seen in his unbuttoned shirt and the unfastened black ribbon hanging from his button hole, which has been artfully arranged into a fluttering drape by the portraitist.
The Sitter
Hurlebusch was born in Brunswick, Germany. He received the first instructions in his field from his father Heinrich Lorenz Hurlebusch, who was also a musician. As an organ virtuoso, he toured Europe, visiting Vienna, Munich and Italy.
From 1723 to 1725 he was Kapellmeister in Stockholm; later he became Kapellmeister in Bayreuth and Brunswick, and lived in Hamburg from 1727 to 1742, where he had contact with fellow composers Johann Mattheson and Georg Philipp Telemann. He made his living composing, performing and teaching.
In 1735 and 1736, he is believed to have visited Johann Sebastian Bach in Leipzig, who promoted Hurlebusch’s compositions as the local seller...
Category
Early 18th Century Old Masters Dominicus van der Smissen Paintings
Materials
Canvas, Oil
Related Items
19th century English Portrait of a Young boy in a Cavalier costume
Located in Woodbury, CT
This elegant English 19th-century portrait of a young boy dressed in a Cavalier costume, painted circa 1860, is a striking example of Victorian portraiture that seamlessly combines h...
Category
1860s Old Masters Dominicus van der Smissen Paintings
Materials
Canvas, Oil
18th Century portrait oil painting of a lady in an ermine trimmed cloak
By Sir Godfrey Kneller
Located in Nr Broadway, Worcestershire
Circle of Sir Godfrey Kneller
Dutch, (1646-1723)
Portrait of a Lady in an Ermine Trimmed Cloak
Oil on canvas
Image size: 26.5 inches x 22.5 inches
Size including frame: 33.5 inches x 29.5 inches
A well-executed half-length portrait of a lady painted in a feigned oval, circle of Sir Godfrey Kneller. The use of a feigned oval was a device used in portraiture to give a sense of depth and add an intimacy to the painting, drawing your attention to the sitter.
The subject, posed without her wig in the undressed fashion of the day, wears a blue ermine trimmed blue cloak over a white silk robe...
Category
18th Century Old Masters Dominicus van der Smissen Paintings
Materials
Canvas, Oil
$7,112
H 33.5 in W 29.5 in D 2.25 in
Antique Italian painter - 18th century figure painting
Located in Varmo, IT
Italian painter (18th century) - Chrono.
90.5 x 106 cm.
Antique oil painting on canvas, without frame (not signed).
Condition report: Lined canvas. Good state of conservation of t...
Category
Early 18th Century Old Masters Dominicus van der Smissen Paintings
Materials
Canvas, Oil
$4,746 Sale Price
20% Off
H 35.63 in W 41.74 in
Two royal portraits (the Duc d
Angoulême and the Duc de Berry) by H.P. Danloux
Located in PARIS, FR
These two royal portraits are a major historical testimony to the stay of the Comte d'Artois (the future Charles X) and his family in Edinburgh in 1796-1797. Given by the sitters to Lord Adam Gordon, the Governor of Edinburgh, and kept by family descent to this day, these two portraits provide us with a vivid and spontaneous image of the Duc d’Angoulême and his brother the Duc de Berry. Danloux, who had emigrated to London a few years before, demonstrate his full assimilation of the art of British portrait painters in the brilliant execution of these portraits.
1. Henri-Pierre Danloux, a portraitist in the revolutionary turmoil
Born in Paris in 1753, Henri-Pierre Danloux was first a pupil of the painter Nicolas-Bernard Lépicié (1735 - 1784) and then, in 1773, of Joseph-Marie Vien (1716 - 1809), whom he followed to Rome when, at the end of 1775, Vien became Director of the Académie de France. In Rome he became friends with the painter Jacques-Louis David (1748 - 1825).
Returning to France around 1782, he settled in Lyon for a few years before returning to Paris in 1785. One of his first portraits was commissioned by the Baroness d'Etigny, the widow of the former Intendant of the Provinces of Gascony, Bearn and Navarre Antoine Mégret d'Etigny (1719 – 1767). He then became close to his two sons, Mégret de Sérilly and Mégret d'Etigny, who in turn became his patrons. In 1787, this close relationship with the d'Etigny family was further strengthened by his marriage to Antoinette de Saint-Redan, a relative of Madame d'Etigny. After his marriage, he left for Rome and did not return to France until 1789. It was during the winter of 1790-1791 that he painted one of his masterpieces, the portrait of Baron de Besenval. Set in a twilight atmosphere, this portrait of an aristocrat who knows that his death is imminent symbolizes the disappearance of an erudite and refined society which would be swept away by the French Revolution.
The Jacobin excesses led Danloux to emigrate to England in 1792; many members of his family-in-law who remained in France were guillotined on 10 May 1794. Danloux enjoyed great success as a portrait painter in England before returning to France in 1801.
During his stay in England, Danloux was deeply under the influence of English portraitists: his colors became warmer (as shown by the portrait of the Duc d'Angoulême that we are presenting), and his execution broader.
2. Description of the two portraits and biographical details of the sitters
The Duc d'Angoulême (1775-1844) was the eldest son of the Comte d'Artois, the younger brother of King Louis XVI (the future King Charles X), and his wife Marie-Thérèse of Savoie. He is shown here, in the freshness of his youth, wearing the uniform of colonel-general of the "Angoulême-Dragons" regiment.
He is wearing the blue cordon of the Order of the Holy Spirit, which was awarded to him in 1787, and two decorations: the Cross of Saint-Louis and the Maltese Cross, as he was also Grand Prior of the Order of Malta.
Born on 16 August 1775 in Versailles, Louis-Antoine d'Artois followed his parents into emigration on 16 July 1789. In 1792, he joined the émigrés’ army led by the Prince de Condé. After his stay in Edinburgh (which will be further discussed), he went to the court of the future King Louis XVIII, who was in exile at the time, and in 1799 married his first cousin Marie-Thérèse Charlotte of France, the daughter of Louis XVI and the sole survivor of the royal family. The couple had no descendants. He became Dauphin of France in 1824, upon the accession to the throne of his father but played only a minor political role, preferring his military position as Grand Admiral. Enlisted in Spain on the side of Ferdinand VII, he returned home crowned with glory after his victory at Trocadero in 1823.
He reigned for a very short time at the abdication of Charles X in 1830, before relinquishing his rights in favor of his nephew Henri d'Artois, the Duc de Bordeaux. He then followed his father into exile and died on 3 June 1844 in Gorizia (now in Italy).
His younger brother, the Duc de Berry, is shown in the uniform of the noble cavalry of the émigrés’ Army. He is wearing the blue cordon of the Order of the Holy Spirit, awarded to him in May 1789, and the Cross of Saint-Louis (partly hidden by his blue cordon).
Born on 24 January 1778 in Versailles, Charles-Ferdinand d'Artois also followed his parents into emigration and joined the émigrés’ army in 1792. After his stay in Edinburgh, he remained in Great Britain, where he had an affair with Amy Brown...
Category
1790s Old Masters Dominicus van der Smissen Paintings
Materials
Canvas, Oil, Wood Panel
18th century French Old Master Portrait of a woman in oriental costume
Located in Aartselaar, BE
French 18th century old master portrait of a majestic lady dressed "à la Turque"
The sitter at the viewer with a kind and enigmatic smile and twinkling eyes. She looks elegant and kind, yet also has an intelligent and determined aura, reflecting the character of someone who is in charge of her own life and destiny.
De Silvestre paid great attention to her spectacular outfit, which is striking in its portrayal of the sumptuous fabrics and their decorative richness. She is wearing a luxurious royal blue robe à la...
Category
1740s Old Masters Dominicus van der Smissen Paintings
Materials
Canvas, Oil
$21,951
H 31.89 in W 25.6 in D 0.4 in
Portrait of Lady Caroline Price
By George Romney
Located in Miami, FL
DESCRIPTION: Perhaps the best Romney in private hands. If Vogue Magazine existed in the late 18th century, this image of Lady Caroline Price would be ...
Category
1970s Old Masters Dominicus van der Smissen Paintings
Materials
Oil, Canvas
Portrait of Lady, Barbara Herbert, Countess of Pembroke c.1708, Large Painting
Located in London, GB
Portrait of Barbara Herbert, Countess of Pembroke c.1708
Charles d’Agar (1669-1723)
This magnificent large-scale portrait, presented by Titan Fine Art, depicts the British court of...
Category
17th Century Old Masters Dominicus van der Smissen Paintings
Materials
Cotton Canvas, Oil
$17,575
H 49.61 in W 46.86 in D 2.76 in
ALLEGORICAL SCENE - Giovanni Faliero - Italy Oil on Canvas Painting
By Giovanni Faliero
Located in Napoli, IT
Allegorical Scene - Giovanni Faliero Italia 2009 - Oil on canvas cm. 90x110.
This beautiful oil on canvas is the personal reinterpretation of the magnificent painting “Bacchant playing the Cymbals” by Jean-Simon Berthélemy, a French painter of the 18th century. Here we admire a mythological scene showing a naked bacchant playing cymbals next to a wooded stream, with a small sleeping faun...
Category
Early 2000s Old Masters Dominicus van der Smissen Paintings
Materials
Canvas, Oil
$4,508
H 41.34 in W 49.22 in
Saint Lawrence Looking at the Treasures
Located in Fredericksburg, VA
"Saint Lawrence Looking at the Treasures" is a captivating painting attributed to the Bolognese School, a prominent art movement from Bologna, Italy, flourishing primarily in the 16t...
Category
Late 17th Century Old Masters Dominicus van der Smissen Paintings
Materials
Canvas, Oil
GIRL WITH KITTEN- In the Manner of F.Ballavoine
s - Italy Oil on canvas paint
By Giulio Di Sotto
Located in Napoli, IT
Girl with kitten - Giulio Di Sotto Italia 2008 - Oil on canvas cm. 80x70
This painting is Giulio Di Sotto’s personal reinterpretation of the 19th century French painter Jules Frédéric Ballavoine...
Category
Early 2000s Old Masters Dominicus van der Smissen Paintings
Materials
Canvas, Oil
$2,325
H 23.63 in W 19.69 in
Antique oil paining, A laughing man with an upturned glass, Dutch golden age
Located in DEVENTER, NL
Anonymous, 18th century
Inspired by a painting by Petrus Staverenus (1610/1612 – 1654-07-28/1664-07-28) from a series of Five Senses
'Taste: A laughing man...
Category
18th Century Old Masters Dominicus van der Smissen Paintings
Materials
Canvas, Oil
$1,957
H 29.34 in W 23.63 in
Portrait of a Lady, Mrs Wray in a Silk Dress
Pink Wrap c.1698, Oil on canvas
By Michael Dahl
Located in London, GB
Portrait of a Lady, Mrs Wray in a Silk Dress & Pink Wrap c.1698
Circle of Michael Dahl (1659-1743)
This delightful work, presented by Titan Fine Art, is a fine example of British po...
Category
17th Century Old Masters Dominicus van der Smissen Paintings
Materials
Cotton Canvas, Oil
Michael DahlPortrait of a Lady, Mrs Wray in a Silk Dress
Pink Wrap c.1698, Oil on canvas, circa 1698
$14,289
H 34.65 in W 29.93 in D 2.37 in
Dominicus Van Der Smissen paintings for sale on 1stDibs.
Find a wide variety of authentic Dominicus van der Smissen paintings available for sale on 1stDibs. You can also browse by medium to find art by Dominicus van der Smissen in canvas, fabric, oil paint and more. Much of the original work by this artist or collective was created during the 18th century and is mostly associated with the Old Masters style. Not every interior allows for large Dominicus van der Smissen paintings, so small editions measuring 17 inches across are available. Customers who are interested in this artist might also find the work of Sir Godfrey Kneller, George Wright , and Goyo Dominguez. Dominicus van der Smissen paintings prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $21,472 and tops out at $21,472, while the average work can sell for $21,472.