Donald Baechler Still-life Sculptures

Bespoke 1/1 original Neon SMSPF wall sculpture Easy wall mount Signed 1/1 Plastic Jesus: Born : London (United Kingdom) Current Location: Los Angeles Huffington Post - Best stre...

D’Arcy Bellamy’s "Ancient Cherry Blossoms" is a contemporary metal sculpture that beautifully captures the delicate essence of nature through industrial materials. This tall, freesta...

Bespoke Metal bodied fire extinguisher in deep glass fronted case. Mixed media, . - Easy wall mount with French cleat. Signed and numbered. Plastic Jesus: Born : London (United King...

This piece titled "Anna's Pizza" is original artwork made from paper, basswood, plaster, acrylic, enamel, watercolor, wire, pvc, pins, pastel, inkjet prints by Drew Leshko. This piec...

D’Arcy Bellamy’s "Winter Blossoms" is a contemporary metal sculpture that merges industrial artistry with organic elegance. This tall, 84-inch steel sculpture features intricately cu...

Edition of 25 A beautiful bronze sculpture of a Little Grayling by Richard Smith, finished with a mottled green and brown patina, beautifully captures the delicate charm of this smal...

BRILLO (RED BLUE WHITE) Acrylic on canvas with leather and brass fittings over wood. 17 x 17 x 14" (43.18 x 43.18 x 35.56 cm.) 2019 The series Lutz refers to as "Luxury Sculptures" are based on the forms of Louis Vuitton trunks in combination with the box sculptures of Andy Warhol. Lutz began this series in 2008. The works aim to create a feedback loop. Where Warhol elevated consumer products like Brillo and Heinz Ketchup...

Donald Sultan, White Tulips and Vase, April 4, 2014 Contemporary, 21st Century, Limited Edition Painted aluminum on polished aluminum base Edition of 25 61 x 50,8 x 8,9 cm (24 x 20 x 3.5 in.) Incised with the artists initials, titled and dated; accompanied by Certificate of Authenticity In mint condition, as acquired from the publisher in the original packaging PLEASE NOTE: Edition numbers could vary from the one shown in the images. White Tulips and Vase, April 4, 2014, belong to Sultan’s famous Flower series. The artist is credited for the revival of the still life tradition where the image is deconstructed to the basic elements, thus Sultan’s work remains both abstract and representational. One of the mainstays of making art is that you don't think of the new ideas, you discover them. "One of the mainstays of the making art is that you don't think of the new ideas, you discover them." — Donald Sultan White Tulips and Vase, April 4, 2014, represents Sultan's still-life, where the shape of the object is reduced to the bare essentials. The image reveals one of the key features of Sultan’s work - the material juxtaposition- the contrast of a weighty background with ethereal shapes of the flowers. The sculpture is made from painted aluminum on a polished aluminum base. The ephemeral shape of the flowers is gracefully combined with the weighty aluminum manifesting the synthesis of the natural and the industrial typical to Sultan´s work. The sculpture is incised with title, date, and artist initials, it is as well stamped with the edition number, publisher, and artist copyright stamp on the base verso. DONALD SULTAN Donald Sultan (born 1951, Asheville, US) is a distinguished painter, sculptor, and printmaker, who rose to prominence in the late 1970s as part of the “New Image” movement. He is best known for the use of abstracted, geometric black forms against organic areas of bright color. Donald Sultan (USA, born 1951) is a distinguished painter, sculptor, and printmaker, who rose to prominence in the late 1970s as part of the New Yorker “New Image” movement. He has a unique artistic method and innovative approach to traditional subject matter. Known as Abstract Representation, Donald Sultan´s art is characterized by the use of geometric black forms set against organic areas of bright color, thus bringing an abstract sensibility to his iconographic images of still life. Throughout his career he has revisited and reinvented still life, using images of lemons, poppies, playing cards, fruits, flowers, and other objects. Donald Sultan’s Lemons...

This piece titled "Instant Slaughter" is original artwork made from paper, basswood, plaster, acrylic, enamel, watercolor, wire, pvc, pins, pastel, inkjet prints by Drew Leshko. This...

This piece titled "Arthur's Dog House" is original artwork made from paper, acrylic, plaster, enamel, watercolor, basswood, wire, vinyl, inkjet print, pastel by Drew Leshko. This pie...

Damien Hirst (b.1965) Abacus - The Dream is Dead 2007 silver 14.5 x 14 x 21 cm incised, titled and numbered ‘Abacus Damien Hirst The Dream is dead 2/12’ (on the verso) edition 2/12 Price: $85,000 USD Provenance: White Cube, London Private collection, New York Sale: Christie’s London, 29 June 2011, lot 114 Private collection, London (acquired at the above sale) Notes: ‘I remember I was thinking that there were four important things in life: religion, love, art and science. At their best, they’re all just tools to help you find a path through the darkness. None of them really work that well, but they help. Of them all, science seems to be the one right now. Like religion, it provides the glimmer of hope that maybe it will be all right in the end.’ (D. Hirst, quoted in conversation with S. O’Hagan in New Religion Damien Hirst, exh. cat., British Council, London, 2006, p. 5) Born in 1965 in Bristol, Hirst grew up in Leeds and subsequently went to Goldsmith's College in London. Between 1988 and 1990 he curated a series of exhibitions of work by his contemporaries including the highly acclaimed group shows Freeze, Modern Medicine and Gambler. In his own work Hirst has continually challenged the boundaries between art, science, the media and popular culture. A 12-foot tiger shark, a cow and her calf sawn in two, pharmaceutical bottles...

Edition of 18 A bronze sculpture titled 'Salmon' by Richard Smith, with a textured surface of mottled greens and hints of white, captures the dynamic vitality and sleek elegance of t...