E. Colin Cie Furniture

Gilt bronze mounted continental Porcelain clock. Porcelain and gilt bronze mounted continental clock. Loius XVI style. Figural and floral painted scenes. Features open escapement...

A beautifully cast matching pair of patinated bronze figural torcheres in the manner of Clodion modeled as classically draped young girls with garlands of flowers in their hair and h...

1900s French bronze black framed crystal chandelier. This chandelier has eight lights and has been newly wired.

An Empire gilt bronze clock mantel, circa 1800 The case surmounted by an Alexander the Great bust. Dial signed: "Rocquet à Paris” France.  

Forged from solid iron and still showing traces of its original painted finish that has achieved a Fine patina, this 19th century floor lamp was originally designed for a candle, and...

Listed price is for 1 (one) chandelier, 4 pieces available. Original glass shades available. Lovely patina. New wiring.  

Art Nouveau Bronze Hector Guimard Chandelier with nickel finish and dark blue pate de verre.     

Lenzkirch Art Nouveau Jugendstil mantle clock This German clock features stylized accents heavily influenced by the Art Nouveau and Jugendstil era. I...

Stunning and rare Art Nouveau pendant light. Striking Dutch design from the 1900s. Original multi-colored alabaster shade with original brass canopy and rope cords. This wonderful Ar...

Pair of chrome deco torcheres (floor lamps).

Magnificent and rare Vienna Secession Art Nouveau chandelier. Striking Austrian design from the 1900s. Original patinated brass frame, chain and ceiling plate. Inside the frame are t...

A very fine pair of French 19th-20th century neoclassical style patinated cast iron figural torchères by A. Durenne, Paris, each representing a figure of a standing young maiden, her arms raised forward while holding a a flaming urn gas light (Now electrified) with a frosted glass flame, each raised on a veined grey marble column stand, both cast-signed 'A. Durenne, Paris'. Antoine Durenne was an internationally renowned French art founder. He attended École Nationale Supérieure des Beaux-Arts in 1842. Durenne purchased a small foundry in Sommevoire, near the Val d'Osne, Haute-Marne, France and established The Durenne firm, circa Paris, 1900. Cast-iron had been in production during the 18th century but its inferior status to the more fashionable and delicate wrought iron had generally confined its use to architectural work. By the early 19th century, however, rapid developments of the Industrial Revolution combined with the simultaneous burgeoning of a new middle class provided the impetus for a dramatic Expansion in its application and in a short space of time a proliferation of iron foundries across Europe and America thrived on the production of everything from inkstands to railway stations. The use of cast-iron for garden ornament became particularly widespread at this time, as the possibilities for its mass-production at a fraction of the cost of bronze made it the material of choice for outdoor statuary...