Earl Daniels Paintings

Moroccan Orientalist oil on canvas painting of a 19th century Moroccan market scene with an old men seating on a carpet selling old coins and a Moorish...

Jack Daniels old number 7 whiskey tin advertising bar sign / 1950s midcentury. Perfect to decorate a Man Cave Bar. We have specialized in the sale of Art...

19th C signed Framed Horse Litho By Olso.

A striking, energetic piece of original abstract artwork dating from the 1960s/70s. Acrylic and oil have been used to create bold lines and brushwork on the canvas giving the piece a...

A wonderful example of a circa 1870 German Folk Art naïve military scene in townscape annotated to celebrate a soldier. In ceremonial regalia in watercolou...

Orientalist Moroccan scene giclee painting of the King o Morocco. French orientalist reproduction painting of Mohamed V coming back from exile with a ...

Beautiful wall art piece for Czechoslovakia in 1960s. The art piece was created in Czechoslovakia and shows a typical style of the era. The original woo...

Nude female painting by Gerhard E. Wachtl attributed ( 1928 - unknown ) Gerhard E. Wachtl had made many exhibitions at home and abroad. He did many study trips in Europe, Asia and Af...

Presenting an enigmatic oil on canvas painting created by an unknown Danish artist made in 1956. This captivating artwork showcases a woman bathing her feet in a bathroom, and it is ...

From an important thirty year old New England collection of American Folk Art Pyrography Robert Ball Hughes (British-American, 1804-1868) This original period framed 1866 pyrography on wood panel was created after the painting by Sir John Gilbert (English, 1817-1897) with detailed description and dedication written on the back of the panel using the same technique. A photographed rubbing of the reverse dedication will be included and is part of this description (photo). Frame: 20 inches high and 28.5 inches wide; Site: 13.25 inches high and 22 inches wide This painting depicts the episode from Shakespeare’s Henry VI Part II Act III Scene V in which Sir John Falstaff inspects the recruits mustered by Justice Robert Shallow and his cousin Silence. Falstaff sits in a chair surrounded by his cronies whilst Bardolph leads Bullcalf forward. Hayman’s treatments of Falstaff reviewing recruits are perhaps among the most successful depictions of a theatrical scene in British painting. The tableau vibrates with the energy that he brought to his Vauxhall supper box scenes of games and dancing, and is filled with the humour and observation of his portraiture. Every figure is in motion and proclaims its own individuality. About Robert Ball Hughes (British-American, 1804-1868) Known as Ball Hughes and also using that as a signature, this man was a sculptor and wax-portrait artist. He was born in London, England, and died in Dorchester, Massachusetts. He studied and exhibited at the Royal Academy in London as well as at the Pennsylvania Academy of the Fine Arts and the National Academy of Design in New York City. He emigrated to New York in 1829, having earned much prestige in England. In New York, he received many commissions for portrait busts in bronze and wax. Among his subjects were John Trumbull, Alexander Hamilton, and Washington Irving. From 1838 to 1840, he worked in Philadelphia and from 1840, worked in Boston. In his final years, he began to produce pyrographic wood pictures (pyro engravings or "poker pictures"), including The Witches of MacBeth (c. 1840), Babylonian Lions (1856), Don Quixote in His Study (1863), The Trumpeter (1864), General Grant...

Antique French provincial oil Painting. Scene of the country side with 2 small houses near a river in a forest. South of France, Province. Oil...

Mother and Colt Horse painting. Signed and dated 1971.