Edward Pritchett Art

John White was a Cornish painter from the 19th century. He exhibited at the Royal Academy in London and also at the British Institute, in London. His work is Victorian in its com...

The Country Lane English School, circa 1830's period oil on panel, framed in period antique gilt frame framed: 19 x 17 inches board: 14 x 13 inches Provenance: private collection, En...

"Extensive Early Industrial Landscape with Mill" by John Pennington (1773-1841, British) subsidiary buildings, bleaching fields and a country house beyond, three children with a bir...

Victorian 19th century Moonlight landscape with river, fishermen and a watermill. J.Barclay was the pseudonym for the illustrator Horace Hammond who lived in Birmingham. Most of his...

Top Of The Hill John Ginnell ( 1900 - 1980 ) signed oil on canvas, framed framed: 28.5 x 41 inches canvas : 24 x 36 inches Provenance: private collection Condition: very good conditi...

William Thornley was a painter of coastal scenes whose work is very similar to Hubert and Charles Thornley, who may have been members of the same family. He painted scenes of genre, architecture and landscapes as well. A number of the landscapes were of Belgium, Holland, Italy and Norway. However, it is for his seascapes that he is best remembered. Thornley’s works are beautifully detailed and show a masterful understanding of the moods of both weather and sea. They are often small in size and put together with fine detail and great artistic merit. Thornley’s fishing scenes are spirited and similar in style to those of “Jock” Wilson, and are often painted in pairs. Thornley’s works have always been popular when they appear on the art market. He was believed to have first exhibited marines at the Royal Academy in 1859 from an address in Paddington, London and also at the British Institution from 1861 until it closed in 1867. He continued to exhibit at the Royal Academy until 1898. Thornley also exhibited at the Paris Salon and the Salon of French Artists, receiving an honourable mention in 1881 and a third place medal in 1888. William Thornley also went by the names Georges William and William...

Shipping scene off the coast of Dover circle of Charles Martin Powell (British, 1775-1824) oil painting on board, framed framed: 12.5 x 11.5 inches board: 9.5 x 8 inches condition: ...

Attributed to John Nost Sartorius (1759–1828) Fox Hunter and Hounds Oil on canvas, circa 1810 Provenance: Ackermann & Johnson, London A fine and spirited example of early 19th-centu...

Attributed toJohn Nost Sartorius (1759–1828) Fox Hunter and Hounds Oil on canvas, circa 1810 Provenance: Ackermann & Johnson, London Though the painting has impeccable provenance as ...

Warship Anchored off the Coastline by Hedley John Le Noury (British, b.1941) signed oil on canvas, framed framed: 25.5 x 35.5 inches canvas : 20 x 30 inches Provenance: private colle...

Heading to Church E. Oldham, British 1913 signed & dated oil on canvas, framed framed: 17.5 x 24 inches canvas : 13 x 19 inches provenance: private collection, UK condition: very goo...

The former Curator of Oil Paintings at the National Maritime Museum, E H H Archibald, says of Joseph Heard in his Dictionary of Sea Painters in Europe and America that "…with Samuel Walters he must stand as the top-ranking Liverpool ship portraitist of the 19th century." He would have known the artist's work well as the National Maritime Museum has eleven paintings by Heard in its collection. Joseph Heard was born on 7th March 1799 in Egremont near Whitehaven in Cumberland. His father, also Joseph, was a saddler and it is believed that the aspirant painter received some artistic training from John Clementson who was a local portrait painter. Joseph had a brother Isaac who painted portraits. It is possible that Joseph came across the work of H Collins...