Edward Zelinsky Paintings

Artist: Slonem, Hunt Title: Grass Keets Blues Date: 2024 Medium: Oil on wood Unframed Dimensions: 13" x 11" Framed Dimensions: 15" x 13" Signature: Signed by Artist on Verso E...

Illustrated roosters in the action of fighting. Part of a pair by the artist Lem Palmer. Framed in a wooden frame.

Debabrata Basu - Untitled - 48 x 60 inches (unframed size) Acrylic on Canvas Style : Debabrata derives his style and theme by introspecting within himself. The fears of uncertainty,...

Birendra Pani - Risk The Time - 66 x 42 inches (unframed size) Acrylic on Canvas , 2009 ** Will be delivered in rolled form. Should you want the work in ready to hand condition please contact gallery for freight calculation. In this series of works - “Boy - Dancer”, Gallery Kolkata revisits the artists very popular and well lauded ‘Boy Dancer’ suite of paintings on the plight of traditional Gopitua dancers from his native land, Odisha. The boy dancers who perform a devotional dance ritual are quickly declining in today’s cosmopolitan world. Pani entwines his empathy for the dying art with an opinion on our post-Modern era. In that respect, Pani does not try to create nostalgia for the decline in the taste for the dancers, instead he problematizes the issue by bringing in a dispassionate view of the issue. The ten canvases on display in this exhibition, features the Gopitua dancers in different situations. The canvases are a hyper-real portrait, far & close shots of a Gopitua dancers with liquid innocent eyes and a small smile playing upon his lips as he confronts the viewer. The blade is a recurring motif in Pani’s work and it has multiple functions and meanings. In this instance its meaning is rather clear — one where modernity eclipses tradition. Style : His fresh, perspective and contemporary canvases have loud and vivid images and use colors like green and shocking pink unashamedly. Pani says his works are preoccupied with exploring contemporary materials, culture and current lives of people, the negligence of local places, their culture, history, memory and their identity in present times. Further he feels the consumerist attitude has penetrated deep into the human psyche. Human beings are being consumed by the commodity rather than them consuming it. In his works, Pani explore the struggles, contradictions, dichotomies and critical reflections of the embodied selves with changes in value, knowledge and culture in our present society. “I have extensively used body parts like brain, heart and other organs, and everyday objects like capsule, syringe, blade etc to create a new visual language. Deriving from life experiences, my idea is to create a new vision by the juxtaposition of the above experience with the rich legacy, diverse visual culture and sensibility of the vast tradition of Odisha’s miniatures and Pata paintings, stone carvings, monumental visuals of temples and dance forms like Gopitua dance and Chhau-dance in Odisha.” Pani, thus attempts to create a new phenomenology and the reinvention of ‘self’ in a globalized and yet very localized world. About the Artist and his work : BORN : 1969, Bhadrak, Odisha, India. FINE ARTS EDUCATION : 1997-1999 MFA – (First class with Distinction) Faculty of Fine Arts, M.S. University, Baroda. 1991-1997 BFA - Kala Bhavan, Viswa Bharati University, Shantiniketan, West Bengal. 1987-1990 2nd world “Studio for Fine Arts”, Bhadrak, Odisha. SOLO EXHIBITION IN INDIA AND ABROAD : 2017 Towards a new Viewership / Audience & Reproduction Aesthetics, Curated by Dr. Rajashree Biswal, organized by New Bridge India and North Odisha University, Baripada, Odisha. 2016 “Mahanadi”- A Journey through History, Memory and Culture curated by Maurice O Riordan of Australia at Lalit Kala Akademi, Rabindra Bhavan, New Delhi. 2015 Re-Vision / Relationship- a visual literary engagement of Birendra Pani and poet Jayanta Mahapatra, curated by Dr. Rajashree Biswal, and organized by New Bridge India, Forum on Contemporary Theory, Vadodara, Sarat Chandra Library, Baripada and Revenshaw University, Cuttack, Odisha at Revenshaw University, Cuttack. 2012 “Soft- Subversion” at Red Earth Art Gallery, Baroda. 2011 “Re – Vision” at Aakriti Art Gallery, Kolkata. 2010 “Re – Vision” at Gallery Sumukha, Bengalore. 2009 “Re – Vision” at Gallery Espace New Delhi and R.L.Fine arts, New York. 2007 “Boy Dancer’’-The convergence and continuum, at Gallery Espace, New Delhi. 2007 “Boy Dancer’’-The convergence and continuum, at Faculty Gallery, M.S.U., Vadodara. 2006 “Risk’’-The Double Edge of Society, at Gallery Espace, New Delhi. 2005 “Echo” at Kaleidoscope Art...

Willy Bo Richardson married himself to a single mode of working as a formal recognition of the power of remaining in one place and as a way to honor consistency and quietude. Viewing...

Vijit Pillai - The Indian Scape - 72 x 48 inches Brush on Printed Canvas ( UNFRAMED ALL IN DELIVERED PRICE ) Born on 1st January 1970 I am inspired by a simple touch of any un...

Sancte Ioseph, 2023 Oil on Panel with Frame, 17.5 x 20.5 inches With luminous depths, “Sancte Ioseph” presents an intimate portrayal of St. Joseph gently holding the Christ child, ...

Oil, Flashe & Gouache on cardboard My first experience with painting occurred when I stood in front of Barnett Newman’s “Vir Heroicus Sublimis” at the Museum of Modern Art in New York City. Never had I encountered such an extraordinary feeling of freedom and wonder. I had found my place in the world. While attending the School of Visual Arts I fed off The Abstract Expressionist movement, looking closely at the work of Franz Kline, Motherwell and Joan Mitchell. It was during my senior year that I began to focus on the color and spacial work of Blinky Palermo...

Farhad Hussain - Super Hero's Bathroom - 84 x 72 inches (unframed size) Acrylic on Canvas Inclusive of shipment in roll form. Style: Farhad Hussain's colourful work that includes drawings and watercolours besides paintings on canvas, features day to day visual experiences of middle-class urban India. He endows his narrative with iconography and personality through his figuration, their posturing, dress and the surrounding imagery. The drama of subtle complexities of human relationships and social environment are grounded with a sense of satire mixed with pathos. Farhad’s colours help enhance the brightness and aura of his paintings while he also partakes elements from traditions such as the formulaic textile patterns of Indian miniatures. His compositions are often set in a familiar drawing room or a social space, playing out with humour and sarcasm, the narrative psychologies of human life and encounters at various levels. This young artist who has also experimented with sculpture has already carved a niche and an instantly recognizable individualistic style befitting his aesthetics and concerns. Farhad has chosen to use tempera on cloth for his works, the media allowing him to achieve the desired vibrancy of colours. A slow build-up of images and spontaneous flow of colour while balancing colour and composition simultaneously follow structured formatting. This meticulous planning in the composition and layout is the beginning of a process from where onwards it is very spontaneous and intuitive. Another technique used throughout Farhad’s work is the method of applying the colour: dot-by-dot till the entire area is completely covered. Various elements from miniature paintings, Kalighat paintings, Japanese prints and images from mass media are scrutinized, transformed and transferred on to the surface through the artists own style of expression. About the Artist and his works : Born: 1975 in Jamshedpur, Jharkhand. Education : 2003: B.F.A. in painting from Kala Bhavan, Visva Bharati University, Shantiniketan, 2005: M.F.A. in painting from M.S. University, Baroda. Solo Exhibitions : 2009 : Presented by Pundole Art Gallery at Museum Gallery, Mumbai 2008 : ‘After the Theatre of Absurdity’, Vadehra Art Gallery, New Delhi 2007 : Art and Soul, Bombay 2006 : Sarjan Art Gallery, Vadodara & ‘Recent Paintings’, organized by Chatterjee and Lal at Jehangir Nicholson Gallery, National Centre for the Performing Arts (NCPA), Mumbai. Group Exhibitions : 2011: 'Between Seasons', Gallery Beyond, Mumbai; Gallery Sumukha, Chennai; 'Melange', The Harrington Street Arts Centre, Kolkata; 'The Narrator, Protagonist and the Other', Indigo Blue Art, Singapore & 'New Documents: New Directions in Documentary Photography', presented by Art Konsult at Alliance Francaise de, Delhi. 2010: 'Holy Now', presented by Religare Arts Initiative, New Delhi at Gallery 27, London; 'Snow', The Palette Art Gallery, New Delhi in collaboration with Tao Art Gallery, Mumbai & 'Symbols and Metaphors', Centre of International Modern Art (CIMA), Kolkata. 2009: 'Vicissitudes of the Constructed Image', Tangerine Art Space, Bangalore; 'The Urbane Records', The Viewing Room, Mumbai; 'With the Best Intentions', presented by Anant Art at Shridharni Gallery, New Delhi & 1x1 Art Gallery, Dubai 2008: 'Review', Centre for International Modern Art (CIMA), Kolkata & 'Baroda: A Tale of Two Cities', (Part II), Sarjan Art Gallery, Vadodara 2006 ‘Concern’, The Charity Auction Exhibition, Gallery Sumukha, Bangalore; Gallery Sumukha, Bangalore and Hong Kong; Art World, Chennai and Singapore; ‘New Paradigms’, Gallery Threshold, New Delhi & ‘Baroda’s Most Wanted’, The Artist’s Studio, Vadodara 2004: Sarjan Art Gallery, Vadodara; Maharaja Sayajirao University of Baroda & Camlin Exhibition, Mumbai Honours and Awards : 2006: ‘Most Promising Artist’, Runner up, India Habitat Centre, New Delhi 2004: Nasreen Mohamedi...

Srinivas Pulagam - Empire - 28 x 40 inches ( without framing ) Watercolour & Gouache on Paper Inclusive of shipment in roll form. Academic Background : B.F.A (painting)Andhra unive...

Exhibited in "Benji Stiles: A Human Day" at Reeves Art + Design. In “A Human Day,” a solo show dedicated to the work of contemporary multidisciplinary artist Benji Stiles, we explor...

This is a ‘dancing peacock Japanese maple’ (Acer Japonicum Aconitifolium) also known as ‘Maiku-jaku' in Japanese. Its massive leaves have nine points instead of 5. They can be as b...