Eleanor Aldrich Mixed Media
American
Eleanor Aldrich was born in Springerville, Arizona. A participant at the Skowhegan School of Painting and Sculpture in Maine, she also holds an MFA in Painting
Drawing from the University of Tennessee, Knoxville, where she currently lives. She earned her BFA in Painting
Drawing through the Academie Minerva (Groningen, the Netherlands) and Northern Arizona University, Flagstaff. She was a participant in the Drawing Center’s first Open Sessions, and works in a long-distance collaboration ALDRICH
WEISSBERGER with the artist Barbara Weissberger.
Eleanor has had solo shows in Boston, Nashville, Knoxville, Flagstaff, AZ, and at the University of Alabama. Her work has been shown at Saltworks Gallery and White Space (Atlanta, GA), the Drawing Center (New York, NY), Grin (Providence, RI) and Ortega y Gasset (New York, NY). Her work was chosen for 1708 Gallery’s ‘FEED 2013’ (Richmond, VA). She has been awarded an Endowment for the Arts through the Whiteman Foundation, and the Herman E. Spivey Fellowship. Her work has been included in New American Paintings, and reviewed in Art in America and on Artforum.
Statement:
My work is about the places where the concerns of modernist painting meet my own experiences and the physical reality of the body. Sometimes the encounter is in the application – paint is combed, piped, squished, and sprayed, and paper transfers are rubbed off; playing with ideas of femininity and the purity of paint. The material squeeze invites the empathy of the body and is at times funny, beautiful, revolting, and satisfying. The grid appears as a support- a resist that molds the material as it presses through. In this way the material is metaphoric of conformity and issues of control over one’s body.to
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Artist: Eleanor Aldrich
SNAKE EYES - Contemporary mixed media, textural figure painting with tacks
By Eleanor Aldrich
Located in Signal Mountain, TN
In “Snake Eyes”, Eleanor Aldrich uses oil, silicone, enamel, thumbtacks, and sharpie on canvas to create a visceral exploration into a lounging back. The m...
Category
2010s Contemporary Eleanor Aldrich Mixed Media
Materials
Mixed Media
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Previously Available Items
THE CRACKED MIRROR - oil and enamel and canvas on canvas- textural, figurative
By Eleanor Aldrich
Located in Signal Mountain, TN
A feminine figure occupies the majority of the right side of this canvas, and though we can't see her face, we know that she is looking at the wall beside her. The wall is disheveled, seemingly covered with graffiti and a broken mirror hangs loosely at a precarious angle.
--
Building on her previous show, Main Squeeze, which featured bodies pressing through the grid of lawn chairs, in “That Feeling When,” Aldrich expands the excess of materials to large figure paintings and small, overfilled sculptures. Aldrich uses thick materials that protrude from the surface, reminding the viewer that the paintings are not only physical objects in themselves, but also create the illusion of the picture. The work employs a risky excess of material that borders on uncontrollable; becoming metaphoric for barely controlled femininity, the attraction and repulsion of materialism, and the body pressing against constraints.
The figures in the paintings are seen from behind or have turned away. The viewer is put in a place of questioning whether they are a voyeur or a co-viewer with the figure of something deeper in the picture plane. The full body paintings of young women based on Nancy Drew...
Category
2010s Contemporary Eleanor Aldrich Mixed Media
Materials
Enamel
THICK MAG - Mixed Media Collage with Magazine Cutouts and Caulking
By Eleanor Aldrich
Located in Signal Mountain, TN
This is a mixed media collage piece by Eleanor Aldrich. Made as a part of her 2017 "Thick Mag" series, it features cut-outs from magazines, caulking, and paper transfers. A nebulous,...
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2010s Contemporary Eleanor Aldrich Mixed Media
Materials
Magazine Paper
LENTICULAR VANISH - textural optical illusion painting using caulk and enamel
By Eleanor Aldrich
Located in Signal Mountain, TN
Excerpt from a review by art critic Joe Nolan:
"In these works, Aldrich paints on surfaces that have been covered in uniform vertical strips of caulk. The textures don’t play into the subjects of these paintings so much as create a consistent 3D pattern across the whole surface of a wood panel covered with canvas.
Two of the most interesting works in this style give us graphic renderings of domestic interiors laid out in blocks of color and elemental shapes. 'Kitchen Sink' and 'Ironing' depict counters, faucets and ironing boards through a distorted perspective that’s unnervingly deep and narrow, vertiginous and claustrophobic. The caulk brings lots of texture to these works, and Aldrich’s paint appears to be applied in chromatic washes of yellow, pink and blue that seem serene given their off-kilter surroundings. In fact, Aldrich uses the repeating vertical textures to create vividly colored lenticular illusions in these works, which only reveal themselves as viewers move past the paintings.
In addition to their formal qualities and their narrative content, Aldrich’s works also comment on traditional gender roles in Western society. Her narrative portraits are mostly inspired by the covers of Nancy Drew novels. Drew, the “girl detective” who first appeared in print as a female counterpart to the Hardy Boys...
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2010s Abstract Eleanor Aldrich Mixed Media
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LAWN CHAIR WITH MARBLES - Oil, enamel painting on canvas with marbles in resin
By Eleanor Aldrich
Located in Signal Mountain, TN
A figure reclines in a red and yellow-strapped lawn chair. The figure sitting in the chair is activated by Aldrich’s transformation of paint and resin into oozing swaths of skin between the lawn chair straps. The chair, recalling the grid, works as a pattern trying to hold and contain the body resting inside it.
--
Building on her previous show, Main Squeeze, which featured bodies pressing through the grid of lawn chairs, in “That Feeling When,” Aldrich expands the excess of materials to large figure paintings and small, overfilled sculptures. Aldrich uses thick materials that protrude from the surface, reminding the viewer that the paintings are not only physical objects in themselves, but also create the illusion of the picture. The work employs a risky excess of material that borders on uncontrollable; becoming metaphoric for barely controlled femininity, the attraction and repulsion of materialism, and the body pressing against constraints.
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LA VITA - sneaker sculpture with found paper and foam spray, textural shoe
By Eleanor Aldrich
Located in Signal Mountain, TN
LA VITA is one of several experimental shoe sculptures that Eleanor Aldrich created as part of a series for her exhibition "That Feeling When" at Channel to Channel...
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Enamel
THE BLACK CAT - Textural figurative painting, woman reclining with black cat
By Eleanor Aldrich
Located in Signal Mountain, TN
A woman reclines in a disheveled bedroom, the folds in her sweatshirt are delicately rendered by the texture of the paint. She stares at the window, where a black cat stands on the sill, looking back at her. The open window reveals a hint of a snowy cityscape.
---
Building on her previous show, Main Squeeze, which featured bodies pressing through the grid of lawn chairs, in “That Feeling When,” Aldrich expands the excess of materials to large figure paintings and small, overfilled sculptures. Aldrich uses thick materials that protrude from the surface, reminding the viewer that the paintings are not only physical objects in themselves, but also create the illusion of the picture. The work employs a risky excess of material that borders on uncontrollable; becoming metaphoric for barely controlled femininity, the attraction and repulsion of materialism, and the body pressing against constraints.
The figures in the paintings are seen from behind or have turned away. The viewer is put in a place of questioning whether they are a voyeur or a co-viewer with the figure of something deeper in the picture plane. The full body paintings of young women based on Nancy Drew...
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2010s Contemporary Eleanor Aldrich Mixed Media
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FIGHTING IRISH (Red Stripes) - Textural painting with ceramic inlay, enamel
By Eleanor Aldrich
Located in Signal Mountain, TN
A person reclines in a red striped lawn chair. The subject's body presses against the back of the hair, revealing a Notre Dame Fighting Irish logo on hi...
Category
2010s Contemporary Eleanor Aldrich Mixed Media
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Enamel
ZIG ZAG HAMMOCK - oil, enamel and silicone on canvas- pink, blue, tan texture
By Eleanor Aldrich
Located in Signal Mountain, TN
A feminine figure reclines in a pink and blue-strapped hammock. The figure sitting in the hammock is activated by Aldrich’s transformation of paint and silicone into layered, glistening, and oozing swaths of skin. The hammock, recalling the grid, works as a pattern trying to hold and contain the body resting inside it.
--
Building on her previous show, Main Squeeze, which featured bodies pressing through the grid of lawn chairs, in “That Feeling When,” Aldrich expands the excess of materials to large figure paintings and small, overfilled sculptures. Aldrich uses thick materials that protrude from the surface, reminding the viewer that the paintings are not only physical objects in themselves, but also create the illusion of the picture. The work employs a risky excess of material that borders on uncontrollable; becoming metaphoric for barely controlled femininity, the attraction and repulsion of materialism, and the body pressing against constraints.
The figures in the paintings are seen from behind or have turned away. The viewer is put in a place of questioning whether they are a voyeur or a co-viewer with the figure of something deeper in the picture plane. The full body paintings of young women based on Nancy Drew...
Category
2010s Eleanor Aldrich Mixed Media
Materials
Enamel
CELLO IN THE SNOW - oil, enamel, glazed ceramic and canvas on panel, textural
By Eleanor Aldrich
Located in Signal Mountain, TN
A cello is held up between the legs of its accompanying musician in a snowy landscape. Snow has collected on the protruding bits of Cello and on the tops of the musician's knees. Though we can't see the face of the musician, we see their bare arms, folding upwards, as if they have buried their face in their hands.
--
Building on her previous show, Main Squeeze, which featured bodies pressing through the grid of lawn chairs, in “That Feeling When,” Aldrich expands the excess of materials to large figure paintings...
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2010s Contemporary Eleanor Aldrich Mixed Media
Materials
Enamel
ON THE BOAT - Textural Figurative Painting of Figure on Sailboat- oil and enamel
By Eleanor Aldrich
Located in Signal Mountain, TN
Excerpt from review by art critic Joe Nolan:
'On the Boat' is the best work in the show, and it’s among the best paintings Aldrich has produced. The portrait depicts a woman sailing...
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2010s Contemporary Eleanor Aldrich Mixed Media
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Enamel
In The Forrest - Textural Figure Painting of Figure in Woods, Forrest Green
By Eleanor Aldrich
Located in Signal Mountain, TN
In the series of paintings titled “That Feeling When,” Aldrich expands the excess of materials to large figure paintings and small, overfilled sculptures. Aldrich uses thick materials that protrude from the surface, reminding the viewer that the paintings are not only physical objects in themselves, but also create the illusion of the picture. The work employs a risky excess of material that borders on uncontrollable; becoming metaphoric for barely controlled femininity, the attraction and repulsion of materialism, and the body pressing against constraints.
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ON THE ICE - Textural figure painting - Oil and Enamel on Canvas Red, Polka-Dot
By Eleanor Aldrich
Located in Signal Mountain, TN
In the series of paintings titled “That Feeling When,” Aldrich expands the excess of materials to large figure paintings and small, overfilled sculptures. Aldrich uses thick materials that protrude from the surface, reminding the viewer that the paintings are not only physical objects in themselves, but also create the illusion of the picture. The work employs a risky excess of material that borders on uncontrollable; becoming metaphoric for barely controlled femininity, the attraction and repulsion of materialism, and the body pressing against constraints.
The figures in the paintings are seen from behind or have turned away. The viewer is put in a place of questioning whether they are a voyeur or a co-viewer with the figure of something deeper in the picture plane. The full body paintings of young women based on Nancy Drew...
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2010s Contemporary Eleanor Aldrich Mixed Media
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Eleanor Aldrich mixed media for sale on 1stDibs.
Find a wide variety of authentic Eleanor Aldrich mixed media available for sale on 1stDibs. You can also browse by medium to find art by Eleanor Aldrich in enamel, metal, paint and more. Much of the original work by this artist or collective was created during the 21st century and contemporary and is mostly associated with the contemporary style. Not every interior allows for large Eleanor Aldrich mixed media, so small editions measuring 8 inches across are available. Customers who are interested in this artist might also find the work of TF Dutchman, Keith Young, and Eleanor White. Eleanor Aldrich mixed media prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $532 and tops out at $3,993, while the average work can sell for $2,396.