Eli Content Art

Signed or titled in Hebrew and english. Eli Content (born in Switzerland 1943) followed in 1974 the education at the Ateliers '63 in Haarlem and received in 1981 his first solo exhi...

Genre: Modern Subject: Abstract Medium: Mixed Media, Airbrush Surface: Paper Country: Netherlands Dimensions w/Frame: 13 1/4" x 30" Eli Content (born in Switzerland 1943) followed in 1974/1975 the education at the Ateliers '63 in Haarlem and received in 1981 his first solo exhibition in the Stedelijk Museum in Amsterdam. Late eighties he exhibited at the Jewish Museum in New York. From 1982 to 2005 he taught painting At the Christian Academy in Kampen. In 1989, he first exhibited in the Joods Historische Museum. There he made one Impressive Sukkah cabin consisting of seven panels painted on both sides. His work is in the collection of the Stedelijk Museum in Amsterdam, the Jewish Historical Museum and the Akzo Nobel Art Foundation. For the New Jewish Museum of Jewish History Museum recently made three major stained glass pieces with the Kabbalistic Tree of Life with the Ten Sefirot. In the mid-seventies Eli Content (Vevey, Switzerland, 1943) made his debut with extremely severe-looking, minimalistic paintings. At the same time he also made much looser cut outs with Matisse-like ornaments. This freedom he has always granted himself. He cannot and will not deprive himself nor the beholder. In a letter dated he writes: “The world that I want to show is more than just one uniform thing –as is usual in the art world- my world is manifold and is not restricted by just one style." His whole life he has been fascinated by the account of the Creation as described in the Bible Book of Genesis. “Whether this is true or not is unimportant to me. It is true because I think it is beautiful. It tells us about the animals that were there before us, about the trees, plants and the creation of man.” This narration is crucial in the monumental window piece (The Creation of Man – Male and Female, 2012) and the little house (Paradise, 2012), both erected from painted over, fragile old newspapers...