Elias S. Mandel Grossman Art

The Spire -- New York. 1985. Etching and drypoint. 14 1/2 x 11 (sheet 22 1/2 x 18). Trial proof of the second third, prior to the edition of 100. Printed on Rives cream wove paper, on the full sheet with deckle edges. A rich impression in pristine condition, housed in an archival sleeve. This etching has never been matted. Provenance: the artist's estate. Titled, annotated 'third state - trial proof' and signed in pencil. A dramatic view of the Chrysler Building. Painter and printmaker Lawrence Nelson...

Chicago-based fine art painter Bruno A. Surdo is classically trained in drawing and oil painting in the tradition of Renaissance masters. With strong command of the human form, Surdo...

Stoops in Snow. 1930. Drypoint and sandpaper ground. McCarron catalog 89.state ii. 9 x 14 7/8 (sheet 13 1/4 x 18 7/16 ). Edition 115 recorded impressio...

Night Shadows. 1921. Etching. Levin 82. 7 x 8 3/8 (sheet 10 x 13 7 1/16).s Series: Six American Etchings: The New Republic Portfolio, 1924. Edition approximately 500-600. Illustrate...

Luigi Kasimir, 'Brooklyn Bridge', color etching with aquatint, 1927, edition 100. Signed in pencil. A superb impression, with fresh colors, on heavy, cream wove paper; with margins...

Shadows on the Ramp. 1927. Drypoint and sand ground. McCarron 64. 9 x 10 1/2 (sheet 12 3/8 x 14). Edition 75 recorded impressions. A rich, tonal impression with drypoint burr, printe...

In a giltwood frame. Gentleman standing with red jacket. Frost And Reed label on reverse giving Maubert attribution. Maubert was born and trained in Dublin.

Wake on the Ferry. 1949. Etching. Morse catalog 313. state v. 5 x 7 (sheet 8 3/4 x 11 7/8). Edition of 350: 200 for the Art Students League and 150 for the artist. A fine impression ...

This striking oil on canvas attributed to James Webb titled "Liege" depicts a river scene in the city of Liege, Belgium. This exquisite cityscape features various boats docked at port, alongside crowds of passers-by. The painting recedes into mountainous views before hazily meeting a blue sky, speckled with clouds. This atmospheric landscape invites the viewer to peruse the past and get lost in the intimate details of Liege, Belgium. The painting is nested in a gorgeous statement giltwood frame crafted from wood and gesso. The frame is an empire-style frame with bead trim on the sight edge and ribbon trim on the concave profile. James Webb (1825-1895) was a British painter specializing in marine views and landscapes, depicting both England and continental Europe. He was born in London to a family of fellow painters, and went on to study at the Royal Academy. He exhibited in London at the Royal Academy and the British Institute between 1850 and 1888, and many of his works still hang in London in the collections of the Victoria and Albert Museum and the Tate Gallery. His painting style was inspired by English...

McCarron 76. 12 7/8 x 7 7/8 (sheet 16 5/8 x 12 1/4). 6th trial proof (McCarron records 84 impressions including 4 trial proofs). Illustrated L'Amérique de la Dépression: Artistes En...

Antique oil painting on board of a white dog caught in a moment of speculation in an outdoor scene. Signed William Melbon and presented ...

Portrait of a scholar, standing, in indoor attire, his hand resting on a large book (with a title that seems to be written in Hebrew?) Oil on canvas from the 18th century, probably ...