Elwood Howell Abstract Paintings

Artist Len Klikunas paints to modify experienced reality through visual perception. His art is a mix of art and architecture, hovering between painting and sculpture. It employs shizen (自然): the Japanese concept of naturalness, absence of pretense, or artificiality. Material is stretched over a supporting three-dimensional framework, like a tent, and coated with paint. This multi-dimensional 18-inch square and 3.25-inch deep post-minimalist artwork is wired and ready to hang. It is created with mixed media on canvas, stretched over a three-dimensional wooden form. The sides of this artwork are finished by the artist as a continuation of the front, and it does not require framing. The artist signs and titles the artwork on the back. Convenient delivery is available for those in the local Los Angeles area, and affordable worldwide shipping is available for US and international art collectors. A certificate of authenticity issued by the gallery is included. Klikunas focuses on the larger idea behind his original abstract minimalist artworks. The work is characterized by “mindful artlessness” and simplicity. The natural-like radiation that comes from the structure of the materials and color schemes expresses calmness. With a fusion of art and architecture, Klikunas presents compositions that defy conventional perceptions. Through strategic placement and a rich color palette, he creates three-dimensional structures that engage viewers in a captivating visual experience. Len Klikunas' sculptural minimalist works are represented by Artspace Warehouse Los Angeles. They have been exhibited and collected throughout the world. REPRESENTATION Artspace Warehouse, Los Angeles, USA SOLO EXHIBITIONS 2018 Lacy Lines, The District, Boise, Idaho Horizons, Landscapes, The District, Boise, Idaho 2013 Block in the Void, The District, Boise, Idaho 2012 Back of the Light, The District, Boise, Idaho 1979 Nudes by Klikunas, Courtyard Gallery, Portland, Oregon 1976 Solar Votives, Clackamas College Gallery, Oregon City, Oregon SELECT GROUP EXHIBITIONS 2023 “Fluro Colour Forever”, Civic Center, Nampa, ID 2022 “Lines In Motion”, Artspace Warehouse, Los Angeles, CA 2020 Midnight Blue, Artspace Warehouse, Los Angeles, CA Reflections and Shadows, Meridian Library, ID Behind the Red Door, Initial Point Gallery, ID 2019 Affordable Art Fair, New York, NY Roots, Nampa Civic Center, Nampa, ID Binary Response, Artspace Warehouse, Los Angeles, CA After Dark: A Duality, Nampa Civic Center, Nampa, ID 2018 Affordable Art Fair, New York, NY Artspace Warehouse, Los Angeles, CA Art Palm Springs, CA 2017 Artspace Warehouse, Los Angeles, CA 2016 6 by Six, Art Source Gallery, Boise, Idaho (juried) This American Life, Treasure Valley Artists Alliance, Boise, Idaho (juried) Celebrating Private Idaho, Treasure Valley Artists Alliance, Boise, Idaho (juried) Inner Workings, Surel's Place, Winston C. Mitchell and Surel L. Mitchell Family Foundation honorarium, Garden City, Idaho (juried) 2015 Hunting and Gathering Exhibition, Treasure Valley Artists Alliance, Boise, Idaho (juried) Artspace Warehouse, Los Angeles, California 2nd 2015 Showcase Competition, winner, Artslant Bellingham National Salon des Refusés, Whatcom Museum, Bellingham, Washington 2011 Elon University Gallery, Elon, North Carolina 2010 Idaho Triennial, Boise Art Museum, Boise, Idaho 1987 La Quinta Juried Art Festival, La Quinta, California 1984 Courtyard Gallery, Portland, Oregon 1983 Courtyard Gallery, Portland, Oregon 1982 Courtyard Gallery, Portland, Oregon 1981 Courtyard Gallery, Portland, Oregon 1980 Salon de Refuses, Portland Center for the Visual Arts (PCVA), Portland, Oregon Courtyard Gallery, Portland, Oregon 1979 Courtyard Gallery, Portland, Oregon 1978 Artists of Oregon, Portland Art Museum, Portland, Oregon (juror: Wayne Thiebaud) Courtyard Gallery, Portland, Oregon Gazebo Gallery, Lake Oswego, Oregon 1977-1974 Courtyard Gallery, Portland, Oregon Gazebo Gallery, Lake Oswego, Oregon PUBLICATIONS 2010 ArtDaily, Feb 5–May 25, 2010 2010 Boise Weekly Vol. 19 Issue 15, Oct 6–12, 2010 2010 Sustain + Expand, Boise Art Museum, Boise, Idaho 2010 Idaho Statesman, Boise, Idaho, Taking the Pulse of Idaho’s Art...

Nature-Inspired Minimalist Abstract Color Field Painting on 2 Panels in light blue and white with details of earthy brown Acrylic on 2 wood panels Each panel is 36 x 24 x 2 inches Su...

This painting is a part of the Summer Bloom Series. Night Bloom Jasmine, commonly known as Lady of the Night, has the sweetest scent and attracts moths and bats in the wild, though i...

Summer Bloom series began in 2022, where Shizico Yi celebrating the season by painting en plein air in her garden. In 2024, she embarks on a fresh chapter with her new rose garden. T...

In her latest series, "The Weaver," Shizico explores forms, layers, and time onto canvases. Applying the format of diptychs and triptychs, she creates lyrical narratives, capturing t...

Beautiful abstract painting by American artist, Harris Strong (1920-2006). Acrylic and pins on folded handmade paper, 1970's. Measures 30 x 40 inches framed. Weighs 22 lbs. Color ...

Nature-Inspired Minimalist Abstract Color Field painting on three wood panels in shades of Light Green and Blues Acrylic on 3 panels (2 panels are 24 x 18 x 2 inches each, center panel is 24 x 6 x 2 inches) Overall measurement for horizontal install with 1-2 inch recommended spacing, 24" X 43" X 2" inches horizontally Artist Ginny Fox achieves multiple flawless layers of acrylic paint, wiping it on and off with cotton cloth, to create a subtle yet distinctive woven texture on a smooth surface. The artist's work is inspired by patterns found in nature such as tree rings, rock lines, ethereal horizons, or water ripples. It appears as though a light source is originating behind the panel, glowing softly in a pale, dreamy green palette. This unique surface spreads all the way to the very edge of each panel with its delicate, cross hatched motif. The 2 inch deep sides are cleanly painted white for a seamless finish. These panels hang flush to the wall by resting on two nails on either side of the panel, and can be arranged in any number of ways, highlighting the work's sculptural element. Artist's Statement: My paintings merge the detailed textures and colors found in the natural world with the linear and geometric patterns visible in industrial and architectural structures. The interplay of these elements drives the work and provides a platform for constant change and narrative. By simultaneously layering and removing paint with rags instead of brushes, my hand is directly involved with the process. Each piece contains multiple panels that evoke a nuanced and evolving universe. Ginny Fox builds up each non-representational piece with overlapping streaks of paint that frequently span two or three panels. Working with rags instead of brushes, Fox’s hand moves along parallel paths, emergent colors cascading gently towards the edges of the composition's plane. There’s something vaporous to the outer layers of the work, the interwoven strands of color offering glimpses at the painting’s earthy base and hinting at the artist’s gradual process. Having received her education from New York University in the 1970s, Fox has since exhibited throughout the United States, especially in New York City and the northeastern U.S. RESUME Solo Exhibits 2019 Winterscape Soho20 Bushwick, New York 2017 Perpetual Earth Soho20 Bushwick, New York 2015 Intimate Universe Soho20 Chelsea New York...

Nature-Inspired Minimalist Abstract Color Field painting on three wood panels in shades of cool blues and greys. Acrylic on 3 panels, Each panel is 8 x 24 x 2 inches Panels can be oriented or stacked horizontally or vertically, recommended spacing between panels is 1-2 inches Overall measurement for vertical install with 1 inch spacing: 28 x 24 x 2 inches We are amazed by this artist's ability to achieve multiple flawless layers of acrylic paint, wiping it on and off with cotton cloth, to create a subtle yet distinctive woven texture on a smooth surface. The artist's work is inspired by patterns found in nature such as tree rings, rock lines, ethereal horizons, or water ripples. It appears as though a light source is originating behind the panel, glowing softly in a pale, dreamy green palette. This unique surface spreads all the way to the very edge of each panel. The 2 inch deep sides are cleanly painted white for a seamless finish. These panels hang flush to the wall by resting on two nails on either side of the panel, and can be arranged in any number of ways, highlighting the work's sculptural element. Artist's Statement: My paintings merge the detailed textures and colors found in the natural world with the linear and geometric patterns visible in industrial and architectural structures. The interplay of these elements drives the work and provides a platform for constant change and narrative. By simultaneously layering and removing paint with rags instead of brushes, my hand is directly involved with the process. Each piece contains multiple panels that evoke a nuanced and evolving universe. Ginny Fox builds up each non-representational piece with overlapping streaks of paint that frequently span two or three panels. Working with rags instead of brushes, Fox’s hand moves along parallel paths, emergent colors cascading gently towards the edges of the composition's plane. There’s something vaporous to the outer layers of the work, the interwoven strands of color offering glimpses at the painting’s earthy base and hinting at the artist’s gradual process. Having received her education from New York University in the 1970s, Fox has since exhibited throughout the United States, especially in New York City and the northeastern U.S. RESUME Solo Exhibits 2019 Winterscape Soho20 Bushwick, New York 2017 Perpetual Earth Soho20 Bushwick, New York 2015 Intimate Universe Soho20 Chelsea New York...

Jazzu Être ici vivant 2025 Acrylique sur papier fort 2025 42 x 29,7 cm 490 euros

Collection: Beyond the Horizon Acrylic on canvas Md Tokon's style has reflected the art of American Abstract Expressionists. Md Tokon spent his early years in Jhenidah and Dhaka. Th...

Jazzu Belle âme forte Acrylique sur papier fort 2025 Daté , titré et signé par l’artiste 42 x 29,7 cms 490 euros

An original acrylic on linen canvas by American artist Martica Miguens. The artist's estate was recently unearthed and acquired by Benjaman Gallery. ...