Fannie Hillsmith Drawings and Watercolor Paintings

George Dannatt (1915-2009) 'Gates' No 1 1976 Medium: Oil & crayon on oil wash Image: 21.0 x 33.0 cm Reference no: 0450 George Dannatt’s long career as a painter and sculptor ended ...

Abstract Landscape Mid 20th Century Work on Paper Hamptons, NY Drawing Pastel. Signed and dated '62 lower right. 9 x 12 inches (sight) and 15. 1/2 x 18 1/2 inches framed. BIO Robert Dash is known for his Hamptons paintings...

Blue, purple, and green toned winter landscape pastel drawing by German-American painter, Wolf Kahn. Signed by the artist in the lower right corner. Framed and matted in a gold frame...

“Elk Being” is an original pastel painting by celebrated Colorado artist Sushe Felix, known for her vibrant, nature-inspired works that blend stylized forms with bold, contemporary c...

George Dannatt (1915-2009) Untitled 1992 Medium: Mixed media on paper Image: 14.9 x 10.9 cm Mount: 29.8 x 24.8 cm George Dannatt’s long career as a painter and sculptor ended w...

"Second Theme" 1949 Abstract Mid 20th Century Geometric Non-Objective Hard Edge Burgoyne A. Diller (American, 1906-1965) "Second Theme" 1949. Pencil and crayon on paper. Signed and dated 'D. 49' (lower right). Image: 9 1/2 x 5 1/2 in. Andre Emmerich Gallery, New York. Martha Jackson Gallery, New York. Anderson Gallery, Buffalo, New York. David K. Anderson Grandchildren's Trust. BURGOYNE DILLER (1906-1965) Recognized as the first American painter to embrace the tenets of Neo-Plasticism, Burgoyne Diller made an important contribution to the development of non-objective art in the United States. Working in a hard-edged geometric style, he produced paintings, drawings, and collages that paved the way for the development of American Minimalism during the 1960s and 70s. Born in New York City in 1906, Diller began painting and drawing as a teenager growing up in Battle Creek, Michigan. Later, while attending Michigan State University in East Lansing on an athletic scholarship, he made weekend visits to the Art Institute of Chicago, where he familiarized himself with Impressionist and Post-Impressionist painting. He was especially drawn to the landscapes and still lives of Paul Cézanne, who modeled color to create structure and volume. In 1929, Diller moved to Manhattan and enrolled at the Art Students League, where his teachers included such progressive-minded painters as Jan Matulka, Hans Hofmann, and George Grosz. Hofmann's concept of the "push-pull" effect of form and color exerted a strong influence on his early work, as did his growing familiarity with Analytical and Synthetic Cubism, German Expressionism, and other vanguard European styles. Diller had the opportunity to see some of this work firsthand, but he also kept abreast of developments abroad by reading journals such as Cahiers d'Art. Diller completed his studies at the League in 1933, the year he had his first solo exhibition at the Contemporary Arts Gallery in New York. It was around this time that his paintings began to show the influence of the reductive, pared-down geometric compositions of the Dutch Constructivist Piet Mondrian and the equally restrained compositions of Kasimir Malevich and El Lissitsky...

Elaine Kaufman Feiner (1922-2018) "February" 1999 Oil pastel on paper 40"x30" unframed Signed and dated in pencil lower right, signed, titled and dated on reverse

This series draws inspiration from Hatillo’s Fiesta de los Santos Inocentes, translating the festival’s vibrant movement and collective energy into a refined abstract vocabulary. Thr...

A beautiful and peaceful abstract still life painting done in pastel. Vibrant colours such as red, yellow, blue and green burst through the picture to create a living and loving peac...

Friederike Oeser, a contemporary abstract painter, lives and works in Munich, Germany. For Oeser there is no hierarchy of visual value. It all has import—whether it be a trickle of w...

Venice is an original modern artwork realized by Zoran Mušic in 1959. Mixed colored pastel drawing on paper. Includes frame. Hand signed and dated on th...

Red and Yellow Galaxy Abstract on Wrapper of Interview Magazine Acrylic on Paper Saturated abstract composition by Ricardo de Silva (Brazilian, 20th Century). Splashes of red, yello...