Fermin Rocker More Prints

A collage lithograph from her series Various Flying Creatures by Kiki Smith titled: "squirrel." Smith has used one of her animal/insect iconic figur...

This is a vintage exhibition poster for an Andy Warhol exhibition held at The Tate Gallery in London from February 17 to March 28, 1971. The poster features Andy Warhol's iconic ima...

A 19th century, hand coloured lithograph, the colours fresh and in good condition for its age. Artist: Captain Philip Meadows Medium: Hand coloured lithograph Plate 6 Created: 1842 Paper Size: 39 x 32.5 cm Plate Size: 27.5 x 21.2 cm With the description sheet on verso TAYLOR, Captain Philip Meadows (1808-1876). Plate from Sketches in the Deccan. London: published by J McLean 1842 Plate 6 From a series of views of the Deccan, at this time the state of Hyderabad. The suite of plates includes views, scenes and settings of places and buildings at Goa, Arungabad, Tooljapoor, Golcondag, Hyderabad, Ellors, Rozah, and the Tandoor hills, among others. Meadows Taylor arrived in India as a young man to work with a Bombay merchant, but quickly accepted a military commission...

By David Hockney These lithographs are taken from the special edition of Hockney's Alphabet, which is signed on the justification page by David Hockney and Stephen Spender. A copy o...

Takashi Murakami, a pivotal figure in contemporary art, is renowned for his ability to blend traditional Japanese aesthetics with modern pop culture. His 2016 limited edition print, ...

A very good impression of this color lithograph on TGL handmade paper. Initialed and numbered 6/40 in pencil. Printed and published by Tyler Graphics, Ltd., Mount Kisco, with the bli...

Richard Deacon Kind of Blue (Hand Signed and Dated card), 2005 Offset lithograph postcard Boldly signed and dated 9-01-05 by the artist above the image of the sculpture 5 4/5 × 4 1/4 inches Unframed Offset lithograph postcard depicting Richard Deacon's 1995 ceramic sculpture "Kind of Blue", in the collection of the Arts Council of Great Britain. This work is hand signed and dated on the front of the image. Very good vintage condition; minor handling and discoloration around far corners (edges) to the card which will easily frame out. Richard Deacon’s voluptuous abstract forms have placed him at the forefront of British sculpture since the 1980s and, hugely influential, his works are visible in major public commissions around the world. His voracious appetite for material has seen him move between laminated wood, stainless steel, corrugated iron, polycarbonate, marble, clay, vinyl, foam and leather. As he explains: “Changing materials from one work to the next is a way of beginning again each time (and thus of finishing what had gone before)”. Deacon describes himself as a ‘fabricator’, emphasising the construction behind the finished object – although many of the works are indeed cast, modelled or carved by hand – and accordingly the logic of the fabrication is often exposed: sinuous curved forms might be bound by glue oozing between layers of wood or have screws and rivets protruding from sheets of steel, wearing their hearts on their sleeves. Such transparency highlights the reactive nature of the process: it is part of a two-way conversation between artist and material that transforms the workaday into something metaphorical. The idea of ‘fabrication’ also denotes making something up, of fiction rather than truth, and this knack for wordplay surfaces in Deacon’s titles, which might establish juxtapositions or wreak new meaning from familiar sayings or clichés – see Let’s not be Stupid (1991), No Stone Unturned (1999), Water Under the Bridge (2008) or Shiver My Timbers (2016). Richard Deacon Biography Richard Deacon was born in Bangor, Wales, UK in 1949 and lives and works in London, UK. He has a BA from St Martin’s School of Art, London, UK (1972) and an MA in Environmental Media from the Royal College of Art, London, UK (1977). Solo exhibitions include Kula Gallery and the Museum of Fine Arts, Split, Croatia (2021); Middelheim Museum, Antwerp, Belgium (2017); San Diego Museum of Art, San Diego, CA, USA (2017); Prague City Gallery, Prague, Czech Republic (2017); Museum Folkwang, Essen, Germany (2016), Kunstmuseum Winterthur, Switzerland (2015); Tate Britain, London, UK (2014); Sprengel Museum, Hannover, Germany (2011); Musée de la Ville de Strasbourg, France (2010); Portland Art Museum, Oregon, USA (2008); PS1 Contemporary Art Center, New York, USA (2001); MACCSI, Caracas, Venezuela (1996); Whitechapel Art Gallery, London, UK (1989) and Museum of Contemporary Art, Los Angeles, USA (1988). He represented Wales at the Venice Biennale, Italy (2007) and has participated in the Venice Architecture Biennale, Italy (2012), Glasgow International, UK (2006) and documenta 9, Kassel, Germany (1992). He won the Turner Prize in 1987 and the Robert Jakobsen...

Frank Lloyd Wright's Ennis House, Los Angeles - Lithograph on Paper Clean, modern lithograph of the Ennis House in Los Angeles by Frances Myers (American, 1936-2014). The Ennis House sits at the top of a small hill, cutting a strong line against a soft peach-colored sky. Wright's strong sense of balance is highlighted in this composition, with patterns and lines guiding the viewers eye in various directions around the piece. Numbered, titled, signed and dated along the bottom edge: 7/50 Ennis House - Los Angeles Frances Myers 1980 Paper size: 29.5"H x 38"W Print size: 24"H x 32"W Shipped rolled in a tube. Myers was born on April 16, 1936, in Racine, Wisconsin. She began her studies at the San Francisco Art Institute, but soon transferred to the University of Wisconsin–Madison where she earned a BS in 1962, and an MFA in 1965. Myers employed a variety of printmaking techniques in her career including "relief, photo-etching, and mixed media processes." Myers is best known for her prints depicting various buildings. She once said, “I don’t want to invent a building, I want to bring new life to a building.” Growing up in Racine, Myers was exposed to many of Frank Lloyd Wright's architectural works, and she paid tribute to this in her 1980 work The Frank Lloyd Wright Print...

A collage lithograph from her series Various Flying Creatures by Kiki Smith titled: "moth." Smith has used one of her animal/insect iconic figures f...

1970s Pair of black and white important numbered and signed etching. Japan 1973. Every item of our Gallery, upon request, is accompanied by a certificate of authenticity issued by S...

A collage lithograph from her series Various Flying Creatures by Kiki Smith titled: "bat." Smith has used one of her animal/insect iconic figures fo...

A cult artifact of 1970s counterculture and surf cinema, this original 1972 poster for The Freedom Riders captures the spirit of rebellion, freedom, and sensuality that defined the e...