Franc Root McCreery Art

Henry Ottmann (1877-1927) Élégante au chien, an elegant woman with a dog signed lower right pastel on paper 32 x 25 cm Framed 52 x 42 cm Published under n°602 of the artist's cat...

Original colored crayons and pastel drawing on paper. Hand signed and dated on front by David Hockney. Artwork size 16.75 x 14inches. Frame size approx 27 x 24 inches. Provenance: Annely Juda Fine Art; Richard Gray Gallery. Artwork in excellent condition. All reasonable offers will be considered. About the Artist: David Hockney is one of the most influential British artists of the 20th century. Perhaps best known for his serial paintings of swimming pools, portraits of friends, and verdant landscapes, the artist’s oeuvre ranges from collaged photography and opera posters to Cubist-inspired abstractions and plein-air paintings of the English countryside. Often returning to a certain motif again and again, he probes the manifold ways one can see an image or a space. Hockney’s exploration of photography’s effect on painting and everyday life is evinced in his hallmark work A Bigger Splash (1967). “In art, new ways of seeing mean new ways of feeling; you can't divorce the two, as, we are now aware, you cannot have time without space and space without time,” he has explained. Born on July 9, 1937 in Bradford, United Kingdom, Hockney attended the Royal College of Art in London alongside R.B. Kitaj. At school, he studied under both Francis Bacon and Peter Blake, but also credits Pablo Picasso and Henri Matisse for influencing his distinctive and varied style. In 1963, the artist traveled to Southern California for the first time and fell in love with the bright sunshine and easygoing lifestyle. Since then, he has alternated living and working between Yorkshire, United Kingdom, and Los Angeles, CA. In November 2018, his 1972 painting...

Pastel on paper on canvas, initialled lower left "ND" Image size: 13 ¾ x 22 ½ inches (35 x 57 cm) Gilt frame This fine Art Nouveau picture executed around 1900, depicts an auburn ha...

CHILD - Pastel on paper cm.51x41 signed lower right by Alfonso Grassi, Italy. Wooden frame with passeportout cm.94x73

Rabbi in the synagogue at prayer wearing tallit and tefillin. Hugó Scheiber (born 29 September 1873 in Budapest – died there 7 March 1950) was a Hungarian modernist painter. Hugo Scheiber was brought from Budapest to Vienna at the age of eight where his father worked as a sign painter for the Prater Theater. At fifteen, he returned with his family to Budapest and began working during the day to help support them and attending painting classes at the School of Design in the evening, where Henrik Papp was one of his teachers. He completed his studies in 1900. His work was at first in a post-Impressionistic style but from 1910 onward showed his increasing interest in German Expressionism and Futurism. This made it of little interest to the conservative Hungarian art establishment. However, in 1915 he met the great Italian avant-gardist Filippo Tommaso Marinetti and the two painters became close friends. Marinetti invited him to join the Futurist Movement. The uniquely modernist style that he developed was, however, closer to German Expressionism than to Futurism and eventually drifted toward an international art deco manner similar to Erté's. In 1919, he and his friend Béla Kádar held an exhibition at the Hevesy Salon in Vienna. It was a great success and at last caused the Budapest Art Museum to acquire some of Scheiber's drawings. Encouraged, Scheiber came back to live in Vienna in 1920. A turning point in Scheiber's career came a year later, when Herwarth Walden, founder of Germany's leading avant-garde periodical, Der Sturm, and of the Sturm Gallery in Berlin, became interested in Scheiber's work. Scheiber moved to Berlin in 1922, and his paintings soon appeared regularly in Walden's magazine and elsewhere. Exhibitions of his work followed in London, Rome, La Paz, and New York. Scheiber's move to Germany coincided with a significant exodus of Hungarian artists to Berlin, including Laszlo Moholy-Nagy and Sandor Bortnyik. There had been a major split in ideology among the Hungarian avant-garde. The Constructivist and leader of the Hungarian avantgarde, Lajos Kassák (painted by Hugó Scheiber in 1930) believed that art should relate to all the needs of contemporary humankind. Thus he refused to compromise the purity of his style to reflect the demands of either the ruling class or socialists and communists. The other camp believed that an artist should be a figurehead for social and political change. The fall out and factions that resulted from this politicisation resulted in most of the Hungarian avant gardists leaving Vienna for Berlin. Hungarian émigrés made up one of the largest minority groups in the German capital and the influx of their painters had a significant effect on Hungarian and international art. Another turning point of Scheiber's career came in 1926, with the New York exhibition of the Société Anonyme, organized by Katherine Dreier. Scheiber and other important avant garde artists from more than twenty-three countries were represented. In 1933, Scheiber was invited by Marinetti to participate in the great meeting of the Futurists held in Rome in late April 1933, Mostra Nazionale d’Arte Futurista where he was received with great enthusiasm. Gradually, the Hungarian artists began to return home, particularly with the rise of Nazism in Germany. Kádar went back from Berlin in about 1932 and Scheiber followed in 1934. He was then at the peak of his powers and had a special flair in depicting café and cabaret life in vivid colors, sturdily abstracted forms and spontaneous brush strokes. Scheiber depicted cosmopolitan modern life using stylized shapes and expressive colors. His preferred subjects were cabaret and street scenes, jazz musicians, flappers, and a series of self-portraits (usually with a cigar). his principal media being gouache and oil. He was a member of the prestigious New Society of Artists (KUT—Képzőművészek Új Társasága)and seems to have weathered Hungary's post–World War II transition to state-communism without difficulty. He continued to be well regarded, eventually even receiving the posthumous honor of having one of his images used for a Russian Soviet postage stamp (see image above). Hugó Scheiber died in Budapest in 1950. Paintings by Hugó Scheiber form part of permanent museum collections in Budapest (Hungarian National Museum), Pecs (Jannus Pannonius Museum), Vienna, New York, Bern and elsewhere. His work has also been shown in many important exhibitions, including: "The Nell Walden Collection," Kunsthaus Zürich (1945) "Collection of the Société Anonyme," Yale University Art Gallery, New Haven, Connecticut (1950) "Hugó Scheiber: A Commemorative Exhibition," Hungarian National Museum, Budapest (1964) "Ungarische Avantgarde," Galleria del Levante, Munich (1971) "Paris-Berlin 1900-1930," Centre Georges Pompidou, Paris (1978) "L’Art en Hongrie, 1905-1920," Musée d’Art et l’Industrie, Saint-Etienne (1980) "Ungarische Avantgarde in der Weimarer Republik," Marburg (1986) "Modernizmus," Eresz & Maklary Gallery, Budapest (2006) "Hugó Scheiber & Béla Kádár," Galerie le Minotaure, Paris and Tel Aviv (2007) Hugó Scheiber's paintings continue to be regularly sold at Sotheby's, Christie's, Gillen's Arts (London), Papillon Gallery (Los Angeles) and other auction houses. He was included in the exhibition The Art Of Modern Hungary 1931 and other exhibitions along with Vilmos Novak Aba, Count Julius Batthyany, Pal Bor, Bela Buky, Denes Csanky, Istvan Csok, Bela Czobel, Peter Di Gabor, Bela Ivanyi Grunwald, Baron Ferenc Hatvany, Lipot Herman, Odon Marffy, C. Pal Molnar...

Gustave Brisgand (1867-1944) began his artistic career by focusing on landscapes. However, he later specialized in portraits of notable personalities, women, and female nudes. One of...

Portrait is a Pastel and Watercolour artwork realized by Reynold Arnould (Le Havre 1919 - Parigi 1980). Good condition on a little sheet. No Signature. Reynold Arnould was born i...

Konstantin Andreevich Somov (Russian 1869-1939), Young Man Reclining (Boris Snezhkovsky), 1931, Sanguine and pastel on paper, signed and dated (twice) (lower right), 32cm x 48cm, (46...

The Milky Way is a charcoal and pastel drawing realized by Mino Maccari (1924-1989) in 1975. Hand-signed on the lower margin. Good condition on a little paper. Mino Maccari (Sien...

Lucien-Victor Guirand de Scevola (1871-1950) Portrait of a boy Signed lower left Pastel on paper 28 x 23 cm Framed : 63 x 58 cm Guirand de Scévola is particularly renowned for hi...

Artist's Self-Portrait in Pastel on Paper Bright yellow and ochre make up this self-portrait in chalk pastels by Michael William Eggleston (American, 20th Century). Unsigned, but acquired with a collection of the artist's work. Mat size: 30"H x 24"W Paper size: 24"H x 18"W Presented in a new soft peachy cream mat with foam core backing. Michael William Eggleston (American, 20th Century) is a San Francisco...

A French art deco pastel portrait by Louis-Jean Beaupuy. The work is signed and dated bottom right. Presented in carved and gilded wood frame. Beaupuy has captured all the charm and...