Francesco Clemente

Light Ball model 2 by Achille and Pier Giacomo Castiglioni for Flos. Minimal wall / ceiling lamp providing diffused light. Base in enameled spun aluminum, opal glass sphere with scre...

Wonderful mid-century first production chrome "Foglio" sconces in fabulous conditions. These iconic lamps were designed by Tobia Scarpa and produced by Flos in Italy during the 1960s. 3 pieces available. The Foglio (meaning 'sheet' or 'leaf' in Italian) is composed by a thick curved sheet of chromed steel with a white enameled interior and two lamp holders. They come wires and tested, compatible with both US and EU / UK standards and use two E26/27 light bulbs. The way these lamps spread the light is poetic and incredibly elegant. The perfect lamps to complete a midcentury modern living room. Dimension (cm): Width - 37 Height - 21 Depth - 11 Tobia Scarpa’s work (as well as that of his brother Carlo, an architect) reveals a precise desire to combine old and new, combining traditional craftsmanship with modern needs. Scarpa graduated in architecture from the University of Venice in the 1950s, together with his wife and collaborator Afra. His first assignment as a designer was for Venini, a renowned Murano glass company. Starting in 1957, Tobia and his wife also began working together in the field of architecture, and devoted much of their work to the delicate restoration of historic buildings. They are also known for their sober approach to design, aimed at the luxury market. The Foglio lamp...

Part of the popular Glo Ball Series, the Mini Glo-Ball C/W was created by artist Jasper Morrison to invoke the radiant calm of a full moon. This unique wall o...

Rodolfo Dordoni's work draws inspiration from a Minimalist aesthetic: like Rodolfo Dordoni’s most beloved designs, the Pochette makes good use of less material to create a piece that...

Fantastic Mid-Century "Light Ball' sconce or ceiling lamp in chrome designed by Achille Castiglioni for Flos in Italy during the 1960s. This is the largest versions of the light ba...

Designed by Piero Lissoni in 2011, the Tight Light plays on the perspective of size with outstanding results. The main body of this wall lamp is made of white painted extruded alumin...

Stunning set of 3 Mid-Century "Light Ball' sconces or ceiling lamps in white enameled metal and opaline glass designed by Achille Castiglioni for Flos in Italy during the 1960s. Th...

Amazing midcentury "Light Ball" wall or ceiling lamp in wonderful red enameled metal and opaline glass. This iconic piece was designed by Achille Castiglioni and manufactured in Ital...

Incredible mid-century "Light Ball large size" applique in smatised ivory metal and opal glass for Flos. This fantastic lamp was designed by Achille Castiglioni and produced in Italy for Flos in the 1960s. This fantastic light is unique because of the materials, made of ivory white enameled metal and opal glass. Requires an E27 bulb. A fantastic piece that will grace a mid-century living room or bathroom. Measures (cms): diameter - 42 height - 31 Literature: Casa Amica, 27 June 1972, p. 105 Octagon 30 September 1973, p. 149 Sergio Polano, Achille Castiglioni all the works, Electa, Milano, 2001, p. 224 Giuliana Gramigna, repertoire 1950-2000, Allemandi, Torino, 2003, p. 121. The beginnings of Flos (meaning “flower” in Latin) blossomed from a brilliant idea: to create objects, starting with a light bulb, that would change the way of life for both the Italian market and the foreign markets. Dino Gavina and the small Eisenkeil manufacturing facility in Merano, had already been creating furniture alongside design masters such as Achille and Pier Giacomo Castiglioni, Afra and Tobia Scarpa. But by the early 1960s, Gavina became convinced the time had come to create new lamps. Using the same technology – conceived in the USA and tested at Eisenkeil – used for the Cocoon lampthe Castiglioni brothers and the Scarpa duo began creating lamps such as the Taraxacum or the Fantasma, with many other beautiful and surprising lamps to follow. And so, from day one, Flos was already reinventing the idea of artificial lighting. Achille Castiglioni (born February 16, 1918, Milan–died December 2, 2002, Milan) was a prolific furniture, lighting, and product Italian designer renown for his ironic, joyful, creative and functional designs that, at times, intersected with ideas explored by conceptual artists. Achille Castiglioni was born into a family with deep appreciation for the arts, as he was the third son of sculptor and coin engraver Giannino Castiglioni and his wife Livia Bolla. He first studied the classics at the Liceo Classico Giuseppe Parini, but then switched to study art at the Accademia di Belle Arti di Brera in Milan. In 1937, he decided to follow the steps of his two elder brothers, architects Livio and Pier Giacomo Castiglioni, by enrolling in the Faculty of Architecture at the Politecnico di Milano, graduating in 1944–after having to interrupt his studies when he was stationed in Greece and Sicily during World War II. In 1944, immediately after graduating, Achille Castiglioni joined his brothers Livio and Pier Giacomo in the design studio that they had founded with Livio’s classmate Luigi Caccia Dominioni in 1937 in Milan. Fortunately for Achille, from the very beginning Livio and Pier Giacomo decided to focus almost entirely on designing exhibitions, furniture, housewares, and appliances since architectural commissions were difficult to come by during the war. This product-design focus, and the deep fraternal bound among the three brothers, would later allow the young Achille to experiment early in his career with emerging techniques and new materials that could communicate a fresh aesthetic sensibility suited for the positive outlook of the post-war European market. The Castiglioni brothers’ important collaboration with Phonola and Brionvega In 1940, Pier Giacomo Castiglioni, Livio Castiglioni, and Luigi Caccia Dominioni, in collaboration withe the Phonola company, presented in the VII Triennale di Milano (Milan Triennial), titled Exhibition of the Radio, a research study of radio devices that included the Fimi Phonola 547 radio, the first radio encased in Bakelite instead of wood. Shortly after the exhibition, Luigi Caccia Dominioni suspended his professional activity to serve in the military during World War II and left the studio. The development of the FImi Phonola 547 radio would prove fruitful for the three brothers, as it allowed Livio Castiglioni to cement his role as the leading design consultant for Phonola from 1940 until 1960, and for Brionvega, from 1960 until 1964. These relationships brought in further collaboration among the three brothers, and would eventually result in several designs for radio and sound appliances with innovative materials and shapes for which Achille Castiglioni played a key role, such as the RR 226 stereo system for Brinovega (1965), the radio phonograph...

Gorgeous white Light Ball, designed by Achille Castiglioni for Flos in Italy in the 1960s. in white metal and opal glass. This fantastic lamp was designed by Castiglioni for Arteluc...

Achille and Pier Giacomo Castiglioni, set of 4 table, ceiling and wall lamps Light Ball, Italy, 1965 Created by the now legendary pair of brothers and Italian designers, the Castiglionis design a series of diffused light lamps using a simple white opaline sphere of industrial production, which reinterprets a low-cost object commonly used in the domestic environment. A polished brass metal frame houses...

Rodolfo Dordoni's work draws inspiration from a Minimalist aesthetic: like Rodolfo Dordoni’s most beloved designs, the Pochette makes good use of less material to create a piece that...