François Flameng Art
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Artist: François Flameng
Hand Fan Project With The Goddess Diana The Huntress floating in the clouds
By François Flameng
Located in PARIS, FR
François FLAMENG
Paris 1856 - 1923
Diana the Huntress floating in the clouds, fan project
1893
Watercolor and gouache on wove paper
Signed and dated lower right
25 x 70 cm sheet (le...
Category
1890s French School François Flameng Art
Materials
Watercolor, Gouache
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, Paris, Académie de la Grande Chaumière, Geneva
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Signed lower left, 'Marguerite Bordet' (French, 1909-2014) and painted circa 1965.
Titled, on old label, 'Le Modele'.
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From an early age, Marguerite Bordet avidly pursued both drawing and painting. In the late 1930's and early '40s, she attended the Académie de la Grande Chaumière in Paris where she studied with the sculptor, Antoniucci Volti (Italian, 1915-1989). After several years, and feeling increasingly disconnected with the academic atmosphere of the Salon, she left to develop her independent artistic style.
Bordet's first public exhibition took place at the Galerie Claude (1947) and, for the next forty years, she continued to exhibit widely with success, both throughout France and internationally, including in Cairo (1955), Geneva (1960) and the United States (1966). A 1962 exhibition of her work showed a thematic rejection of the Academy's influence and the artist's shift to a more personal and spiritually driven style.
Bordet continued to take frequent study trips to Italy, especially to Florence, where she was inspired by the Renaissance Masters. She also visited England (1975-76) where the works of J.M.W.Turner and John Martin at the Tate Museum had a pronounced impact on her development.
In an interview with Hervé Serane, Marguerite Bordet described her artistic process in these words:
"I start my painting with spots. Sometimes I cover it completely and everything is dark. But then it's stronger than me, I can't bear that there isn't an opening. Immediately, I place a Light. I need the shadow to bring out the Light. So I start with the shadow to create this Light. I cannot define why I need this Light so much. It's stronger than me. It's something that dominates me without my being able to explain it intellectually. It is for me an absolute necessity to seek the Light in the darkness.. You have to open like you open a window. You have to reveal. I remove the stains that obscure my painting to find the luminous background of the canvas.... I only paint with transparent colors and I apply several layers of glaze to preserve this light."
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