François Linke More Clocks

A beautifully design late 19th century gilt bronze mounted parcel-gilt and biscuit porcelain mantel (fireplace) clock The front carved with Apollo riding his chariot. The bottom wit...

A 19th century French Horloge de Parquet or tall case clock from Brittany. Elegant solid cherry case in two parts, with book matched panels and a ch...

A very fine and delicate directoire style gilt-bronze marble mounted chariot clock. Exquisite bronze work depicting a winged charioteer guiding a pair of...

A very fine Louis XVI period ormolu striking cartel clock “aux guirlandes”, the movement signed on the white enamel by Gille L’Aine, Paris. Pierre II. Gille l’ainé (1723-1784) was th...

A very fine and Palatial French 19th Century Louis XV Style gilt bronze figural cartel clock by Lerolle Frères, the finely frame body with a circular face with Roman numerals, the ce...

This stunning 19th-century French gilt bronze mantel clock is a true testament to craftsmanship and timeless design. Featuring intricate Gothic cathedral-inspired detailing, this clo...

Wall clock. Gilt bronze. France, 19th century. Gilt bronze wall clock of the type known as a "cartel" due to its shape, featuring Parisian movement and a white dial with Roman numer...

A Fine French 19th Century 'Belle Époque' Gilt-Bronze and Rouge Griotte Marble Table Clock by François Linke (1855-1946) Index Number 86. The clockcase modelled as a tambourine amidst blossoming roses, a mask and fan, on an oval bead-edged marble plinth with recessed panels mounted with fruiting vines, on turned feet, the reverse of the white enamel clock dial with Roman hours and Arabic minutes signed 'F. Linke, Paris', timepiece movement. Circa: Paris, 1895. François Linke (d. 1946) was awarded the gold medal for his Grand Bureau at the 1900 Paris Exposition Universelle. He was the most celebrated Ébéniste of his time. Born in Bohemia in 1855, he moved to Paris in 1881. He produced furniture of the highest quality at his workshops at 170, rue du Faubourg-Saint-Antoine, and established showrooms at 26, Place Vendme. A much simpler version of this commode, with fewer ormolu mounts and with no marquetry, is illustrated in Christopher Payne's "François Linke 1855-1946 The Belle Epoque of French Furniture" Antique Collectors' Club, 2003 Edition, Index 720, Page 498. Literature Payne, C., François Linke 1855-1946: The Belle Epoque of French Furniture, 2003, models illustrated pp. 160, 182, 247 and the black and white cliché on p. 487. Another example of this model was sold at Sotheby's New York, Sale 19th Century Furniture, Sculpture, Ceramics, Silver and Works of Art on April 22, 2010, Lot 448 'Lot 448: FRANÇOIS LINKE 1855 - 1946 A GILT-BRONZE AND ROUGE GRIOTTE MARBLE TABLE CLOCK PARIS, CIRCA 1895, INDEX NUMBER 86' Sold for $10,000 USD Another example of this model was sold at Christie's New York, Sale '500 Years: Decorative Arts Europe' (PROPERTY FROM THE COLLECTION OF RAYMOND AND MIRIAM KLEIN) on October 20, 2011, Lot 146A 'A FRENCH ORMOLU AND ROUGE MARBLE TABLE...

This magnificent five-piece clock set is designed in the style of 18th century porcelain produced by the famous Sèvres Manufactory in France. The set is comprised of a mantel clock, a pair of flanking vases—which double-up as candelabra—and two candlesticks. The five items are crafted from ‘bleu Sèvres’ (navy) colored porcelain, which has been finely parcel gilt, jewelled and painted, and mounted in gilt bronze (ormolu). The mantel clock is composed of a circular porcelain dial, with a central painting of cherubs in flight, encircled by black Roman Numerals within white medallions. This is set within a gilt bronze bezel, crowned by a porcelain lidded urn, fitted with gilt bronze satyr head handles, draped with flower swags, and topped by a gilt bronze grape cluster finial. The clock case is supported on four porcelain columns, which are surmounted by a gilt bronze pinecone-tipped staff, draped with tasselled fabrics. A gilt bronze sculpture of a dancing Maenad (also called a Bacchante)—a female follower of the classical god of wine and ecstasy, Dionysus (or Bacchus). The woman plays the tambourine and is accompanied by a putto. The clock is placed on a shaped gilt bronze base, with two projecting scrolled wings, decorated with gilt bronze acanthus leaves and porcelain patera. The base is mounted with porcelain paintings of classical trophies, and putti within a gilt bronze cartouche frame. It is set on two gilt bronze feet, which are decorated with pointed porcelain covers and gilt bronze rosettes. Depending on personal preference, the vases that accompany the clock can be left as they are or made to serve as candelabra. When vases, they are topped by porcelain domed lids, with gilt bronze grape finials. To turn the items into candelabra, these lids are replaced by gilt bronze covers. Each cover is fitted with six gilt bronze branches—five of which are scrolling and decorated with acanthus leaves, and one extends upwards in a straight line. These terminate in wide drip-pans and urn-shaped capitals. The porcelain vase bodies feature fine paintings of couples courting in garden settings, and they are fitted with gilt bronze cherub head...

A very fine late 19th century French Belle Epoque mounted bronze Dòre flame mahogany Cartel wall clock. The clock features a circular white enamel dial, which is inscribed with both Roman Numerals and Arabic Numbers. beautifully incised gilt hands and convex glass inscribed "Planchon A Paris". Circa 1880 French Mathieu Planchon apprenticed with his father, served several years with other clockmakers including Robert-Houdin and then went into business for himself eventually opening his shop at the Palais Royal in 1890. He was a skilled maker who was influenced by both earlier decorative trends and the ingenious clocks originally designed by Nicolas Grollier De Servierè that were illustrated in DeServierè’s catalog . Antique cartel clocks...

This fine set comprises a cartel clock and barometer, each of which are crafted entirely in gilt bronze. The clock and barometer cases are identical, and take the form of a lyre. The...

This beautiful neoclassical style mantel clock, created from porphyry mounted with silvered and gilt bronze, is formed in the shape of a vase. The movement of the clock is of the cer...