Frank F. English Art

Represented by George Billis Gallery, NY & LA --The process of endless building and reconfiguring transcends the mere physical and encompasses the spiritual and symbolic. The scars a...

This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of water, forests, and skies. These...

Wonderful mid century mixed media coastal/figurative in loose/painterly style by Irmal Gertrude Attridge (American, 1894-1962), circa 1950. Signed lower right. Presented in vintage frame under glass (included as-is). Image size: 9"H x 12"W. Irma Gertrude Attridge was born in Chicago and studied at Chouinard Art Institute in Los Angeles with Henry McFee and Oscar Van Young. Member of Calif. AC; AEA; Cal. WC. Soc.; Women Painters...

"Quart and a Half" is an American Realist abstract landscape watercolor on paper painting by Andrew Wyeth in 1961. The artwork is 21 x 29 1/4 inches and is 33 3/4 x 42 1/4 x 1 inches...

St, Louis River Mural Study American Scene Social Realism Mid 20th Century WPA Jo Cain (1904-2003) The Drama of the St. Louis Great River 23 1/4 x 25 ½ inches Gouache on board c. 19...

Lionel S. Reiss (1894 - 1988) Lobstermen in Gloucester, Massachusetts, circa 1943 Watercolor on paper Sight 17 1/2 x 23 inches Signed lower left Provenance: Private Collection, Las Vegas, Nevada In describing his own style, Lionel Reiss wrote, “By nature, inclination, and training, I have long since recognized the fact that...I belong to the category of those who can only gladly affirm the reality of the world I live in.” Reiss’s subject matter was wide-ranging, including gritty New York scenes, landscapes of bucolic Bucks County, Pennsylvania, and seascapes around Gloucester, Massachusetts. However, it was as a painter of Jewish life—both in Israel and in Europe before World War II—that Reiss excelled. I.B. Singer, the Nobel Prize winner for Literature, noted that Reiss was “essentially an artist of the nineteenth century, and because of this he had the power and the courage to tell visually the story of a people.” Although Reiss was born in Jaroslaw, Poland, his family immigrated to the United States in 1898 when he was four years old. Reiss's family settled on New York City’s Lower East Side and he lived in the city for most of his life. Reiss attended the Art Students League and then worked as a commercial artist for newspapers and publishers. As art director for Metro-Goldwyn-Mayer, he supposedly created the studio’s famous lion logo. After World War I, Reiss became fascinated with Jewish life in the ‘Old World.’ In 1921 he left his advertising work and spent the next ten years traveling in Europe, the Middle East, and North Africa. Like noted Jewish photographers Alter Kacyzne and Roman Vishniac, Reiss depicted Jewish life in Poland prior to World War II. He later wrote, “My trip encompassed three main objectives: to make ethnic studies of Jewish types wherever I traveled; to paint and draw Jewish life, as I saw it and felt it, in all aspects; and to round out my work in Israel.” In Europe, Reiss recorded quotidian scenes in a variety of media and different settings such as Paris, Amsterdam, the Venice ghetto, the Jewish cemetery in Prague, and an array of shops, synagogues, streets, and marketplaces in the Jewish quarters of Warsaw, Lodz, Krakow, Lublin, Vilna, Ternopil, and Kovno. He paid great attention to details of dress, hair, and facial features, and his work became noted for its descriptive quality. A selection of Reiss’s portraits appeared in 1938 in his book My Models Were Jews. In this book, published on the eve of the Holocaust, Reiss argued that there was “no such thing as a ‘Jewish race’.” Instead, he claimed that the Jewish people were a cultural group with a great deal of diversity within and between Jewish communities around the world. Franz Boas...

A fine 1938 watercolor done of Tugboats in the Harbor by Reginald Marsh. The painting depicts the crush of boats at the shoreline during the later part of the American Great Depress...

David Fredenthal captures the chaotic rush of men leaving their jobs at the factory. The setting is possibly the Rouge Factory, one of Henry Ford's most important and earliest fact...

Rural scene of a hillside farm, depicted in watercolor on rag paper by Northern California watercolor and acrylic artist W. H. Myers (American, 20th century). Signed "W. H. Myers." P...

Thelma Corbin Moody AbEx Mountain Side c. 1960's Watercolor on Arches Paper 29.5" x 22", Unframed Thelma Corbin Moody (1908-1986) of Modesto, CA....

Brightly colored and bold painting of an American hunting scene featuring two hunters and Canadian Geese. The bold, bright blues and yellows o...

Noble nautical scene of a small rowboat coming to shore from a larger sailing vessel by George A. Robbins (American, 1918-2010). In the foreground, sever...