Frank Serrano Art

A beautiful 1930's landscape titled "Trail into California Mountains" by Oklahoman artist Sidney Lorenzo Brock (American, 1869-1943). Presented in ...

Aaron Bushnell's (US based) original, handmade oil painting that depicts a small creek flowing through a heavily wooded forest with lowlight. Aaron wa...

May Lydia Ames (American, 1863-1943) Near Carmel, Calif., 1932 Oil on board Signed and dated lower left, signed and titled verso 14 x 20 inches 18.5 x 24.5 inches, framed May Ames w...

Oil Painting of a Woodland Scene in the English Countryside by 20th Century Modern British Artist, James Wright Art measures 30 x 16 inches Frame measures 36 x 22 inches This 198...

David Grossman's (US based) "Evening View to the South West" is an original, handmade oil painting that depicts a wide open plain of the West with fields of...

Traditional Oil Painting of the English Countryside with River Otters by Modern British Landscape Artist Art measures 30 x 20 inches Frame measures 36 x 26 inches James Wright...

Jim Beckner's (US based) "Money to Loan" is an oil painting that depicts a unique red Money for loan sign on a busy city block Artist statement: Jim Beckner’s art vibrates with the...

Seascape oil Painting Artist: Karen Darbinyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Linen, Year: 2019 Style: Classic Art, Impressionism, Subject...

Christopher Clark’s oil on panel painting “Denver - Under the 8th Street Bridge” depicts the splendor of contrast one immerses themself in throug...

Kevin Weckbach's (US based) "Rio Grande" is an original, hand made oil painting that depicts a canyon between stunning cliffs and rocks formations in a desert landscape dotted with green shrubbery. Artist Statement: "Subject matter to me is a vehicle for me to explore how I observe life. My urban influences are an assembly of varied fabrics stitched together to form a tapestry. It is not to resemble a literal story of what it is; moreover, it is a quilt that explains my visual expression. What I find particularly interesting in human intervention in nature is how we are still intertwined with it. Roads, buildings, and farmlands bend with the natural curves of mountains, hills, and streams. City nights are lit up like lightning bugs...

Jeremy Mann's "Composition #59" is an original, handmade oil painting that depicts a dark city setting filled with fog and passerby. About the artist: Je...

"In the series “This is a real place!” I was fascinated by how the underside of the pier at Saint Simons Island, GA was like a readymade collage. The way the pilings and rails divide and frame the spaces between them looks artificially imposed on the scene until you notice the way the waves bounce off the pilings and the railings cast shadows on the water. In some iterations, I chose to simplify the structures of the pier and lighten the values so that it would emphasize the detail in the water. Likewise, I omitted a family of starlings and their droppings in favor of highlighting the geometry of the architecture and the colors and patterns of the water. Making paintings in a series allows me to investigate the results of making different decisions about an image. How I crop or stylize it, the manner in which I apply the paint, what gets included or excluded all add shades of meaning to each piece. Additionally, depictions of the same subject in different weather, seasons, times of day, and tides allows me a deeper understanding. I notice more relationships, colors, and details every time I paint the subject. Every painting is a pile of decisions. Playing with removing more and more details to see what is truly important sometimes improves the painting. The fewer elements you include in an image, the more each one means, and the more important it is to get each thing perfect. At times I like to paint every single detail I can find in a scene, and other times I feel like the unadorned components are sufficient to hold each other in a satisfying composition. I often add simplified shapes to my paintings to highlight the presence of absence or to heighten the importance of each area by creating stark visual contrasts. ⁠The physicality of the paint also plays a role. I used highly textured, thickly applied paint to construct the solid structural elements, and luminous layers of thinly glazed paint for the delicate linework and subtle blending of the water." - Brooke Lanier...