Frederick Rhodes Sisson Art

'Girl in Red' by Carlo Maria Mariani, 1959. Guggenheim, Los Angeles County Museum of Art, Rome, Academy of Fine Arts, Venice Biennale ----- Signed upper right, 'C. Mariani' for Carlo Maria Mariani (Italian, 1931-2021) and dated 1959. Framed dimensions: 22.5 x 1.5 x 17.5 inches A native of Rome, Carlo Mariani first studied there at the Academy of Fine Arts where he was influenced by the prevailing styles of Hyper-Realism and Conceptualism. In 1994, he moved to New York City where he began to paint figural landscapes in a traditional, neo-classical style. The 1990s brought Mariani wide recognition and numerous honors, as he represented Italy three times at the Venice Biennale. Additionally, in 1998, he received the prestigious Antonio Feltrinelli Award for lifetime achievement in painting. Mariani continues to be best known for his refined and painterly, Renaissance technique. He was a central figure in Rome’s avant-garde in the 1970s and is widely regarded as an influential forerunner of 1980's Postmodernism. He achieved an international reputation, beginning in the early 1980s, for his arcane and, often, controversial paintings...

Hand signed. Sketch realized in 1924 for the invitation to "Ballets Russes de Serge Diaghilev". Published in the same invitation in June 26th, 1924. Ref. Mimì, Anna Laetitia Pecci...

Otto Eerelman 1839-1926 Dutch Concours de Chiens au Promenade Watercolor on paper Signed “O. Eerelman 1904” (lower left) A tour de force watercolor by celebrated Dutch artist Otto Eerelman, one of 19th-century Europe's most popular and important animal portraitists, this charming composition captures a bustling cross-section of fashionable elites walking their equally fashionable canine companions. Eerleman takes care to render the detailed attire of his subjects, complete with plumed hats and layers of lace trim. The artist paints the plethora of pets in equally painstaking detail, capturing the nuances of each different breed represented. Eerelman mastered the art of depicting not only the dogs’ physical characteristics but also their unique expressions and personalities. His wealthy clientele would bring their pets to his home in The Hague where they would live for a period of time while having their portraits done, allowing for a remarkably true-to-life portrayal. This energetic watercolor, with its profusion of color and texture, harnesses the affluence of its subjects and the leisurely whimsy of their luxurious lives. Hailing from Groningen, Netherlands, Eerelman was dubbed the “Northern Rembrandt” during his lifetime. He received his artistic training at the Academy Minerva in Groningen, the Royal Academy of Fine Arts in Antwerp and then private lessons in the studio of the great Lawrence Alma Tadema. He successfully captured the attention of the Dutch court, particularly Princess Wilhelmina...

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Le corp de ferme by Paulémile Pissarro (1884-1972) Watercolour, ink and charcoal on paper 29.7 x 46.8 cm (11 ³/₄ ...

L'Ile des Oiseaux by Paulémile Pissarro (1884-1972) Watercolour and charcoal on paper 23 x 31 cm (9 x 12 ¹/₄ inches) Signed lower right, Paulémile Pissarro Provenance Private collec...

Tsuguharu Foujita 1886-1968 Japanese-French Portrait of a Mother and Child Signed “Foujita / Paris” (lower left) Ink and watercolor on paper An artistic luminary well ahead of his time, Tsuguharu Foujita burst onto the international art scene in the early 20th century as one of the most important artists in early Japanese modernism...

'Figural Interior' by André Dignimont. Paris, Académie Julian, Salon D’Automne, Benezit, Bordello ---- Signed lower right, "Dignimont" for André Digni...

Paul Delvaux 1897-1994 Belgian Study for “L’Acropole” Signed and dated "P.Delvaux 1965" (lower right) Watercolor, pen and ink on paper This preliminary drawing for Paul Delvaux’s greatest masterpiece L’Acropole, which resides today in the Centre Pompidou in Paris, features the artist’s most beloved subject — mystical scenes of nude women. A centrally-placed, stoic woman draped in a long green gown stands with her arms outstretched by her sides. She gazes at another idealized woman in the foreground, lying nude on a chaise lounge, while behind her, multitudes of other women in white dresses undertake a long procession towards a distant door. The captivating scene exudes the unique Surrealist style for which the artist has become known. With this skillful rendering of the surreal setting, Delvaux has mastered depicting nude women in a sensual yet non-erotic manner. The artist drew inspiration from a variety of sources, including the futuristic writings of Jules Verne and the mythos of Homer, and blended them with his subconscious themes, which frequently included the nude female form. In combination with the loose concepts of form and perspective found in the 16th-century Mannerist paintings that Delvaux studied in Italy before World War II, his distinctive style served to create memorable dreamscapes without veering into lewdness. Like the very best Surrealist images, the work is both innovative and engaging. Paul Delvaux's earliest and most lasting influences in his art were the futuristic writings of Jules Verne and the mythos of Homer. After completing his initial artistic training at the Académie Royale des Beaux-Arts in Brussels, Delvaux exhibited with Surrealists Dalí...

Paysage de Rivière by Ludovic-Rodo Pissarro (1878-1952) Watercolour on paper 28.5 x 38.6 cm (11 ¼ x 15 ¼ inches) Signed with Estate stamp lower right Ludovic Rodo Executed circa 1930...

Les Andelys by Ludovic-Rodo Pissarro (1878-1952) Watercolour and ink on paper 28 x 38 cm (11 x 15 inches) Inscribed, dated and signed lower left, Les Andel...

Stefan Bleekrode b.1986 Dutch Winter Shadows, New York Black ink and watercolor on paper Signed and dated "S. Bleekrode '18-'20" (upper right) Thi...

Carlo Brancaccio ( Naples 1861 – 1920 ), The visit of the King of Persia Mozaffar al-Din Shah Qajar to the Ostend hippodrome Watercolor on paper cm 74,5...