Gail Norfleet Mixed Media

Svetlana Ostapovici was born in Ribnita, Republic of Moldova, in 1967. She is an affirmed international mosaic artist. In 1999, she moved to Italy. Greek and Latin culture had a stro...

This unique piece by Margulis is from his latest body of works. After assembling the Plexiglas sheets onto the aluminium core, he uses acrylic paints to cover some the front of the s...

Mixed Media artist Amy Genser makes dimensional paper collages. These colorful, textural, one-of-a-kind wall pieces embody movement and processes. She masterfully manipulates paper -...

This unique piece by Margulis is from his latest body of works and is a unique piece. After assembling the Plexiglas sheets onto the aluminium core, he uses acrylic paints to cover s...

This piece titled "Anna's Pizza" is original artwork made from paper, basswood, plaster, acrylic, enamel, watercolor, wire, pvc, pins, pastel, inkjet prints by Drew Leshko. This piec...

This unique piece by Margulis is from his latest body of works and is part of an edition of 9. After assembling the Plexiglas sheets onto the aluminium core, he uses acrylic paints t...

This piece titled "Instant Slaughter" is original artwork made from paper, basswood, plaster, acrylic, enamel, watercolor, wire, pvc, pins, pastel, inkjet prints by Drew Leshko. This...

Mixed Media artist Amy Genser makes dimensional paper collages. These colorful, textural, one-of-a-kind wall pieces embody movement and processes. She masterfully manipulates paper -...

This unique piece by Margulis is from his latest body of works and is part of an edition of 9. After assembling the Plexiglas sheets onto the aluminium core, he uses acrylic paints t...

This is a one of a kind original mixed media (Acrylic, handmade Japanese paper, ink, plexiglass) abstract composition by California artist and educator, Kathleen Kane-Murrell, titled...

This unique piece by Margulis is from his latest body of works and is a unique piece. After assembling the Plexiglas sheets onto the aluminium core, he uses acrylic paints to cover s...

This depicts civil rights icon MLK, the Statue of Liberty, Iwo Jima, an assemblage of mixed media photographic images and painted collaged elements. A powerful, moving work, an ode to the black civil rights movement. John M. Mitchell is originally from North Carolina, and as an art student at North Carolina Central University, he was involved with the Civil Rights movement including participating and getting arrested at a sit-in protest in Durham in 1963. After graduating, he was one of the first art teachers to take a position at the newly integrated schools in his home state. Mitchell continued his education in the 1990s and earned an MFA in painting from the Savannah College of Art and Design in 1993. He later served as a professor there from 1998-2006. Of his inspiration to create, Mitchell says: "A lot of my work is based on my experiences during the Civil Rights movement," he says. "I see art making as a 'record' of experiences. My bittersweet past, growing up in the segregated South, inspires the content, focus and narrative of my work." Savannah-based artist John Mitchell believes that a home is more than a simple edifice. Rather, he argues that the sociological, psychological, architectural, and historical associations embedded in the structure “tell us about our culture, our lives. It tells us about where we come from.” Mitchell's signature shotgun house constructions, crafted from found materials and scraps of newspaper headlines, reference his childhood in North Carolina, where such modest architectural structures were once commonplace. In "ALA 1963," he uses the shotgun shape to create a heartfelt memorial to a group of African-American girls killed in a racially motivated church bombing in Alabama nearly 50 years ago. He also incorporates the shotgun symbol in "Victims," a powerful reflection upon crime in Savannah in the early 1990s, which reveals how little has changed over the past two decades. Mitchell's mixed media constructions operate, in many ways, like memory itself. Scraps, fragments and pieces loosely cohere around a central idea, making symbolic and metaphorical connections. In these richly narrative and boldly stream-of-conscious assemblages, the whole truly is greater than the sum of its parts. Mitchell's jazz collages...