George Richmond Art

One of my best works in this series is ""Art from Money."" This painting has a philosophical meaning. It reflects the philosophy of human impact on the planet. This prophetic paintin...

This intimate oil painting presents a young boy viewed from a three-quarter rear angle, caught in a quiet, reflective moment. The child’s back is turned gently toward the viewer, ren...

Oil on paper realized by Luigi Granetto in 1998. Hand signed. Includes a wooden frame realized by the artist cm. 45x38.5

Family genre scene late 19th early 20th century. The boy, tired of posing for a portrait painter, decided to play by spinning a coin on the table, this game greatly impressed his you...

Portrait of Francisco de Reynoso y Baeza.   Secretary of Pope Pius V, abbot of Husillos and bishop of Córdoba. Francisci de Reynoso. Early 17th century. Small-format portrait from the late Renaissance period. Spanish school. Size: Cm 19 x Cm 13.5 Oil on wooden panel. On the back the fine tablet is strengthened (already in ancient times) by a sheet of parchment. About 1600-1610. As often in Mannerist / Late Renaissance portraits, the image of the character is accompanied by the writing that runs at the top, adding a celebratory, historicising touch to the effigy. Let's bring back the sentence here: DON FRANCISCO DE REINOSO. CAMARERO SECRETO IESCALCO PIO QUINTO OBISCOPO CORDOBA. 68 (? O 7?) (1534, Autillo de Campos, Spain - 1601, Córdoba) Francisco de Reynoso was a Spanish cleric, chief chamberlain, and secretary to Pope Pius V, abbot of Husillos, and bishop of Córdoba. He was the fourth of eleven children. His father was the seventh Lord of Autillo de Campos, and his mother was Juana de Baeza y de las Casas, daughter of Manuel de Baeza, a lawyer of the Royal Council and at the Court of Valladolid. Francisco de Reynoso was deeply devoted to the Virgin Mary and showed a strong inclination toward religion and piety from an early age. He studied Latin, arts, and theology at the University of Salamanca. In 1562, he traveled to Rome with his brothers Pedro and Luis. In January 1566, following the death of Pope Pius IV, Cardinal Antonio Michele Ghislieri was elected pope, becoming Pius V. From this period until Ghislieri's death in 1572, Francisco de Reynoso served as his chief chamberlain and secretary. After Pope Pius V died, Francisco de Reynoso returned to Spain and lived for several years in the city of Palencia, where his brother Manuel was a canon. He supported the Society of Jesus when it was established in Palencia, providing alms to the school's clergy and funding chairs of Letters and Theology at his own expense, as well as donating a significant number of books. During the brief outbreak of the Black Plague...

Mid-Century realist oil on card of a peasant woman, dated 1963 to the reverse. Artist unknown. Presented in gilt and painted wood frame under glass. A charming, grounded painting of...

Kotlicki is a constantly searching artist. Treading his own path, aiming at defining himself, giving his work a clear identity, he came across the avant-garde. He would back off the ...

This watercolor painting depicts a charming European cityscape, filled with historical atmosphere and architectural grandeur. The central element is a snow-white church that dominate...

Oil on cardboard with collages + white frame Su Yu is a Chinese artist born in 1987 who lives and works in Beijing. He was an old student of prestigious art teachers as Shi Liang &a...

RARE museum-quality example of a 19th‑century Russian plein‑air oil study on canvas, executed with swift, confident brushstrokes by the skilled hand of a masterful artist. The tall f...

French Surrealist artist, circa 1960’s oil painting on canvas with stuck on magazine art, unframed canvas: 15 x 18 inches provenance: private collection, Paris condition: overall good

Oil on paper realized by Luigi Granetto in 1998. Hand signed. Includes a wooden frame realized by the artist cm. 50x40